Studio Photography
Overview
A studio is an empty room. That is the whole point of it and also the whole difficulty. Nothing is given to you: no weather, no light, no background, no accident. Every single thing that appears in the photograph has to be carried in, positioned and switched on by somebody, and if the picture is dull there is nobody else to blame.
This note is about working in that room. It covers what a studio actually is and how to improvise one, the standard lighting positions and what each does to a face or an object, backgrounds, props and posing, the discipline of the lighting plan, and how to make a set of studio images that shows testing rather than one lucky frame. Location photography is the companion area of study and it works the opposite way round, by negotiating with what is already there.
Objectives
- Use a formal studio setting to control the environment for a variety of subject matters such as portraiture and still life
- Use a range of studio photography materials, tools and techniques such as lighting and the use of light, props, posing and the arrangement of objects
Lesson Note
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Lesson Evaluation
Congratulations on completing the lesson on Studio Photography. Now that youve explored the key concepts and ideas, its time to put your knowledge to the test. This section offers a variety of practice questions designed to reinforce your understanding and help you gauge your grasp of the material.
You will encounter a mix of question types, including multiple-choice questions, short answer questions, and essay questions. Each question is thoughtfully crafted to assess different aspects of your knowledge and critical thinking skills.
Use this evaluation section as an opportunity to reinforce your understanding of the topic and to identify any areas where you may need additional study. Don't be discouraged by any challenges you encounter; instead, view them as opportunities for growth and improvement.
- Which light establishes the direction of the lighting and where the shadows fall? A) The fill B) The key light C) The rim light D) The background light Answer: B
- Moving a large softbox closer to the subject makes the light: A) Harder, with sharper shadow edges B) Softer, with more gradual shadow edges C) Unchanged in quality, only brighter D) Cooler in colour temperature Answer: B
- A small triangle of light appears on the shadowed cheek beneath the eye. This lighting pattern is called: A) Split lighting B) Butterfly lighting C) Rembrandt lighting D) Broad lighting Answer: C
- An unlit white paper background photographed under the same exposure as the subject will normally render as: A) Pure white B) Mid grey C) Pure black D) Blue Answer: B
- The best way to make three glass bottles read clearly against a white background is to: A) Light them frontally with a large softbox B) Light the background from behind and place black cards at the sides C) Use a very small aperture D) Move them close together and light from above Answer: B
Available on the Green Bridge App
Download the Green Bridge CBT app on your phone or computer to access full lesson notes, practice questions, and more.
Available on the Green Bridge App
Download the Green Bridge CBT app on your phone or computer to access full lesson notes, practice questions, and more.
Recommended Books
Practice Mock Questions
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