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Ajụjụ 1 Ripọtì
Othello:
So please your grace, my ancient;
A man he is of honesty and trust
To his conveyance i assign my wife
Grace shall think
To be sent after me
(Act 1, Scene Three, Lines 279-283)
A man he is honesty and trust refers to_________
Akọwa Nkọwa
Ajụjụ 2 Ripọtì
Catharsis is normally associated with____________
Ajụjụ 3 Ripọtì
I know not, Amina
When again on your brightness of smile
My eyes will rest awhile
Nor when again of your softness of voice
My ears will rest awhile
When again into the silver moonshine
You early at night or late venture
As is your wont in weather fine
Astute, awake in bed as doters may, i'll lie
Dreaming of grasping your velvety texture
The poem evokes the senses of_______
Ajụjụ 4 Ripọtì
We did not go to school on that Friday morning. The night before had been rough. It was turbulent and scary. The strange cry "non-indigenes must go" rent the air.
Little did i Known what it meant. That carry all the same haunted me in my sleep. My dreams were horrible. Why was mum so troubled? Why was Dad suddenly so pale and sickly? That night Mum and Dad had a forboding silence. They looked at each other, they did not smile. They were utterly silent. Their silence spoke millions. Fear rules the night. When the family bell summoned us to the family altar, it seemed that it tolled its last for the humans. Death smelled in the air, death was in the eyes..... But why? We were not told. Yes during the prayer at the family altar, Dad had told us there was trouble in town. No one who was a non-indigene was safe.
The passage is__________
Ajụjụ 5 Ripọtì
I know not, Amina
When again on your brightness of smile
My eyes will rest awhile
Nor when again of your softness of voice
My ears will rest awhile
When again into the silver moonshine
You early at night or late venture
As is your wont in weather fine
Astute, awake in bed as doters may, i'll lie
Dreaming of grasping your velvety texture
The poet's tone is one of__________
Ajụjụ 6 Ripọtì
A literary work in which the characters are animals is a ____________
Ajụjụ 8 Ripọtì
I know not, Amina
When again on your brightness of smile
My eyes will rest awhile
Nor when again of your softness of voice
My ears will rest awhile
When again into the silver moonshine
You early at night or late venture
As is your wont in weather fine
Astute, awake in bed as doters may, i'll lie
Dreaming of grasping your velvety texture
The first stanza is a ____________
Akọwa Nkọwa
Ajụjụ 9 Ripọtì
Othello: So please your grace, my ancient;
A man he is of honesty and trust
To his conveyance i assign my wife
Grace shall think
To be sent after me
(Act 1, Scene Three, Lines 279-283)
Othello is leaving to__________
Akọwa Nkọwa
Ajụjụ 10 Ripọtì
We did not go to school on that Friday morning. The night before had been rough. It was turbulent and scary. The strange cry "non-indigenes must go" rent the air.
Little did i Known what it meant. That carry all the same haunted me in my sleep. My dreams were horrible. Why was mum so troubled? Why was Dad suddenly so pale and sickly? That night Mum and Dad had a forboding silence. They looked at each other, they did not smile. They were utterly silent. Their silence spoke millions. Fear rules the night. When the family bell summoned us to the family altar, it seemed that it tolled its last for the humans. Death smelled in the air, death was in the eyes..... But why? We were not told. Yes during the prayer at the family altar, Dad had told us there was trouble in town. No one who was a non-indigene was safe.
Their silence spoke millions illustrates___________
Ajụjụ 11 Ripọtì
Speaker: I think this tale would win my daughter too,
Good Brabantio, take up this mangled matter at the best
Men do their broken weapons rather use
Than their bare hands
(Act 1, Scene Three, Lines 171-174)
The tale being referred to is___________
Akọwa Nkọwa
Ajụjụ 12 Ripọtì
Iago:
Mere prattle without practice
Is all his soldiership, But he, Sir had the election;
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus, and on other grounds
.....must be belee'd and calmed
By debitor and creditor
(Act 1, Scene One, Lines 23-28)
Sir refers to__________
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
The leading character in a literary work is the________
Ajụjụ 14 Ripọtì
The climax in a literary work is the_____________
Ajụjụ 15 Ripọtì
Dramatis personae is the same as ____________
Ajụjụ 16 Ripọtì
We did not go to school on that Friday morning. The night before had been rough. It was turbulent and scary. The strange cry "non-indigenes must go" rent the air.
Little did i Known what it meant. That carry all the same haunted me in my sleep. My dreams were horrible. Why was mum so troubled? Why was Dad suddenly so pale and sickly? That night Mum and Dad had a forboding silence. They looked at each other, they did not smile. They were utterly silent. Their silence spoke millions. Fear rules the night. When the family bell summoned us to the family altar, it seemed that it tolled its last for the humans. Death smelled in the air, death was in the eyes..... But why? We were not told. Yes during the prayer at the family altar, Dad had told us there was trouble in town. No one who was a non-indigene was safe.
The feeling is conveyed by the use of_________
Akọwa Nkọwa
Ajụjụ 17 Ripọtì
We did not go to school on that Friday morning. The night before had been rough. It was turbulent and scary. The strange cry "non-indigenes must go" rent the air.
Little did i Known what it meant. That carry all the same haunted me in my sleep. My dreams were horrible. Why was mum so troubled? Why was Dad suddenly so pale and sickly? That night Mum and Dad had a forboding silence. They looked at each other, they did not smile. They were utterly silent. Their silence spoke millions. Fear rules the night. When the family bell summoned us to the family altar, it seemed that it tolled its last for the humans. Death smelled in the air, death was in the eyes..... But why? We were not told. Yes during the prayer at the family altar, Dad had told us there was trouble in town. No one who was a non-indigene was safe.
The dorminant feeling in the passage is that of______________
Ajụjụ 18 Ripọtì
Speaker: My wife! My wife! My wife?
I have no wife,
O, insupportable! O heavy hour!
Me thinks it should be now a huge
Eclipse of Sun and Moon, and that
th'affrighted globe
(Act V, Scene Two, Lines 97-101)
The speaker is ________
Ajụjụ 19 Ripọtì
Yet, let me flap this bug with gilded wings,
This painted child of dirt, that stinks and stings
The alliteration in stinks and stings effectively conveys__________-
Ajụjụ 20 Ripọtì
Othello: So please your grace, my ancient;
A man he is of honesty and trust
To his conveyance i assign my wife
Grace shall think
To be sent after me
(Act 1, Scene Three, Lines 279-283)
Othello is speaking to_____________
Ajụjụ 22 Ripọtì
"Its a matter of sad joy" Iillustrates__________
Ajụjụ 23 Ripọtì
Speaker: My wife! My wife! My wife?
I have no wife,
O, insupportable! O heavy hour!
Me thinks it should be now a huge
Eclipse of Sun and Moon, and that
th'affrighted globe
(Act V, Scene Two, Lines 97-101)
The speaker has just_______________
Ajụjụ 25 Ripọtì
Othello: So please your grace, my ancient;
A man he is of honesty and trust
To his conveyance i assign my wife
Grace shall think
To be sent after me
(Act 1, Scene Three, Lines 279-283)
Othello then_________
Ajụjụ 26 Ripọtì
Iago:
Mere prattle without practice
Is all his soldiership, But he, Sir had the election;
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus, and on other grounds
.....must be belee'd and calmed
By debitor and creditor
(Act 1, Scene One, Lines 23-28)
Iago___________
Ajụjụ 27 Ripọtì
Othello: So please your grace, my ancient;
A man he is of honesty and trust
To his conveyance i assign my wife
Grace shall think
To be sent after me
(Act 1, Scene Three, Lines 279-283)
The speech illustrates the use of________
Ajụjụ 28 Ripọtì
Speaker: I think this tale would win my daughter too,
Good Brabantio, take up this mangled matter at the best
Men do their broken weapons rather use
Than their bare hands
(Act 1, Scene Three, Lines 171-174)
The underlined expression means___________
Ajụjụ 29 Ripọtì
A play on words for literary effect is_________
Ajụjụ 30 Ripọtì
Through the trees, I'll hear a single
Ringing sound, a cowbell jingle
The underlined is an example of____________ryhme
Akọwa Nkọwa
Ajụjụ 31 Ripọtì
Iago:
Mere prattle without practice
Is all his soldiership, But he, Sir had the election;
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus, and on other grounds
.....must be belee'd and calmed
By debitor and creditor
(Act 1, Scene One, Lines 23-28)
The setting is_______
Akọwa Nkọwa
Ajụjụ 32 Ripọtì
Yet, let me flap this bug with gilded wings,
This painted child of dirt, that stinks and stings
The lines illustrates________
Akọwa Nkọwa
Ajụjụ 33 Ripọtì
Over the cobbles it clattered and crashed is an example of__________
Ajụjụ 34 Ripọtì
I know not, Amina
When again on your brightness of smile
My eyes will rest awhile
Nor when again of your softness of voice
My ears will rest awhile
When again into the silver moonshine
You early at night or late venture
As is your wont in weather fine
Astute, awake in bed as doters may, i'll lie
Dreaming of grasping your velvety texture
The dominant literary device used in the poem is_____________
Ajụjụ 35 Ripọtì
An essential part of the plot is____________
Ajụjụ 36 Ripọtì
Speaker: My wife! My wife! My wife?
I have no wife,
O, insupportable! O heavy hour!
Me thinks it should be now a huge
Eclipse of Sun and Moon, and that
th'affrighted globe
(Act V, Scene Two, Lines 97-101)
The speech is provoked by______
Akọwa Nkọwa
Ajụjụ 37 Ripọtì
Speaker: I think this tale would win my daughter too,
Good Brabantio, take up this mangled matter at the best
Men do their broken weapons rather use
Than their bare hands
(Act 1, Scene Three, Lines 171-174)
According to the speaker__________
Akọwa Nkọwa
Ajụjụ 38 Ripọtì
Death be not proud, though some have called thee might and dreadful is an example of___________
Ajụjụ 39 Ripọtì
A short single act drama is called____________
Ajụjụ 40 Ripọtì
Iago:
Mere prattle without practice
Is all his soldiership, But he, Sir had the election;
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus, and on other grounds
.....must be belee'd and calmed
By debitor and creditor
(Act 1, Scene One, Lines 23-28)
His soldiership refers to______________
Ajụjụ 41 Ripọtì
A humorous poem with five lines, the first two ryhming with the last is______________
Ajụjụ 42 Ripọtì
Speaker: My wife! My wife! My wife?
I have no wife,
O, insupportable! O heavy hour!
Me thinks it should be now a huge
Eclipse of Sun and Moon, and that
th'affrighted globe
(Act V, Scene Two, Lines 97-101)
The underlined expression suggests that____________
Akọwa Nkọwa
Ajụjụ 43 Ripọtì
Iago:
Mere prattle without practice
Is all his soldiership, But he, Sir had the election;
And I, of whom his eyes had seen the proof
At Rhodes, at Cyprus, and on other grounds
.....must be belee'd and calmed
By debitor and creditor
(Act 1, Scene One, Lines 23-28)
His eyes refers to____________
Akọwa Nkọwa
Ajụjụ 44 Ripọtì
We did not go to school on that Friday morning. The night before had been rough. It was turbulent and scary. The strange cry "non-indigenes must go" rent the air.
Little did i Known what it meant. That carry all the same haunted me in my sleep. My dreams were horrible. Why was mum so troubled? Why was Dad suddenly so pale and sickly? That night Mum and Dad had a forboding silence. They looked at each other, they did not smile. They were utterly silent. Their silence spoke millions. Fear rules the night. When the family bell summoned us to the family altar, it seemed that it tolled its last for the humans. Death smelled in the air, death was in the eyes..... But why? We were not told. Yes during the prayer at the family altar, Dad had told us there was trouble in town. No one who was a non-indigene was safe.
The family bell summoned us is an example of__________
Ajụjụ 45 Ripọtì
An essential features of drama is___________
Ajụjụ 46 Ripọtì
I know not, Amina
When again on your brightness of smile
My eyes will rest awhile
Nor when again of your softness of voice
My ears will drink by eager of choice
When again into the silver moonshine
You early at night or late venture
As is your wont in weather fine
Astute, awake in bed as doters may, i'll lie
Dreaming of grasping your velvety texture
My ears will drink by eager of choice illustrates________
Akọwa Nkọwa
Ajụjụ 47 Ripọtì
Yet, let me flap this bug with gilded wings,
This painted child of dirt, that stinks and stings
The poets intention is to___________
Ajụjụ 48 Ripọtì
Ten thousand saw i at glance....... Illustrates_________
Ajụjụ 49 Ripọtì
A narrative poem that relates heroic exploits is an___________
Ajụjụ 50 Ripọtì
Speaker: I think this tale would win my daughter too,
Good Brabantio, take up this mangled matter at the best
Men do their broken weapons rather use
Than their bare hands
(Act 1, Scene Three, Lines 171-174)
The speaker is_____________
Akọwa Nkọwa
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