Prose Fiction Analysis
Gbogbo ọrọ náà
Half of the Part 2 anthology is prose, so there is a real chance that the text printed in Section A is not a poem at all but a short story or an extract from a novel. Prose is harder to analyse than poetry for a reason nobody warns you about: it looks like ordinary language. There is no obvious stanza shape to point at, no rhyme to notice, and the writing works by pretending not to be writing.
This note teaches you to see the machinery. You will learn how narrative distance is controlled, how a writer manages what the reader is allowed to know and when, why the pace of a paragraph is a structural choice, and how to write about a prose extract without sliding into retelling the plot, which is the single commonest way to lose marks in this section.
Ebumnobi
- Read a variety of prose fiction from a range of genres and cultures
- Read substantial pieces of writing (extended texts) that make significant demands in terms of content, structure and the quality of language
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Prose Fiction Analysis. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- Which term describes third-person narration that takes on a character's vocabulary and rhythm without quotation marks or a reporting verb? A) Direct speech B) Free indirect style C) Omniscience D) Soliloquy Answer: B
- Maupassant gives one evening at the ball several paragraphs and ten years of repayment far fewer. This is best analysed as a decision about: A) pace B) alliteration C) dialect D) rhyme Answer: A
- How many marks are available for AO2 in Component 2 Section A? A) 8 B) 12 C) 18 D) 30 Answer: C
- Which sentence is doing AO2 work rather than retelling? A) Mrs Mallard goes upstairs and sits in a chair by the window B) Chopin removes every other character from the scene before allowing an honest thought, so the reader becomes the only witness C) Her husband turns out to be alive after all D) The story is set in the nineteenth century Answer: B
- What does the specification say students should do besides studying the anthology prose? A) Memorise the extracts B) Read a variety of additional prose fiction from a range of genres and cultures C) Compare the prose texts with the non-fiction texts D) Learn the biographies of the writers Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Prose Fiction Analysis? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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