Experimental Imagery
Akopọ
Photography does not require a camera. It requires something sensitive to light and some light, and every arrangement of those two things is a photographic process waiting to be tried. A leaf on a sheet of paper in sunlight is a photograph. So is a strip of film left in a puddle, a scanner lid left open, a print developed with a brush instead of a tray.
This note is about deliberately leaving the standard route. It covers camera-less processes such as photograms and cyanotype, chemical and physical intervention in the darkroom, multiple exposure and long exposure as ways of collapsing time, the flatbed scanner as a camera, digital layering and glitch, and the discipline that stops all of this being a mess: testing one variable at a time and recording what you did.
Awọn Afojusun
- Control light and photographic processes to create non-traditional photographic outcomes
- Use a range of experimental imagery materials, tools and techniques such as analogue and digital photography, manual manipulation and digital and non-digital processes and outcomes
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Experimental Imagery. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- A photogram is made by: A) Photographing an object with a macro lens B) Placing objects directly onto light-sensitive paper and exposing it C) Scanning an object on a flatbed scanner D) Projecting a negative through an enlarger Answer: B
- A cyanotype produces an image that is: A) Sepia brown B) Prussian blue where light reached the coating C) Pure black and white D) Green where light reached the coating Answer: B
- Raising an object a few centimetres above the paper when making a photogram will: A) Sharpen its edge B) Soften and spread its edge C) Reverse its tones D) Have no effect Answer: B
- In a chemigram the image is produced by: A) Exposing paper through a negative B) Painting a resist onto the paper and alternating it between developer and fixer C) Scratching the surface of a print D) Leaving the paper in sunlight for several hours Answer: B
- Which of these is the most important reason for keeping a written process log? A) It is required for insurance B) It makes a successful result repeatable and explains a failed one C) It saves chemicals D) It shortens the exposure time Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Experimental Imagery? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
Ṣe igbasilẹ ohun elo naa lori Google Playstore
Gbogbo ohun ti o nilo lati ṣe dara julọ ninu JAMB, WAEC ati NECO.
