Lens-/light-based Media
Gbogbo ọrọ náà
In this area of study light is not the thing you photograph. Light is the material, in the same way that charcoal is a material and clay is a material, and the camera is only one of several tools for working with it. Lay a fern on light-sensitive paper in a darkened room, switch on a bulb for thirty seconds, and you have made an image without a lens, a viewfinder or a single decision about exposure settings. Project a slide across a room and the beam itself becomes an object hanging in the dust.
This is not a photography course. Pearson runs Photography as its own endorsement, with its own note, and that is where the camera is taught as a discipline. Here, lens and light work sits alongside drawing, painting and print as one more way of making a fine art image, and the only question that matters is the same one you ask of any medium: what does light do that paint cannot? This note answers it through cameraless image-making, projection and light as material, and the moving image used as a work of art rather than as a film.
Ebumnobi
- Use digital, film and/or video elements such as lighting, time, sound, editing, space and composition to communicate ideas
- Use a range of lens- and light-based media, materials and techniques such as montage, mixed media, installation, animation, studio and location photography, pre- and post-production manipulation
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Lens-/light-based Media. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- In a photogram, an area of the light-sensitive surface covered by an opaque object will come out: A) Dark, because the object absorbed light B) Pale, because the light never reached it C) The same as the background D) Blue, regardless of the process Answer: B
- Which cameraless process needs no darkroom and no developer, only shade for coating and water for washing? A) Photogram on silver gelatin paper B) Cyanotype C) Chemigram D) Solarisation Answer: B
- What is the main reason a fine art moving-image work is usually presented as a loop? A) It saves file space B) It has no beginning to arrive for and no end to wait for, which suits recurrence C) Examiners require it D) Loops are easier to edit Answer: B
- A projected image differs from a printed one mainly because: A) It is always in colour B) It has no physical edge and takes on the geometry and texture of whatever it lands on C) It cannot be photographed D) It is always moving Answer: B
- How should a two-minute video be evidenced on the A2 submission sheets? A) With one large still B) With a written description only C) With a storyboard, an evenly spaced grid of frame grabs, large stills and installation photographs D) It cannot be submitted Answer: C
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Lens-/light-based Media? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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