Moving Image: Film, Video And Animation
Gbogbo ọrọ náà
A photograph gives the viewer as long as they want and lets them look wherever they like. A moving image takes both of those away. It decides how long each thing is on screen, in what order, and what the viewer hears while they see it. That is an enormous amount of power handed to the person who makes it, and an enormous amount of responsibility to use it well.
This note is about the fourth dimension. It covers shot types and the grammar of cutting, the storyboard and the script as planning tools the specification names, the discipline of holding a shot, sound as the half of film that students forget, stop-motion and hand-made animation, and how a time-based work is submitted and assessed on paper sheets. A phone will do all of it.
Ebumnobi
- Record and use moving image to communicate a visual narrative
- Use a range of moving image materials, tools and techniques such as storyboards, scripts, digital, non-digital mixed media methods
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Moving Image: Film, Video And Animation. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- The 180 degree rule exists to: A) Limit how long a shot can last B) Keep screen directions consistent so a conversation reads correctly C) Set the correct frame rate D) Control the exposure between shots Answer: B
- Which technique makes a change of shot size almost invisible to the viewer? A) A dissolve B) A jump cut C) Cutting on the action D) A fade to black Answer: C
- For readable stop-motion animation, the minimum frame rate is roughly: A) 2 frames per second B) 5 frames per second C) 12 to 15 frames per second D) 100 frames per second Answer: C
- Why should a stop-motion sequence be shot with manual exposure? A) It uses less battery B) Automatic exposure varies slightly between frames and causes flicker C) Manual exposure is sharper D) It allows a longer frame rate Answer: B
- A J cut or L cut is an edit in which: A) The picture is inverted B) Two shots are shown side by side C) The sound of one shot begins before, or continues after, its picture D) A shot is repeated twice Answer: C
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Moving Image: Film, Video And Animation? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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