Lens-/light-based Media
Overzicht
In this area of study light is not the thing you photograph. Light is the material, in the same way that charcoal is a material and clay is a material, and the camera is only one of several tools for working with it. Lay a fern on light-sensitive paper in a darkened room, switch on a bulb for thirty seconds, and you have made an image without a lens, a viewfinder or a single decision about exposure settings. Project a slide across a room and the beam itself becomes an object hanging in the dust.
This is not a photography course. Pearson runs Photography as its own endorsement, with its own note, and that is where the camera is taught as a discipline. Here, lens and light work sits alongside drawing, painting and print as one more way of making a fine art image, and the only question that matters is the same one you ask of any medium: what does light do that paint cannot? This note answers it through cameraless image-making, projection and light as material, and the moving image used as a work of art rather than as a film.
Doelstellingen
- Use digital, film and/or video elements such as lighting, time, sound, editing, space and composition to communicate ideas
- Use a range of lens- and light-based media, materials and techniques such as montage, mixed media, installation, animation, studio and location photography, pre- and post-production manipulation
Lesnotitie
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Lesevaluatie
Gefeliciteerd met het voltooien van de les op Lens-/light-based Media. Nu je de sleutelconcepten en ideeën, het is tijd om uw kennis op de proef te stellen. Deze sectie biedt een verscheidenheid aan oefeningen vragen die bedoeld zijn om uw begrip te vergroten en u te helpen uw begrip van de stof te peilen.
Je zult een mix van vraagtypen tegenkomen, waaronder meerkeuzevragen, korte antwoordvragen en essayvragen. Elke vraag is zorgvuldig samengesteld om verschillende aspecten van je kennis en kritisch denkvermogen te beoordelen.
Gebruik dit evaluatiegedeelte als een kans om je begrip van het onderwerp te versterken en om gebieden te identificeren waar je mogelijk extra studie nodig hebt. Laat je niet ontmoedigen door eventuele uitdagingen die je tegenkomt; beschouw ze in plaats daarvan als kansen voor groei en verbetering.
- In a photogram, an area of the light-sensitive surface covered by an opaque object will come out: A) Dark, because the object absorbed light B) Pale, because the light never reached it C) The same as the background D) Blue, regardless of the process Answer: B
- Which cameraless process needs no darkroom and no developer, only shade for coating and water for washing? A) Photogram on silver gelatin paper B) Cyanotype C) Chemigram D) Solarisation Answer: B
- What is the main reason a fine art moving-image work is usually presented as a loop? A) It saves file space B) It has no beginning to arrive for and no end to wait for, which suits recurrence C) Examiners require it D) Loops are easier to edit Answer: B
- A projected image differs from a printed one mainly because: A) It is always in colour B) It has no physical edge and takes on the geometry and texture of whatever it lands on C) It cannot be photographed D) It is always moving Answer: B
- How should a two-minute video be evidenced on the A2 submission sheets? A) With one large still B) With a written description only C) With a storyboard, an evenly spaced grid of frame grabs, large stills and installation photographs D) It cannot be submitted Answer: C
Beschikbaar in de Green Bridge-app
Download de Green Bridge CBT-app op je telefoon of computer voor toegang tot volledige lesnotities, oefenvragen en meer.
Beschikbaar in de Green Bridge-app
Download de Green Bridge CBT-app op je telefoon of computer voor toegang tot volledige lesnotities, oefenvragen en meer.
Aanbevolen Boeken
Oefen Proefexamenvragen
Wilt u proefexamenvragen over Lens-/light-based Media oefenen? Download de Green Bridge CBT-app voor toegang tot proefexamenvragen en volledige oefentoetsen over dit onderwerp.
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