Drawing
Akopọ
Drawing is the only area of study in Fine Art that is also the engine of all the others. A painting is planned in drawing, a lino block is drawn before it is cut, a sculpture is worked out in a sketchbook and then walked around and drawn again from the back. But drawing is not merely preparation. A charcoal study of a chair, made in an hour by someone paying complete attention, is a finished work of art, and examiners treat it as one.
This note is about the drawing itself: the mark and what makes it descriptive or expressive, the behaviour of graphite, charcoal, conte, chalk, ink and digital media, the surface underneath which is quietly doing half the work, and the two dials you control on every drawing you make, which are how long you spend and how big you go. Six artists show what happens when those decisions are taken seriously.
Awọn Afojusun
- Use expressive and descriptive mark-making to record and communicate ideas
- Use a range of drawing materials, media and techniques such as graphite, pastel, charcoal, ink, chalk, digital drawing applications and a range of drawing surfaces
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Drawing. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- Which drawing exercise is designed specifically to record the action, weight and overall proportion of a subject before any detail is attempted? A) Blind contour drawing B) Gesture drawing C) Sustained tonal study D) Analytical drawing Answer: B
- Why is willow charcoal usually preferred to compressed charcoal in the early stages of a large drawing? A) It is darker B) It lifts easily with a putty rubber, so the drawing can still be changed C) It does not need fixative D) It works only on toned paper Answer: B
- A student works with black and white conte on mid grey Ingres paper. What is the paper itself supplying? A) The darkest dark B) The highlights C) The middle value D) The negative shapes Answer: C
- Which of the following counts as a primary source for a Fine Art drawing project? A) A photograph of a market found on a website B) A drawing copied from a book C) A study drawn in front of the object itself D) A description of a drawing in an article Answer: C
- The term tooth, applied to a drawing paper, refers to: A) Its weight in grams per square metre B) The microscopic roughness that holds dry media C) The whiteness of the sheet D) Its resistance to water Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Drawing? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
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Gbogbo ohun ti o nilo lati ṣe dara julọ ninu JAMB, WAEC ati NECO.
