Question 1 Report
Read Text A, The Farms Above Manila, and then answer Questions 1(a) to 1(e).
(a) Give one reason why Amihan Delgado begins cutting lettuce at half past four in the morning. [1]
(b) Using your own words, explain what the text means by:
(i) 'the city exhales its heat back at the sky' (line 19) [2]
(ii) 'a brittle truce with the water bill' (line 31) [2]
(c) Re-read paragraph 5 ('None of ... was poured.'). Give two reasons why Engineer Marisol Yabut refused most of the roofs she inspected. [2]
(d) Re-read paragraphs 6 and 7 ('Water is ... way down.').
(i) Identify two ways in which the pattern of Manila rainfall makes rooftop growing difficult. [2]
(ii) Explain why Ramon Escalante believes the money would do more good if it were spent somewhere else. [3]
(e) Re-read paragraphs 7 and 8 ('Not everyone ... the receipt.'). Using your own words, explain what Delgado means when she says that two per cent is not the harvest but the receipt. [3]
Read Text B, Take the Garden Off the Roof, and then answer Question 1(f).
(f) According to Text B, what difficulties did the writer meet while running the rooftop farm in Shubra? You must use continuous writing (not note form) and use your own words as far as possible. Your summary should not be more than 120 words. Up to 10 marks are available for the content of your answer and up to 5 marks for the quality of your writing. [15]
[Total: 30 marks]
This question tests the three reading skills that Paper 1 Question 1 always tests: locating explicit information, explaining meaning in your own words, and selecting and summarising material from a second text. Work through the parts in order, and notice that each part tells you exactly where to look.
1(a) Why Delgado begins cutting at half past four [1]
The answer is that by nine in the morning the roof will be too hot for her to kneel on, so the cutting has to be finished before the sun is high. [1]
The material is in paragraph 1: 'She starts at half past four because by nine the roof will be too hot to kneel on.' The word 'because' hands you the reason directly, so this is a locating question rather than a thinking question. One mark is available, so one clear reason is enough. Do not add the traffic on the expressway or the sixteen floors of concrete; those are scene-setting, not reasons for the start time.
1(b) Explaining meaning in your own words [4]
(i) 'the city exhales its heat back at the sky' (line 19) [2]
The sentence immediately before the quotation supplies both halves: 'Concrete stores heat all day and hands it back all night', and the phrase 'long after the sun has gone' fixes the release as slow and night-time. That is how you find the two separate marking points: one for the taking in of heat, one for the slow giving out. The verb 'exhales' is the metaphor you must translate, because breathing out is gradual and continuous, not sudden. A candidate who writes 'the city breathes its heat out at the sky' scores nothing, because repeating the image is not explaining it. Own-words questions credit the idea, not the vocabulary.
(ii) 'a brittle truce with the water bill' (line 31) [2]
Two words carry the meaning. A truce is a temporary agreement to stop fighting, which implies that the two sides are still opponents; 'brittle' means hard but easily broken, so the peace is not solid. The surrounding sentences confirm this reading: 'Pumping to the sixteenth floor costs money, and so does the water itself', and the rain the growers rely on 'arrives in the wrong shape'. Take one mark for the uneasy balance and one for its fragility.
1(c) Why Engineer Yabut refused most roofs [2]
The instruction 'Re-read paragraph 5' restricts you to that paragraph, and the sentence 'says that the whole problem is weight' tells you the topic. The two marks are for two genuinely different points: how heavy the load is, and what the buildings were built to hold. Note the figures Yabut gives, 'Of the first hundred and ten roofs Yabut inspected she approved forty-one', which is the evidence that most were refused but is not itself a reason. Quoting the statistic instead of a reason earns nothing.
1(d)(i) Two ways the rainfall pattern makes rooftop growing difficult [2]
The key phrase to notice is 'Manila rain arrives in the wrong shape', which announces that the problem is the pattern rather than the total amount. The two marks must come from two different ideas. A candidate who makes only the second point twice, once as 'the storms are too heavy' and again as 'the drums overflow', scores 1, because those are the same idea in two forms. The typhoon that 'peeled the netting off a roof in Kapitolyo' is storm damage, not a feature of the rainfall pattern, so it does not answer this question.
1(d)(ii) Why Escalante would spend the money elsewhere [3]
The three marks form a single chain of reasoning, and you need all three links: the rooftop gain is small, there is an alternative use for the money, and that alternative delivers more food. The comparison in paragraph 3, where 'a third of the load has been thrown away' after a day and a half in an unrefrigerated truck, is the earlier detail Escalante is relying on. Answers that stop at 'two per cent is too small' score 1, because the question asks why the money would do more good somewhere else, which requires you to name that somewhere and say what it would achieve.
1(e) 'Two per cent is not the harvest. It is the receipt.' [3]
This is an image question, so the mark scheme wants the logic of the image unpacked, not repeated. Ask what a receipt actually does: it proves a purchase; it is small, paper and worth nothing in itself; it points to the transaction rather than being it. Transfer each of those properties to the two per cent, and the third mark then requires you to name what the receipt is evidence of: paid work for people who had never earned, unused space brought back into use, and children taught where food comes from.
1(f) Summary of the difficulties in Text B [15: 10 content + 5 writing]
The content mark is a straightforward tally: one mark per difficulty found, to a maximum of 10 out of the 13 available. The selection principle is the whole skill here. A point counts if it is a separate difficulty the writer met while running the farm. It does not count if it is a repetition of a point already made, an example illustrating one, a benefit, or advice.
Applying that test to Text B: the closing shade paragraph is a benefit ('What I do not regret is the shade', the flat below 'was measurably cooler for six summers'), and the final instruction to spend money on ground-level lots is advice. Neither is creditable. Equally, 'nine hundred schoolchildren climbed those steps' is a success, not a difficulty, even though it mentions the stairs.
The thirteen creditable points, any ten of which score:
Notice how paragraph 2 yields four points on its own: the wind's nature, its effect on the leaves, the scale of the losses, and the failure of the remedy. Splitting a paragraph into its distinct claims is how you reach ten points inside 120 words.
Model summary (115 words):
Nine floors up the wind was a constant dry force stripping moisture from leaves faster than roots replaced it, killing more plants in one March than insects had in six years, while screens built against it acted like sails in rough weather. Traffic and cement dust meant every leaf needed washing twice, and the washing water had to be hauled upstairs. Without a lift, supplies climbed ninety-four steps on foot, so volunteers drifted away and twenty workers became four. The roof was communal and undocumented; one damp ceiling made the farm suspect for every fault, insurers refused cover, and annual permission let forty families object. Costs were triple Delta rivals', so sales depended on charity.
That version covers points 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12 and 13, which is above the ten needed, and it does so by joining related points with semicolons and 'so' rather than listing them.
Quality of writing [5]
Answers longer than 120 words are not penalised directly, but material beyond the limit is unlikely to be concise and will lose marks under this heading. The commonest way to lose writing marks is to keep the text's own phrasing: 'behaved like sails' and 'on somebody's back' are borrowings, so recast them as 'acted like sails' and 'carried up on foot'. Numbers such as ninety-four steps and six years may be kept, because a figure has no synonym.
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