Studio Photography
Akopọ
A studio is an empty room. That is the whole point of it and also the whole difficulty. Nothing is given to you: no weather, no light, no background, no accident. Every single thing that appears in the photograph has to be carried in, positioned and switched on by somebody, and if the picture is dull there is nobody else to blame.
This note is about working in that room. It covers what a studio actually is and how to improvise one, the standard lighting positions and what each does to a face or an object, backgrounds, props and posing, the discipline of the lighting plan, and how to make a set of studio images that shows testing rather than one lucky frame. Location photography is the companion area of study and it works the opposite way round, by negotiating with what is already there.
Awọn Afojusun
- Use a formal studio setting to control the environment for a variety of subject matters such as portraiture and still life
- Use a range of studio photography materials, tools and techniques such as lighting and the use of light, props, posing and the arrangement of objects
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Studio Photography. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- Which light establishes the direction of the lighting and where the shadows fall? A) The fill B) The key light C) The rim light D) The background light Answer: B
- Moving a large softbox closer to the subject makes the light: A) Harder, with sharper shadow edges B) Softer, with more gradual shadow edges C) Unchanged in quality, only brighter D) Cooler in colour temperature Answer: B
- A small triangle of light appears on the shadowed cheek beneath the eye. This lighting pattern is called: A) Split lighting B) Butterfly lighting C) Rembrandt lighting D) Broad lighting Answer: C
- An unlit white paper background photographed under the same exposure as the subject will normally render as: A) Pure white B) Mid grey C) Pure black D) Blue Answer: B
- The best way to make three glass bottles read clearly against a white background is to: A) Light them frontally with a large softbox B) Light the background from behind and place black cards at the sides C) Use a very small aperture D) Move them close together and light from above Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Studio Photography? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
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