Oscar Wilde's The Importance of Being Earnest is a comedy of manners that uses wit, paradox and farce to satirise the values and pretensions of the Victorian upper class. Beneath its light, laughing surface the play mounts a steady attack on the hypocrisies of the society Wilde lived in.
Satire on marriage. Marriage is treated not as a union of love but as a business transaction governed by wealth and social standing. Lady Bracknell interrogates Jack about his income, property and family connections as though vetting a commercial contract, and dismisses him on learning he was found in a handbag. Her mercenary attitude ridicules the Victorian view of marriage as a means of preserving fortune and rank.
Satire on the aristocracy. Lady Bracknell embodies the arrogance, snobbery and shallow authority of the ruling class. Her absurd pronouncements, delivered with total confidence, expose the emptiness behind aristocratic self-importance. The upper class is shown to be idle, self-indulgent and preoccupied with trivialities.
Satire on earnestness and hypocrisy. The very title puns on being "earnest" (sincere) and being "Ernest" (a name). Both Jack and Algernon lead double lives, inventing fictitious persons (Bunbury and a wicked brother) to escape social obligations. Their "Bunburying" mocks the gap between the respectable public face Victorians presented and the private pleasures they pursued.
Satire on education and gentility. Miss Prism's moralising, Cecily's schooling and the fashionable young women's obsession with the name Ernest ridicule the artificiality of upper-class education and taste. Gwendolen and Cecily value form over substance, wanting the sound of a name rather than the character of a man.
Satire on religion and the church. Canon Chasuble's readiness to rechristen grown men and his coy courtship of Miss Prism reduce the clergy to figures of fashion and convenience rather than faith.
Through epigram and reversal, Wilde turns the audience's laughter into criticism, exposing a society whose respectability is a mask for triviality, greed and hypocrisy. The satire is his central purpose beneath the sparkling comedy.