Soft Furnishings
Akopọ
Interior textiles are the only textiles that stay still while everything else moves around them. A curtain hangs in the same window for ten years, catching morning light on one edge, and a sofa cover is sat on several thousand times a year by people who never think about it. Nothing else in this subject is asked to last that long or withstand that much, and nothing else has to be judged from across a room.
This note is about cloth designed for a space rather than for a body. You will cover the physical properties that decide whether an interior textile survives, the way light and viewing distance change what a pattern does, how curtain fullness and pattern repeat turn a design into metres of cloth, and the tactile role that textiles play in a hard room full of glass, plaster and timber.
Awọn Afojusun
- Design constructed textiles for use in furnished interiors, utilising their tactile and physical qualities for intended purposes
- Develop creative use of the tactile and physical qualities of textiles in an interior space
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Soft Furnishings. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- The governing physical property when specifying a fabric for a chair used every day is: A) Light fastness B) Abrasion resistance C) Drape D) Transparency Answer: B
- A gathered curtain generally needs a flat cloth width of approximately: A) The same as the track width B) One and a quarter times the track width C) Two to two and a half times the track width D) Four times the track width Answer: C
- Why is a satin weave a poor choice for upholstery? A) It cannot be dyed B) Its long floats snag and its surface abrades quickly C) It is always too heavy D) It cannot be woven wide enough Answer: B
- A pattern repeat allowance is needed when buying curtain fabric because: A) Fabric shrinks in the first wash B) Every drop must start at the same point in the pattern so the design matches across seams C) The hem needs extra weight D) Curtains are always cut on the bias Answer: B
- Moquette is used for public transport seating mainly because: A) It is the cheapest fabric available B) Its dense pile spreads wear across many fibre ends C) It cannot be printed D) It is completely waterproof Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Soft Furnishings? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
Ṣe igbasilẹ ohun elo naa lori Google Playstore
Gbogbo ohun ti o nilo lati ṣe dara julọ ninu JAMB, WAEC ati NECO.
