Sculpture
Gbogbo ọrọ náà
A fine art sculpture has no job to do. Nobody sits on it, nobody drinks from it, no client signed off a brief and no user was consulted. It is an object made to be looked at, walked around and thought about, and everything it communicates it communicates through material, mass, surface and the space it takes up in a room you are also standing in. That absence of function is not a limitation. It is the reason a sculpture can be about grief, or weight, or absence, when a chair can only ever be about sitting.
This note covers the four ways of making form, which are carving away, modelling up, constructing and joining, and casting, and it covers what actually decides whether a piece stands up: armatures, gravity, shrinkage and joints. It then covers the two things sculptors think about that no other area of study requires, which are the void and the viewer's body. It finishes with the photography, because sculpture is submitted as photographs and those photographs are assessed as part of your work.
Ebumnobi
- Create form through manipulation of three-dimensional materials to communicate ideas
- Use a range of sculpting materials, tools and techniques such as carving, modelling, joining, constructing and reducing, and transposing two-dimensional images into three-dimensional forms
Akọmọ Ojú-ẹkọ
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ayẹwo Ẹkọ
Ekele diri gi maka imecha ihe karịrị na Sculpture. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.
Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.
Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.
- What is the main purpose of an armature inside a modelled clay figure? A) To make the piece lighter B) To carry the tensile load that clay cannot, especially in projecting parts C) To help the clay dry faster D) To give the surface a texture Answer: B
- Why can a clay figure built on a metal armature not normally be fired? A) The metal melts at low temperature B) The clay shrinks as it dries and fires while the metal does not, so the piece bursts C) Kilns cannot accommodate armatures D) The metal discolours the clay Answer: B
- Which process makes a solid object in the shape of an empty space? A) Direct carving B) Modelling over an armature C) Casting the negative space D) Welded construction Answer: C
- A rectangular frame of four canes with flexible corners collapses sideways. What is the correct structural fix? A) Use thicker canes B) Add a diagonal to triangulate it C) Make the frame taller D) Cover it with cloth Answer: B
- How must work submitted for sculpture be documented for assessment? A) One black and white photograph B) In colour, at a size such as A4, normally four angles, mounted on an A2 sheet C) A written description of the piece D) A scale drawing only Answer: B
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Ọ dị na ngwa Green Bridge
Budata ngwa Green Bridge CBT na ekwentị maọbụ kọmputa gị iji nweta akwụkwọ ndụmọdụ zuru oke, ajụjụ mmụta, na ndị ọzọ.
Àwọn Ìwé Tó Dáa Láti Kà
Meecha Ajụjụ Ule Ọmarịcha
Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Sculpture? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.
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