Drawing
Gbogbo ọrọ náà
Drawing is the only area of study in Fine Art that is also the engine of all the others. A painting is planned in drawing, a lino block is drawn before it is cut, a sculpture is worked out in a sketchbook and then walked around and drawn again from the back. But drawing is not merely preparation. A charcoal study of a chair, made in an hour by someone paying complete attention, is a finished work of art, and examiners treat it as one.
This note is about the drawing itself: the mark and what makes it descriptive or expressive, the behaviour of graphite, charcoal, conte, chalk, ink and digital media, the surface underneath which is quietly doing half the work, and the two dials you control on every drawing you make, which are how long you spend and how big you go. Six artists show what happens when those decisions are taken seriously.
Ebumnobi
- Use expressive and descriptive mark-making to record and communicate ideas
- Use a range of drawing materials, media and techniques such as graphite, pastel, charcoal, ink, chalk, digital drawing applications and a range of drawing surfaces
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Drawing. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- Which drawing exercise is designed specifically to record the action, weight and overall proportion of a subject before any detail is attempted? A) Blind contour drawing B) Gesture drawing C) Sustained tonal study D) Analytical drawing Answer: B
- Why is willow charcoal usually preferred to compressed charcoal in the early stages of a large drawing? A) It is darker B) It lifts easily with a putty rubber, so the drawing can still be changed C) It does not need fixative D) It works only on toned paper Answer: B
- A student works with black and white conte on mid grey Ingres paper. What is the paper itself supplying? A) The darkest dark B) The highlights C) The middle value D) The negative shapes Answer: C
- Which of the following counts as a primary source for a Fine Art drawing project? A) A photograph of a market found on a website B) A drawing copied from a book C) A study drawn in front of the object itself D) A description of a drawing in an article Answer: C
- The term tooth, applied to a drawing paper, refers to: A) Its weight in grams per square metre B) The microscopic roughness that holds dry media C) The whiteness of the sheet D) Its resistance to water Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Drawing? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
Dawunlodi Ẹpp naa lori Google Playstore.
Ihe nile ichoro iji nwee ihe ịga nke ọma na JAMB, WAEC & NECO.
