Studio Photography
Gbogbo ọrọ náà
A studio is an empty room. That is the whole point of it and also the whole difficulty. Nothing is given to you: no weather, no light, no background, no accident. Every single thing that appears in the photograph has to be carried in, positioned and switched on by somebody, and if the picture is dull there is nobody else to blame.
This note is about working in that room. It covers what a studio actually is and how to improvise one, the standard lighting positions and what each does to a face or an object, backgrounds, props and posing, the discipline of the lighting plan, and how to make a set of studio images that shows testing rather than one lucky frame. Location photography is the companion area of study and it works the opposite way round, by negotiating with what is already there.
Ebumnobi
- Use a formal studio setting to control the environment for a variety of subject matters such as portraiture and still life
- Use a range of studio photography materials, tools and techniques such as lighting and the use of light, props, posing and the arrangement of objects
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Studio Photography. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- Which light establishes the direction of the lighting and where the shadows fall? A) The fill B) The key light C) The rim light D) The background light Answer: B
- Moving a large softbox closer to the subject makes the light: A) Harder, with sharper shadow edges B) Softer, with more gradual shadow edges C) Unchanged in quality, only brighter D) Cooler in colour temperature Answer: B
- A small triangle of light appears on the shadowed cheek beneath the eye. This lighting pattern is called: A) Split lighting B) Butterfly lighting C) Rembrandt lighting D) Broad lighting Answer: C
- An unlit white paper background photographed under the same exposure as the subject will normally render as: A) Pure white B) Mid grey C) Pure black D) Blue Answer: B
- The best way to make three glass bottles read clearly against a white background is to: A) Light them frontally with a large softbox B) Light the background from behind and place black cards at the sides C) Use a very small aperture D) Move them close together and light from above Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Studio Photography? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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