Design For Print
Akopọ
A design on a screen is a proposal. A design on paper is a fact. Between the two sit stock and grain, ink limits and screen rulings, bleed and trim, folding and binding, and a machine that will do exactly what your file tells it to do rather than what you meant. Every designer learns this the first time a poster comes back with a white hairline down one edge.
This note is about the production reality of printed work: choosing a paper and a process, understanding why the vivid colour on your monitor cannot be printed, setting a page up so it survives the guillotine, working out why a booklet must have a page count divisible by four, and using folds, cuts and finishes as design decisions rather than afterthoughts. Get this right and your ideas arrive intact.
Awọn Afojusun
- Use design-based solutions in media for creating visual and written material for public distribution
- Develop solutions in both traditional print and digital technology
Akọ̀wé Ẹ̀kọ́
Àkọsílẹ̀ Ẹ̀kọ́ Pípé wà lórí Ohun Èlò Green Bridge
Gba ohun èlò Green Bridge CBT sórí fóònù tàbí kọ̀mpútà rẹ fún gbogbo ilé ìkàwé IGCSE: ìwé ìdánwò àtijọ́, ìlànà ìdíwọ̀n, àwòrán èrò, káàdì ìkẹ́kọ̀ọ́ àti ẹ̀kọ́ ohùn.
Ìdánwò Ẹ̀kọ́
Oriire fun ipari ẹkọ lori Design For Print. Ni bayi ti o ti ṣawari naa awọn imọran bọtini ati awọn imọran, o to akoko lati fi imọ rẹ si idanwo. Ẹka yii nfunni ni ọpọlọpọ awọn adaṣe awọn ibeere ti a ṣe lati fun oye rẹ lokun ati ṣe iranlọwọ fun ọ lati ṣe iwọn oye ohun elo naa.
Iwọ yoo pade adalu awọn iru ibeere, pẹlu awọn ibeere olumulo pupọ, awọn ibeere idahun kukuru, ati awọn ibeere iwe kikọ. Gbogbo ibeere kọọkan ni a ṣe pẹlu iṣaro lati ṣe ayẹwo awọn ẹya oriṣiriṣi ti imọ rẹ ati awọn ogbon ironu pataki.
Lo ise abala yii gege bi anfaani lati mu oye re lori koko-ọrọ naa lagbara ati lati ṣe idanimọ eyikeyi agbegbe ti o le nilo afikun ikẹkọ. Maṣe jẹ ki awọn italaya eyikeyi ti o ba pade da ọ lójú; dipo, wo wọn gẹgẹ bi awọn anfaani fun idagbasoke ati ilọsiwaju.
- Why must a saddle-stitched booklet have a page count divisible by four? A) Because four colours are used in printing B) Because each folded sheet carries four pages, two on each side C) Because staples are inserted in groups of four D) Because paper is supplied in packs of four sheets Answer: B
- What is bleed? A) Ink spreading into the paper fibres on an uncoated stock B) Artwork extended beyond the trim line so cutting tolerance never exposes unprinted paper C) The gap left in the gutter of a perfect-bound book D) The loss of colour when RGB is converted to CMYK Answer: B
- A designer needs an exact brand colour that lies outside the process gamut. The correct solution is to: A) Increase the saturation in the CMYK file B) Specify it as a spot ink printed from its own plate C) Print on a brighter white stock D) Use a finer halftone screen Answer: B
- For a run of 60 full-colour 24-page catalogues needed in ten days, the most appropriate process is: A) Offset lithography B) Digital printing C) Screen printing D) Gravure Answer: B
- Roughly what resolution should a photographic image have at its final printed size? A) 72 pixels per inch B) 150 pixels per inch C) 300 pixels per inch D) 1200 pixels per inch Answer: C
Ṣiṣẹ́ lórí àwọn ìbéèrè wọ̀nyí nínú ohun èlò náà
Ṣiṣẹ́ lórí àwọn ìbéèrè wọ̀nyí nínú ohun èlò náà
Awọn Iwe Itọsọna Ti a Gba Nimọran
Ṣe Adaṣe Awọn Ibeere Idanwo Adaṣe
Ṣe o fẹ ṣe adaṣe awọn ibeere idanwo adaṣe nipa Design For Print? Ṣe igbasilẹ ohun elo Green Bridge CBT lati wọle si awọn ibeere idanwo adaṣe ati awọn ayẹwo adaṣe kikun fun koko-ọrọ yii.
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Gbogbo ohun ti o nilo lati ṣe dara julọ ninu JAMB, WAEC ati NECO.
