Question 1 Report
Source V
This committee has identified a number of individuals within the motion picture industry who have had significant connections to the Communist Party of the United States. Several screenwriters and directors have attended Party meetings, contributed to Party publications, and used their positions to insert subversive ideas into American films. When called before this committee, ten witnesses refused to answer questions about their political affiliations, citing the First Amendment. Their refusal to cooperate is itself evidence that they have something to hide. We recommend that the studios take immediate action to remove these individuals from positions of influence.
From a report by the House Un-American Activities Committee (HUAC), 1947.
How useful is this source for understanding the impact of anti-communist fears on American society in the late 1940s? Explain your answer using details from the source and your knowledge. [7]
This question asks you to evaluate how useful a 1947 HUAC report is for understanding the impact of anti-communist fears on American society. To reach the highest marks, you must analyze both the content and the provenance of the source, and supplement it with your own knowledge.
What the source reveals: The HUAC report is itself a product of the anti-communist climate it illustrates. It accuses Hollywood screenwriters and directors of Communist Party connections and of inserting 'subversive ideas' into films. The committee treats refusal to testify as proof of guilt, stating that 'their refusal to cooperate is itself evidence that they have something to hide.' It then pressures private industry by recommending that studios 'take immediate action to remove these individuals.' This demonstrates how anti-communist fears led to government bodies investigating citizens' political beliefs, undermining First Amendment protections, and coercing private employers into blacklisting suspected communists.
Own knowledge to develop the answer: The ten witnesses who refused to cooperate became known as the Hollywood Ten. They were cited for contempt of Congress and imprisoned. The major studios responded by creating the Hollywood Blacklist, which denied employment to hundreds of writers, actors, and directors accused of communist sympathies. This was part of the broader Second Red Scare (1947-1957), which included loyalty oaths for federal employees under Executive Order 9835 (1947), Senator Joseph McCarthy's investigations of alleged communists in the State Department and military, and the trial and execution of Julius and Ethel Rosenberg for espionage (1953).
Evaluating usefulness: The source is highly useful for several reasons. First, it comes directly from HUAC itself, so it demonstrates the committee's methods and assumptions in its own words. Second, its logic - treating constitutional rights as evidence of wrongdoing - reveals how civil liberties were compromised during this period. Third, it shows the mechanism by which government pressure was transmitted to private industry. However, the source is limited because it presents only the committee's perspective. It does not show the impact on the individuals targeted, the fear experienced by those who conformed to avoid investigation, or the broader chilling effect on free expression in American culture.
Reaching the highest level: To score 5-7 marks, you must move beyond simply describing what the source says. Evaluate both its strengths (direct evidence of HUAC's methods, assumptions, and language) and its limitations (one-sided, does not capture the full scope of anti-communist impact). Use own knowledge to place it in the wider context of the Second Red Scare. Recognize that the source is useful both for what it explicitly states and for what it inadvertently reveals about the erosion of civil liberties.
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