Formal Elements And Materials
Gbogbo ọrọ náà
Cloth is the only art material that gets worn, that hangs, that moves when the person inside it moves, and that has to be washed. A textile designer therefore works with a material that answers back. The same design printed on stiff canvas and on fine silk is two different objects, and the same dye bath will colour a cotton shirt brilliantly and leave a polyester one almost untouched.
This note works from the fibre upwards, because in textiles everything downstream depends on what the material is. You will cover natural and synthetic fibres and how to identify them, yarn twist and structure, weave and knit and what each does to drape, why dye chemistry decides your colour choices, resist and print processes from indigo adire to screen and digital printing, and how pattern repeat and scale behave completely differently on a body and on a wall.
Ebumnobi
- Develop practical knowledge and understanding of the use of formal elements and visual communication through a variety of approaches
- Develop the use of observational skill to record from sources and communicate ideas
- Understand characteristics of materials such as natural and synthetic, functionality, recyclability and sustainability
- Understand properties of colour, texture and light
- Understand the effects and creative potential of combining and manipulating different two-dimensional and three-dimensional materials and media
- Develop the use of digital and/or non-digital applications
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Formal Elements And Materials. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- Which dye class is required to colour polyester? A) Reactive B) Acid C) Disperse D) Direct Answer: C
- The yarns held under tension along the length of a woven fabric are called the: A) Weft B) Warp C) Selvedge D) Course Answer: B
- Which weave structure has the fewest interlacings and long yarn floats on its face, giving a smooth lustrous surface? A) Plain weave B) Twill C) Satin D) Pile weave Answer: C
- In a half-drop repeat, each column of the design is shifted: A) Sideways by half the width of the unit B) Down by half the height of the unit C) Rotated by ninety degrees D) Mirrored across a vertical axis Answer: B
- A cloth cut on the bias drapes more fluidly than the same cloth cut on the straight grain because: A) The fibres are stretched during weaving B) The grid of warp and weft shears, so the cloth lengthens and narrows C) Bias cutting uses less fabric D) The dye penetrates further at that angle Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Formal Elements And Materials? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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