JAMB UTME - Literature In English - 2017

Akọwa Nkọwa

The play "Harvest of Corruption" by Frank Ogodo Ogbeche portrays the judiciary as "corrupt and weak." This means that the play presents the judiciary as being susceptible to corruption and not having the strength to resist it or enforce justice. The play may show instances of bribery, favoritism, and other unethical behavior that undermines the credibility and integrity of the judicial system. In this portrayal, the judiciary is depicted as being far from the ideal of being fair, impartial, and upholding the rule of law. Instead, the judiciary is seen as being compromised and failing to fulfill its role as the guardian of justice.

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The street phenomenon depicted in Amma Darko's novel "Faceless" is a universal theme because it is common to almost all nations of the world. The novel portrays the lives of street children who are homeless, marginalized, and vulnerable to various forms of exploitation and abuse. Although the story is set in Ghana, the issue of street children is not unique to Ghana or Africa alone. It is a social problem that exists in many parts of the world, including developed countries. The plight of street children is a universal theme that can resonate with readers across different cultures and societies. The novel provides a vivid and compelling depiction of the challenges faced by street children, which can help raise awareness and inspire action to address this global issue.

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The statement was made by Ochuole in Page 13, as she tried to inform Madam Hoha in Page 13 on how she would "convince her (Aloho) to pay the ball with him (Chief) and then the usual commission keeps rolling in"(Pg.13)

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The two dominant themes in Frank Ogodo Ogbeche's "Harvest of Corruption" are immorality and greed. The play highlights the pervasive corruption in a fictional African country, where government officials and other powerful people engage in unethical and illegal practices to enrich themselves. The characters' greed and willingness to do whatever it takes to get ahead create a web of lies, deceit, and criminal activity that ultimately leads to tragedy. The play highlights the devastating impact of corruption on society, and emphasizes the importance of integrity and ethical behavior in public service.

Akọwa Nkọwa

Akọwa Nkọwa

The speaker was making the statement to upset "the third jailer"

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Akọwa Nkọwa

Akọwa Nkọwa

Those who perpetuate evil will one day reap out of it. No evil carried out with impunity will go unpunished at some point. The eventual imprisonment of Chief and his accomplices supports this contention. Also, Justice Odili who was latter taken to a court, which was presided over by a Judge. "The Judge described him as a big disgraced to to their noble profession" He is accused of having allowed "greed and avariciousness" to blind him "against the ethical demands of the profession and he had to pay for his sins". (P.119). He is sentenced to 20years imprisonment with hard labour.

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The story of Native Son by Richard Wright is narrated using the third-person limited omniscient point of view. This means that the narrator is not a character in the story, but they have access to the thoughts and feelings of one character, namely the protagonist Bigger Thomas. The narrator does not know everything that is happening in the story, but they can provide insight into Bigger's perspective and emotions. This allows the reader to understand Bigger's experiences and motivations, while still maintaining some distance and objectivity.

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The poem used to express grief on the occasion of someone's death is called a "dirge." A dirge is a type of mournful and melancholic poem that is typically performed or recited at funerals, memorial services, or during periods of mourning. Its purpose is to express deep sorrow and to honor the deceased. Dirges often have a slow and somber tone and may use language that is symbolic or metaphorical to convey the sense of loss and mourning. Overall, a dirge is a way to give voice to the emotions and feelings that arise when someone passes away.

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The narrative style adopted in Amma Darko's "Faceless" is third person. This means that the story is told by an outside narrator who is not one of the characters in the story. The narrator describes the thoughts, feelings, and actions of the characters in the story, but is not directly involved in the events. The narrator uses words like "he" or "she" to refer to the characters, rather than using words like "I" or "me". This allows the reader to have a more objective view of the events in the story.

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According to Okara's poem "Piano and Drums," piano and drums represent different cultural milieus. The piano represents Western civilization, which is associated with order, precision, and sophistication, while the drums symbolize African culture, which is associated with spontaneity, rhythm, and community. The poem explores the conflict between these two cultural worlds, with the speaker feeling torn between the "madness" of the drums and the "dignity" of the piano. The contrasting imagery of "leopard skin" and "grey suit" further highlights the difference between the two cultures. Overall, the poem suggests that there is value in both cultural traditions, and that they can coexist and even complement each other. However, it also acknowledges the difficulties of reconciling these differences and finding a balance between them.

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The dominant tone of Amma Darko's novel "Faceless" is one of bitterness. Throughout the book, the author depicts the harsh realities of life in the slums of Accra, Ghana, including poverty, violence, sexual abuse, corruption, and neglect. The characters face countless struggles and obstacles, and their lives are often filled with pain, suffering, and despair. The author's use of vivid and often graphic language reinforces this tone of bitterness, as does her unflinching portrayal of the injustices and inequities that exist in Ghanaian society. Although there are moments of hope and resilience in the novel, the overall tone is one of bitterness, reflecting the harsh realities of life for the characters in the book.

Akọwa Nkọwa

Akọwa Nkọwa

The mood of Peter's poem "The Panic of Growing Older" can be described as sober. This means that the poem has a serious and contemplative tone, reflecting on the fear and uncertainty that comes with aging.

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An example of a narrative poem is an epic. An epic is a long, storytelling poem that chronicles the adventures and deeds of a legendary or historical hero. It often covers a broad range of themes and subject matter and is known for its grand storytelling style.

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Akọwa Nkọwa

The writer said that confidently making his opinion known for all to hear.

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The correct stress pattern for "Judiciary" is juDiCIary. The stress falls on the third syllable "CI" and the sixth syllable "Ary". This means that when saying the word "Judiciary," you should emphasize the syllables "CI" and "Ary" by making them slightly louder and longer than the other syllables. To help remember the stress pattern, you can break the word into two parts: "judi-" and "-ciary". The stress falls on the second part, which is why the "CI" syllable is stressed.

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The poem is a meditation on death. The journey the poet embarked on in line 12.

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Akọwa Nkọwa

Yaremi's Work Is Dyeing Of Tafeta Cloth And Her Grandson Usually Assists Her As Contained In The Novel

Akọwa Nkọwa

Akọwa Nkọwa

The literacy devices in the given extract are simile and personification. The use of "his cheeks were as if they were balloons" is an example of a simile. This is because it compares the appearance of the trumpeter's cheeks to balloons using the word "as". Similes are figures of speech that use comparisons to create vivid and imaginative descriptions. The phrase "his eyes spoke many words" is an example of personification. This is because it gives human qualities (speaking) to non-human entities (eyes). Personification is a literary device that helps to bring inanimate objects or abstract concepts to life, making them more relatable and easier to understand.

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A poem that describes the simple life of rural people is called pastoral. Pastoral poetry is a genre that celebrates rural life and the natural world. It often depicts idyllic scenes of shepherds or farmers living in harmony with nature, and emphasizes the simplicity and innocence of rural existence. Pastoral poetry can be both descriptive and prescriptive, offering both a realistic depiction of rural life and an idealized vision of how life should be lived. The term "pastoral" comes from the Latin word for "shepherd," reflecting the pastoral tradition's focus on rural life and natural landscapes. Overall, pastoral poetry is a celebration of the beauty and simplicity of rural life, often contrasted with the complexity and corruption of urban society.

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The lines "The table is set and guerillas walk the land / While crocodiles surf" from Hallowelps' "The Dining Table" signify danger. The juxtaposition of the mundane act of setting a table with the presence of guerillas and surfing crocodiles creates a sense of unease and danger. The image of guerillas walking the land suggests the presence of conflict and violence, while the image of crocodiles surfing adds a surreal and unpredictable element to the scene. Overall, these lines convey a sense of a society in turmoil and the threat of danger lurking just beneath the surface.

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The speaker of the excerpt is a schemer. The speaker expresses hatred towards someone, but acknowledges that they need to pretend to show love for that person in order to fulfill a present need or goal. This suggests that the speaker is not being genuine and is using their outward display of affection as a means to an end, rather than as a reflection of their true feelings. This behavior is characteristic of a schemer, someone who is cunning and manipulative in order to achieve their desired outcome.

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The thematic preoccupation of Awooner's The Anvil and the Hammer is the clash of cultures. The poems explore the tensions and conflicts between traditional African culture and the influences of Western colonialism. Awooner highlights the struggle of African people to reconcile their own cultural traditions with the pressures of modernization and colonialism. The clash of cultures is depicted through various images and symbols such as the anvil and the hammer, which represent the clash between traditional African customs and the new technologies and ideologies brought by the colonial powers. Overall, the poems in The Anvil and the Hammer emphasize the complex and difficult process of cultural negotiation and adaptation that African people faced during the colonial period.

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"well enough" was repeated twice in the statement.

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The speaker in the excerpt above is addressing Brabantio.

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The literary device in the extract above from Herbert's The Pulley is personification. Personification is a literary device where human qualities are given to non-human entities, such as objects or animals. In this case, weariness, which is an abstract concept, is personified because it is given the human quality of being able to toss someone to a physical location, in this case, the speaker's breast. The personification emphasizes the power of weariness in bringing the speaker closer to God, which is the central theme of the poem.

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Myths deals with ancient times, especially one that explains natural events or describes early history of people.

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The literacy device that involves placing two things side by side in order to highlight their similarities or differences is called "juxtaposition". This can be done with people, concepts, ideas, or themes, and it is often used to create contrast or emphasize a particular point. Juxtaposition can be used in all types of literature, including poetry, fiction, and non-fiction, and is an effective way for writers to convey their message to readers in a clear and impactful way.

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Plot in literature refers to the sequence of events that make up the storyline or narrative of a creative work, such as a novel, short story, or play. It encompasses the main events and conflicts that drive the story forward and create tension and suspense for the reader or audience. The plot usually follows a specific structure, which includes an exposition, rising action, climax, falling action, and resolution. In simpler terms, the plot is the "what happens" of a story.

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The predicament sound device used in the extract is onomatopoeia. Onomatopoeia refers to words that imitate or evoke the sound of the thing being described. In the given extract, words like "buzzing", "humming", "cooing", "chatter", and "clatter" imitate the sounds made by bees, doves, and children. The use of onomatopoeia in writing helps to create a more vivid and sensory experience for the reader, as it allows them to not only visualize but also hear the scene being described. By using onomatopoeic words, the writer brings the scene to life and makes it more engaging for the reader.

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Bigger proposes the idea of playing white. This is a game in which his gang members mockingly imitate manners of the white men. He starts by addressing Gus as a General.

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The correct term for a character whose name is also the source of the title of the narrative is "eponymous." The term "eponymous" comes from the Greek word "epōnumos," which means "given name." An eponymous character is the main character in a story whose name is used as the title of the work. For example, in the novel "Jane Eyre," Jane Eyre is the eponymous character because her name is also the title of the book. It is important to note that not all titles are eponymous. Sometimes a title may refer to a theme or symbol in the story, rather than a specific character. However, when the title is the same as the name of the main character, it is considered eponymous.

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The consonant sound represented by the underlined letters in "vice" is /s/. Among the given options, the word that has the same consonant sound is "dress". The /s/ sound is present in both "vice" and "dress" at the end of each word. The other options, "cat," "show," and "chalk," do not have the same consonant sound as "vice."