Printed Fabrics
Akopọ
Printing puts colour on the cloth in a chosen shape. That is its whole advantage over dyeing and its whole difficulty. Because you control the shape, you can put a drawn line, a photograph or a flat hard-edged block exactly where you want it. Because the colour arrives in a chosen shape, you also have to decide what happens when that shape has to fill twenty metres of cloth without anyone seeing the join.
This note covers the printing processes named in the specification, from monoprint and lino cut through to silkscreen and digital, and then the discipline that runs under all of them: the repeat. You will also meet the practical craft that decides whether a print succeeds, which is registration, squeegee control, the choice between pigment and dye, and knowing what each process does to the edge of a mark.
Awọn Afojusun
- Use printed textiles to create bespoke pieces and haute couture
- Use a range of printed textiles materials, tools and techniques such as monoprint, transfer-relief, relief print, wood-cut, lino-cut, silkscreen and digital printing on fabrics
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Printed Fabrics. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- In screen printing, the flood pass is used to: A) Force colour through the mesh onto the cloth B) Fill the open mesh with colour without pushing it through C) Clean the screen between prints D) Fix the colour with heat Answer: B
- Why should the lighter colour normally be printed before the darker one? A) Light colours dry faster B) A darker colour will cover a small registration error, whereas a lighter one will not C) Light colours block the mesh less D) It reduces the number of screens needed Answer: B
- Which printing process produces a single unique impression that cannot be repeated? A) Lino cut B) Silkscreen with a photo stencil C) Monoprint D) Rotary screen printing Answer: C
- Transfer or sublimation printing will give a strong permanent image on: A) Cotton B) Linen C) Polyester D) Wool Answer: C
- Trapping in a multi-colour print means: A) Holding the cloth down with tape B) Slightly overlapping adjacent colours so a small registration error does not open a gap C) Catching excess ink in a tray under the screen D) Blocking part of the mesh with tape Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Printed Fabrics? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
Ṣe igbasilẹ ohun elo naa lori Google Playstore
Gbogbo ohun ti o nilo lati ṣe dara julọ ninu JAMB, WAEC ati NECO.
