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Swali 1 Ripoti
But the towering earth was tired of sitting in one position.
She moved suddenly and the houses crumbled, the mountains heaved horrible, and the work of a million years was lost
The predominant figure of speech in the extract is____________
Swali 2 Ripoti
Speaker: I durst, my Lord, to wager she is honest
Lay down my soul at stake. If you think other,
Remove your thought. It doth abuse your bosom
If any wretch have put this your head,
Let heaven requite it with the serpents curse
For if she be not honest, chaste and true
There's no man happy. The purest of their wives
Is foul as slander
(Acts IV, Scene Two, Lines 12-19)
The speech is in response to___________
Swali 3 Ripoti
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable.
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
The narrative technique is___________
Maelezo ya Majibu
Swali 4 Ripoti
Othello: Why, how now, ho? from whence ariseth this?
Are we turned Turks, and to Ourselves do that
Which heaven hath forbid the ottomites?
For Christian shame put by this barbarous brawl!
He hat stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence the dreadful bell, it frights the isle
From her propriety, What is the matter, masters?
Honest Iago, that looks dead with grieving
Speak, Who began this? On thy love, I charge thee
Iago: I do not know
(Acts II, Scene Three, Lines 155 - 165)
To Othello, Iago is________________
Maelezo ya Majibu
Swali 5 Ripoti
Hamartia, in a literary work refers to a hero's_________
Swali 6 Ripoti
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable.
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
The setting is_____________
Swali 7 Ripoti
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable.
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
The expression door hugged the couple illustrates_________
Swali 8 Ripoti
Othello:
Why, how now, ho? from whence ariseth this?
Are we turned Turks, and to Ourselves do that
Which heaven hath forbid the ottomites?
For Christian shame put by this barbarous brawl!
He hat stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence the dreadful bell, it frights the isle
From her propriety, What is the matter, masters?
Honest Iago, that looks dead with grieving
Speak, Who began this? On thy love, I charge thee
Iago: I do not know
(Acts II, Scene Three, Lines 155 - 165)
Othello is brought to the scene because___________
Maelezo ya Majibu
Swali 9 Ripoti
Diction is a writer's choice of___________-
Swali 10 Ripoti
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable.
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
How would he explain it to himself? exemplifies________
Swali 11 Ripoti
Speaker: I durst, my Lord, to wager she is honest
Lay down my soul at stake. If you think other,
Remove your thought. It doth abuse your bosom
If any wretch have put this your head,
Let heaven requite it with the serpents curse
For if she be not honest, chaste and true
There's no man happy. The purest of their wives
Is foul as slander
(Acts IV, Scene Two, Lines 12-19)
The character being spoken of is described as___________
Swali 12 Ripoti
Oh spite! Oh Hell!! I see you are all bent
To set aganist me for your merriment.
The lines illustrate__________
Swali 13 Ripoti
But the towering earth was tired of sitting in one position.
She moved suddenly and the houses crumbled, the mountains heaved horrible, and the work of a million years was lost
The effect of the extract is conveyed through the use of___________
Swali 14 Ripoti
Othello: Not I. I must be found
My parts, my title, and my perfect soul
Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant?
The goodness of the night upon you, friends
What is the news?
(Act 1, Scene Two, Lines 29 - 34)
Just before this, Iago advises Othello to____________
Swali 15 Ripoti
Othello: Not I. I must be found
My parts, my title, and my perfect soul
Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant?
The goodness of the night upon you, friends
What is the news?
(Act 1, Scene Two, Lines 29 - 34)
The news Othello receives is that he must___________
Maelezo ya Majibu
Swali 16 Ripoti
Othello: Not I. I must be found
My parts, my title, and my perfect soul
Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant?
The goodness of the night upon you, friends
What is the news?
(Act 1, Scene Two, Lines 29 - 34)
Duke is in council that night because of_____________
Maelezo ya Majibu
Swali 17 Ripoti
Speaker: I durst, my Lord, to wager she is honest
Lay down my soul at stake. If you think other,
Remove your thought. It doth abuse your bosom
If any wretch have put this your head,
Let heaven requite it with the serpents curse
For if she be not honest, chaste and true
There's no man happy. The purest of their wives
Is foul as slander
(Acts IV, Scene Two, Lines 12-19)
The speaker is__________---
Maelezo ya Majibu
Swali 18 Ripoti
A dramatic performance with ONLY bodily movements and no speech is a _____________
Swali 19 Ripoti
Othello: Not I. I must be found
My parts, my title, and my perfect soul
Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant?
The goodness of the night upon you, friends
What is the news?
(Act 1, Scene Two, Lines 29 - 34)
Later on, Brabantio accuses Othello of___________
Swali 20 Ripoti
A play that moves the audience to pity and fear is a ____________
Swali 21 Ripoti
Othello: Not I. I must be found
My parts, my title, and my perfect soul
Shall manifest me rightly, is it they?
Iago: By Janus, I think so
Othello: The servants of the Duke? And my Lieutenant?
The goodness of the night upon you, friends
What is the news?
(Act 1, Scene Two, Lines 29 - 34)
By Janus is_____________
Maelezo ya Majibu
Swali 22 Ripoti
Speaker: Let me speak like yourself and
Lay a sentence
Which, as a grise or step, may help these lovers, When
remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act !, Scene Three, lines 198-201)
These lovers refers to_________
Swali 23 Ripoti
Jame's heart beat madly as he and Alice approached the beeping metal detector at the entrance. The oblivious swinging door hugged the couple with inviting, outstretched arms and ushered them into the lobby in genial welcome. The receptionist asked James to surrender any valuable items he had; if they got lost, management would be liable.
James looked at Alice, his wife returned his guilt-stricken, dubious look with an innocent, trusting smile. What would he do if jewels went missing? How would he explain it to himself? What would he have gained by his mischief? What had come over James so shamelessly to decide to rob his own wife? The swindled woman stood innocently beside her unrepentant husband as he took the key to their room with hands the shook slightly.
The writer's attitude towards James is ONE of ______
Maelezo ya Majibu
Swali 24 Ripoti
Who lied in the chapel
Now lies in the Abbey
The dominant device used is___________-
Maelezo ya Majibu
Swali 25 Ripoti
The metrical beat in the The Splendor falls on castle walls is___________
Swali 26 Ripoti
Speaker:
I durst, my Lord, to wager she is honest
Lay down my soul at stake. If you think other,
Remove your thought. It doth abuse your bosom
If any wretch have put this your head,
Let heaven requite it with the serpents curse
For if she be not honest, chaste and true
There's no man happy. The purest of their wives
Is foul as slander
(Acts IV, Scene Two, Lines 12-19)
The line "Remove your thought, It doth abuse your bossom" Is best paraphrased ______________
Swali 27 Ripoti
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
The theme of the poem is_______
Swali 28 Ripoti
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
The envy of the persona's friends is expressed in the __________
Maelezo ya Majibu
Swali 29 Ripoti
Speaker: Let me speak like yourself and
Lay a sentence
Which, as a grise or step, may help these lovers, When
remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act !, Scene Three, lines 198-201)
The expression lay a sentence means _________
Maelezo ya Majibu
Swali 30 Ripoti
The eight-line part of a Petrarchan sonnet is the________________
Swali 31 Ripoti
Weeping Pilliow illustrates________
Swali 32 Ripoti
But the towering earth was tired of sitting in one position.
She moved suddenly and the houses crumbled, the mountains heaved horrible, and the work of a million years was lost
The extract is about____________
Swali 33 Ripoti
Speaker: Let me speak like yourself and
Lay a sentence
Which, as a grise or step, may help these lovers, When
remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act !, Scene Three, lines 198-201)
The speaker is_________
Swali 34 Ripoti
A Sonnet has a final couplet when it has___________
Swali 35 Ripoti
The Main Character in a Play or Novel is the ____________
Swali 36 Ripoti
Othello:
Why, how now, ho? from whence ariseth this?
Are we turned Turks, and to Ourselves do that
Which heaven hath forbid the ottomites?
For Christian shame put by this barbarous brawl!
He hat stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence the dreadful bell, it frights the isle
From her propriety, What is the matter, masters?
Honest Iago, that looks dead with grieving
Speak, Who began this? On thy love, I charge thee
Iago: I do not know
(Acts II, Scene Three, Lines 155 - 165)
The major consequence of the brawl is that___________
Maelezo ya Majibu
Swali 37 Ripoti
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
Line 2 is in iambic___________
Maelezo ya Majibu
Swali 38 Ripoti
Before a play is performed, it is ___________
Swali 39 Ripoti
Speaker: Let me speak like yourself and
Lay a sentence
Which, as a grise or step, may help these lovers, When
remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act !, Scene Three, lines 198-201)
He is responding to_________
Maelezo ya Majibu
Swali 40 Ripoti
Othello: Why, how now, ho? from whence ariseth this?
Are we turned Turks, and to Ourselves do that
Which heaven hath forbid the ottomites?
For Christian shame put by this barbarous brawl!
He hat stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence the dreadful bell, it frights the isle
From her propriety, What is the matter, masters?
Honest Iago, that looks dead with grieving
Speak, Who began this? On thy love, I charge thee
Iago: I do not know
(Acts II, Scene Three, Lines 155 - 165)
The underlined expression refers to the____________
Maelezo ya Majibu
Swali 41 Ripoti
He is my most beloved enemy ilustrates__________
Swali 42 Ripoti
Beware her faintly failing health, and gentle gallands around her speed Illustrates_________
Maelezo ya Majibu
Swali 43 Ripoti
Speaker: I durst, my Lord, to wager she is honest
Lay down my soul at stake. If you think other,
Remove your thought. It doth abuse your bosom
If any wretch have put this your head,
Let heaven requite it with the serpents curse
For if she be not honest, chaste and true
There's no man happy. The purest of their wives
Is foul as slander
(Acts IV, Scene Two, Lines 12-19)
The speaker is addressing__________
Swali 44 Ripoti
The cast appears at the end of a play for the ___________-
Swali 45 Ripoti
Othello:
Why, how now, ho? from whence ariseth this?
Are we turned Turks, and to Ourselves do that
Which heaven hath forbid the ottomites?
For Christian shame put by this barbarous brawl!
He hat stirs next to carve for his own rage
Holds his soul light; he dies upon his motion.
Silence the dreadful bell, it frights the isle
From her propriety, What is the matter, masters?
Honest Iago, that looks dead with grieving
Speak, Who began this? On thy love, I charge thee
Iago: I do not know
(Acts II, Scene Three, Lines 155 - 165)
In "Who began this" This refers to the ______________
Swali 46 Ripoti
A short play perfomed during the pause between the acts of a longer play is____________-
Swali 47 Ripoti
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
The mood of the persona is one of___________
Swali 48 Ripoti
A poem which celebrates simple country life is___________
Swali 49 Ripoti
Poison ivy came up like a rose
in red and thorny garb
I look, liked and did dare touch
my pals my avid touch espied
with green and frosty eyes
I should've only looked, and not leapt,
For away and over my rising moon she flew
On clipped wings of my dream
Now a song-filled air pocket of serenades
A love's wretch, my dream is a hornbill
Flightless and tottering.
My dream remains a dream still
Now my dream is a locked-up serenade
The last line illustrates___________
Swali 50 Ripoti
Speaker: Let me speak like yourself and
Lay a sentence
Which, as a grise or step, may help these lovers, When
remediea are past, the griefs are ended
By seeing the worst, which late on hopes depended
(Act !, Scene Three, lines 198-201)
The setting is_____________-
Maelezo ya Majibu
Je, ungependa kuendelea na hatua hii?