Formal Elements And Visual Communication
Gbogbo ọrọ náà
A painting can afford to be looked at for an hour. A graphic cannot. A road sign gets read at seventy miles an hour, an app icon gets found on a screen of forty other icons, a poster gets three seconds from someone walking past it. Graphic Communication is the discipline of making meaning arrive fast, in the right order, to someone who is not trying to help you.
That is why the formal elements behave differently here. Line is a rule that separates and a stroke that carries weight. Tone is the grey value of a paragraph seen from across the room. Colour is a signal that has to survive being printed in four inks and then shown on a phone. Scale is not size, it is rank. This note takes you through hierarchy, the grid, typography, negative space, colour systems and the brutal test of legibility at actual size, using the work of designers who solved these problems in public.
Ebumnobi
- Develop practical knowledge and understanding of the use of formal elements and visual communication through a variety of approaches
- Develop the use of observational skill to record from sources and communicate ideas
- Understand graphic materials and techniques such as traditional and digital graphics, printing and web-based technologies
- Understand properties of colour and light such as hue, tint, saturation and tone
- Understand the effects and creative potential of combining and manipulating different two-dimensional and three-dimensional materials and media
- Develop the use of digital and/or non-digital applications
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Formal Elements And Visual Communication. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- In a page grid, the space between two columns is called the: A) Margin B) Gutter C) Bleed D) Baseline Answer: B
- Which colour system should be used to specify artwork for commercial four colour printing? A) RGB B) Hex C) CMYK D) Additive colour Answer: C
- A typeface with a large x-height is generally chosen for signage because it: A) Uses less ink B) Looks optically larger and reads better at distance C) Has fewer characters D) Is always a serif face Answer: B
- Which artwork format should a logo be supplied in so that it can be used at 15mm and on the side of a van without loss of quality? A) Raster at 72 pixels per inch B) Raster at 300 pixels per inch C) Vector D) Greyscale Answer: C
- 'Typographic colour' refers to: A) The hue chosen for a headline B) The overall grey value of a block of set text C) The number of inks used in printing D) The colour of the paper stock Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Formal Elements And Visual Communication? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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