Soft Furnishings
Gbogbo ọrọ náà
Interior textiles are the only textiles that stay still while everything else moves around them. A curtain hangs in the same window for ten years, catching morning light on one edge, and a sofa cover is sat on several thousand times a year by people who never think about it. Nothing else in this subject is asked to last that long or withstand that much, and nothing else has to be judged from across a room.
This note is about cloth designed for a space rather than for a body. You will cover the physical properties that decide whether an interior textile survives, the way light and viewing distance change what a pattern does, how curtain fullness and pattern repeat turn a design into metres of cloth, and the tactile role that textiles play in a hard room full of glass, plaster and timber.
Ebumnobi
- Design constructed textiles for use in furnished interiors, utilising their tactile and physical qualities for intended purposes
- Develop creative use of the tactile and physical qualities of textiles in an interior space
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Soft Furnishings. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- The governing physical property when specifying a fabric for a chair used every day is: A) Light fastness B) Abrasion resistance C) Drape D) Transparency Answer: B
- A gathered curtain generally needs a flat cloth width of approximately: A) The same as the track width B) One and a quarter times the track width C) Two to two and a half times the track width D) Four times the track width Answer: C
- Why is a satin weave a poor choice for upholstery? A) It cannot be dyed B) Its long floats snag and its surface abrades quickly C) It is always too heavy D) It cannot be woven wide enough Answer: B
- A pattern repeat allowance is needed when buying curtain fabric because: A) Fabric shrinks in the first wash B) Every drop must start at the same point in the pattern so the design matches across seams C) The hem needs extra weight D) Curtains are always cut on the bias Answer: B
- Moquette is used for public transport seating mainly because: A) It is the cheapest fabric available B) Its dense pile spreads wear across many fibre ends C) It cannot be printed D) It is completely waterproof Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Soft Furnishings? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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Ihe nile ichoro iji nwee ihe ịga nke ọma na JAMB, WAEC & NECO.
