Art and Design: Graphic Communication - 4GC1 PearsonEdexcel

Advertising

Gbogbo ọrọ náà

An advertisement is the only kind of graphic design that has to buy its own audience. Nobody opens a magazine to look at the ads, and nobody stands at a bus stop hoping for a poster. The work has to earn attention in the second or two it is given, deliver one idea that a stranger will remember, and do it in a voice the client can keep using for years. That is a harder brief than it sounds.

This note takes you from the client brief to the finished campaign: how to find the single proposition worth saying, how a message is ranked so the eye reads it in the right order, how one idea is stretched across a poster, a phone screen and a six-second film without falling apart, and how every execution feeds the corporate identity behind it. You will critique real campaigns and real student work, and you will see what an examiner is looking for when advertising is the route you take through a theme.

Ebumnobi

Use advertising to convey information for clients and audiences that promotes corporate identity
Use traditional graphic media and current technology

Akọmọ Ojú-ẹkọ

Every other area of study in Graphic Communication is invited in. A map is opened because somebody is lost. A package is picked up because somebody is shopping. An advertisement is not invited: it interrupts. That single fact drives almost every design decision on this route. It is why advertising layouts are usually simpler than editorial layouts, why the idea has to be visible before the words are read, and why a campaign is judged on whether it is remembered rather than on whether it is admired.

Ọ dị na ngwa Green Bridge

Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.

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Ọ dị na Android, Windows, macOS, na Linux

Ayẹwo Ẹkọ

Ekele diri gi maka imecha ihe karịrị na Advertising. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.

Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.

Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.

In an advertising brief, what are 'mandatories'? A) The client's preferred colours B) Elements that must appear, such as logos, legal wording and sponsor marks C) The deadlines for each stage of the work D) The list of competitors to avoid copying Answer: B
Which of these is a proposition rather than an observation? A) Our bakery opens at 6am B) We have won two regional awards C) The bread reaches you before it has had time to cool D) We use flour milled within twenty miles Answer: C
A 48-sheet roadside billboard is read in roughly one to two seconds. Which design decision follows most directly? A) Include long body copy so the message is complete B) Use one image and a headline of under about seven words C) Add a QR code so viewers can find out more D) Reduce the logo so the image is uninterrupted Answer: B
Which agency and campaign is the standard example of using candour and white space to sell a small car in 1959? A) Doyle Dane Bernbach for Volkswagen B) McCann Melbourne for Metro Trains C) TBWA\Media Arts Lab for Apple D) Ogilvy for Hathaway shirts Answer: A
Three posters share one device but differ in image, structure and copy. What is the correct term for each poster? A) A mandatory B) An insight C) An execution D) An endline Answer: C