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Tẹ mọ́ & Dì mú láti fà yíká. |
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Tẹ ibi lati pa |
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Ibeere 1 Ìròyìn
The art of using persuasive words in literary works is known as_______
Ibeere 2 Ìròyìn
Ibeere 3 Ìròyìn
'The dun dun of a drum' is an example of an__________
Ibeere 4 Ìròyìn
... is the illustration which serves to persuasively sustain the interest of the readers in a literary piece
Ibeere 5 Ìròyìn
A transferred epithet is popularly known as a/an ........
Ibeere 6 Ìròyìn
When a writer deviates from the chronological arrangement of events in a literary piece, he uses ...
Ibeere 7 Ìròyìn
Ibeere 8 Ìròyìn
________is used to describe the 'god of inspiration' in literature
Ibeere 9 Ìròyìn
Blake's 'The School Boy' advocates for____________
Ibeere 10 Ìròyìn
Amma Darko's Faceless may be best described as a___________
Baby T and Fofo's life stories are signal to these issues where by families and the entire society which directly or indirectly lure or lead their young ones into hard life on the streets, which was actually criticized in the prose.
Ibeere 11 Ìròyìn
The setting of Shakespeare's Othello is____________
Ibeere 12 Ìròyìn
Use the extract below to answer questions
Line 1: My heart leaps up when I behold
Line 2: A rainbow in the sky
Line 3: so was it when my life began
Line 4: so is it now
Line 5: so is it when I have grown
Line 6: the child is the father of the man.
The mood of the writer is that of _____?
Ibeere 13 Ìròyìn
Ibeere 14 Ìròyìn
What makes rhyme scheme the predominant literary figure there is the semblance of sound and patternised movement of the words in the excerpt above.
Ibeere 15 Ìròyìn
Ibeere 16 Ìròyìn
Ibeere 17 Ìròyìn
Ibeere 18 Ìròyìn
Richard Wright's " Native Son" may be described to a/an_______
Ibeere 19 Ìròyìn
Ibeere 20 Ìròyìn
"The sudden throb of pain" in Lenrie's 'The Panic of Growing Old' signifies the_________
Ibeere 21 Ìròyìn
Ibeere 22 Ìròyìn
The bar in Tennyson's "Crossing the Bar" is a symbol for the___________
Ibeere 23 Ìròyìn
Ibeere 24 Ìròyìn
Ibeere 25 Ìròyìn
A short poem that expresses an idea in a clever way is called _____
Ibeere 26 Ìròyìn
Africans needs to celebrate their Ancestors and sustain their values because the Birago Diop's attitude was that of condemnation , sarcasm and ridicule.
Ibeere 27 Ìròyìn
Ibeere 28 Ìròyìn
Ibeere 29 Ìròyìn
Parable is stories concern the issues of right reason and good conscience and have didactic qualities, it is also often seen as an earthly story which has heavenly inclinations.
Ibeere 30 Ìròyìn
Use excerpt below to answer questions
"Now, by yond marble
heaven,
In the due reverence of a sacred vow
I here enrage my words." (Shakespeare's Othello)
The prevailing activity in the extract is
Ibeere 31 Ìròyìn
Ibeere 32 Ìròyìn
Use the extract below to answer questions
Line 1: My heart leaps up when I behold
Line 2: A rainbow in the sky
Line 3: so was it when my life began
Line 4: so is it now
Line 5: so is it when I have grown
Line 6: the child is the father of the man.
The object of the extract is____?
The subject matter in Lenrie Peter's " panic of growing older" may likened to the extract ; especially with the paradox in the line 6 , pointing to the substitution and / or reversal of strength and responsibility from a child of his father thereafter when the father becomes of age.
Ibeere 33 Ìròyìn
Ibeere 34 Ìròyìn
Read the poem and answer questions
At dawn must I rise to till the rock
That our land has turned into
The land where on we'd gleefully harvested paddy
Planted and nurtured and tended on plots marshy
Our woes are bloody woes of accursed revenges
Of the land spirits aggrieved by paltry human respect
For the life of fellow man by his fellow
Kindred blood has counted for less than no value
Brother's wife has been wife to other brother's brother
Communal loot has emptied our country silos
The earth has stopped breathing and sighed
Soldered tears has the moon shed
The earth was scorched at noon-day night
And our land has turned to hoeing rock.
The run-on lines convey the speaker's_______
Ibeere 35 Ìròyìn
Ibeere 36 Ìròyìn
The second stanza of Awonoor's Anvil and the Hammer ________
"sew the old days for us, our fathers,/that we may wear them under our new garment." The evident in the lines 1 and 2 of the second stanza is the answer.
Ibeere 37 Ìròyìn
Ibeere 38 Ìròyìn
Ibeere 39 Ìròyìn
Lago's hatred for Othello is deep rooted because__________
Ibeere 40 Ìròyìn
In literary criticism, a casual reference to a figure or an event is regarded as a/an_______
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