Formal Elements And Camera Skills
Akopọ
A painter starts with nothing and adds. A photographer starts with everything and takes away. The world is already there, cluttered and moving, and the only decisions available are where to stand, when to press, what to leave outside the rectangle and what to let go soft. That is a smaller set of decisions than a painter has, and it is why each of them carries so much weight.
This note is about seeing, and about the camera controls that turn seeing into a picture. It covers the formal elements as a lens delivers them, then aperture and depth of field, shutter speed and the rendering of time, focal length, viewpoint and focus point, and the compositional decisions that follow from all of them. The companion topic, Technical knowledge and understanding, deals with the apparatus itself: light, exposure control, the darkroom, image manipulation and output. Here the question is always what the picture says, not how the machine works.
Awọn Afojusun
- Develop practical knowledge and understanding of the use of formal elements to communicate a variety of approaches
- Understand the camera and its functions, including depth of field, shutter speed, focal points and viewpoints
- Develop observational skills to record from sources and communicate ideas
- Understand the effects and creative potential of combining and manipulating different two-dimensional and three-dimensional materials and media
- Develop the use of digital and/or non-digital applications
Akọ̀wé Ẹ̀kọ́
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Formal Elements And Camera Skills. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- Which aperture setting will give the shallowest depth of field? A) f/2 B) f/8 C) f/11 D) f/22 Answer: A
- A photographer wants a moving cyclist to stay sharp while the background streaks with movement. The technique is: A) A long exposure on a tripod B) Panning at a slow shutter speed C) A very small aperture D) Front lighting Answer: B
- Which direction of light is best for revealing the texture of a rough stone wall? A) Frontal light from behind the camera B) Light raking across the surface at a shallow angle C) Overhead midday sun D) Soft overcast light Answer: B
- The relative size of near and far objects in a photograph is determined by: A) The focal length of the lens B) The aperture C) The position of the camera D) The shutter speed Answer: C
- Blur that affects every part of the frame, including things that were not moving, is caused by: A) Subject movement B) Camera shake C) Shallow depth of field D) A small aperture Answer: B
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
O wa lori ohun elo Green Bridge
Gba ohun elo Green Bridge CBT sori foonu tabi kọmputa rẹ lati ri awọn akọsilẹ ẹkọ ni kikun, awọn ibeere adaṣe, ati diẹ sii.
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Formal Elements And Camera Skills? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
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