Art and Design: Textile Design - 4TE1 PearsonEdexcel

Constructed Textiles

Gbogbo ọrọ náà

Most textile work happens to a cloth that already exists. You buy the fabric, then you dye it, print it or stitch into it. Constructed textiles works the other way round: you build the cloth yourself, from yarn or from loose fibre, and the structure you build is the design. There is nothing laid on the surface, because the surface is the structure.

This note covers weaving, knitting, crochet, felting and the reworking of existing fabric into something new. You will learn how a loom actually makes cloth, why single jersey curls at the edge and rib does not, why felt can be cut in any direction and never frays, and how to plan a set of samples that proves you understood what you were making rather than just that you made it.

Ebumnobi

  1. Develop innovative manipulation and reworking of threads and fabrics
  2. Use a range of constructed textiles materials, tools and techniques such as woven and stitched materials and digital and non-digital processes

Akwụkwọ Ọmụmụ

The specification asks for innovative manipulation and reworking of threads and fabrics, and for a range of constructed textiles materials, tools and techniques including woven and stitched work and both digital and non-digital processes. The word that carries the whole area of study is constructed. A constructed textile is one whose visual and physical character comes from how it was put together, not from anything applied afterwards.

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Nnyocha Ọmụmụ

Ekele diri gi maka imecha ihe karịrị na Constructed Textiles. Ugbu a na ị na-enyochakwa isi echiche na echiche ndị dị mkpa, ọ bụ oge iji nwalee ihe ị ma. Ngwa a na-enye ụdị ajụjụ ọmụmụ dị iche iche emebere iji kwado nghọta gị wee nyere gị aka ịmata otú ị ghọtara ihe ndị a kụziri.

Ị ga-ahụ ngwakọta nke ụdị ajụjụ dị iche iche, gụnyere ajụjụ chọrọ ịhọrọ otu n’ime ọtụtụ azịza, ajụjụ chọrọ mkpirisi azịza, na ajụjụ ede ede. A na-arụpụta ajụjụ ọ bụla nke ọma iji nwalee akụkụ dị iche iche nke ihe ọmụma gị na nkà nke ịtụgharị uche.

Jiri akụkụ a nke nyocha ka ohere iji kụziere ihe ị matara banyere isiokwu ahụ ma chọpụta ebe ọ bụla ị nwere ike ịchọ ọmụmụ ihe ọzọ. Ekwela ka nsogbu ọ bụla ị na-eche ihu mee ka ị daa mba; kama, lee ha anya dị ka ohere maka ịzụlite onwe gị na imeziwanye.

  1. In weaving, the gap opened between raised and lowered warp threads so that the weft can pass through is called the: A) Sett B) Shed C) Reed D) Wale Answer: B
  2. Single jersey curls at its cut edges because: A) The yarn is too tightly spun B) The structure is asymmetric, with all stitches facing the same way C) It contains too many colours D) It has been cut off grain Answer: B
  3. Which fibre will NOT felt? A) Merino wool B) Coarse fleece wool C) Cotton D) Alpaca Answer: C
  4. A blanket warp is used in order to: A) Keep the loom warm during weaving B) Compare many structures or colourways from a single setting-up C) Produce a finished blanket in one piece D) Increase the sett of a fine yarn Answer: B
  5. Kente and aso oke are traditionally woven: A) In one wide piece on a broadloom B) As narrow strips later sewn edge to edge C) On a warp knitting machine D) By felting rather than weaving Answer: B

Rue ajuju ndi a n'ime ngwa ahu

Rue ajuju ndi a n'ime ngwa ahu

Meecha Ajụjụ Ule Ọmarịcha

Ị chọrọ ime ajụjụ ule ọmarịcha gbasara Constructed Textiles? Budata ngwa Green Bridge CBT iji nweta ajụjụ ule ọmarịcha na nyocha zuru ezu gbasara isiokwu a.

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