Ana ebu...
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Pịa ma Jide iji Dọkpụrụ Ya |
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Pịa Ebe a ka Imechi |
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Ajụjụ 1 Ripọtì
Akọwa Nkọwa
Ajụjụ 2 Ripọtì
This question is based on Isidore Okpewho's The Victims.
'It ish only becaush of your late feda that we have been sho shilent. When we came to thish town and had nowhere to shtay, hw gave ush shelter, then let ush work on hish farm and fed ush there
He ish the one we are yeshpecting '.
This passage is written in this way in order to show that the speaker
Akọwa Nkọwa
Ajụjụ 4 Ripọtì
Akọwa Nkọwa
Ajụjụ 5 Ripọtì
Akọwa Nkọwa
Ajụjụ 6 Ripọtì
THIS QUESTION ARE BASED ON OLA ROTIMI''S
THE GODS ARE NOT TO BLAME Well it wasn't there anymore with him?
Someone who survived? Someone who managed to come home and say what exactly happened, not even a rat?
The lack of precise knowledge concerning the king''s fate as outlined in the passage above, arose as a result of the fact that
Akọwa Nkọwa
Ajụjụ 7 Ripọtì
THIS QUESTIONS ARE BASED ON WILLIAM SHAKESPEARE'S ROMEO AND JULIET.'You talk here in the public haunt of men.
Either withdraw unto some private place,
Or reason coldly of your grievances,
Or else depart. Here all eyes gaze on us'.
This appeal is made by
Akọwa Nkọwa
Ajụjụ 8 Ripọtì
Akọwa Nkọwa
Ajụjụ 9 Ripọtì
THIS QUESTION ARE BASED ON SELECTED POEMS FROM D.I. NWOGA'S (ED.): WEST AFRICAN VERSE.
'Before you, mother Idoto, naked I stand before your watery presence a prodigal'.
In the above lines from Christopher Okadigbo's Idoto, the speaker is a 'prodigal' because he
Akọwa Nkọwa
Ajụjụ 10 Ripọtì
This question is based on Charles Dicken's Great Expectations.
My heart leaps up when I behold
A rainbow in the sky:
So was it when my life began
So be it now I am a man;
So be it when I shall grow old,
Or let me die!
And I could wish my day to be
Bound each to each by natural piety'.
My heart leaps up by W. Worthsworth.
'The child is father of the Man' is an example of
Akọwa Nkọwa
Ajụjụ 11 Ripọtì
THIS QUESTION ARE BASED ON SELECTED POEMS FROM D.I. NWOGA'S (ED.): WEST AFRICAN VERSE.'Night, and Abiku sucks the oil
From lamps'.
Akọwa Nkọwa
Ajụjụ 12 Ripọtì
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
Ajụjụ 15 Ripọtì
Akọwa Nkọwa
Ajụjụ 16 Ripọtì
Akọwa Nkọwa
Ajụjụ 17 Ripọtì
Ajụjụ 18 Ripọtì
THIS QUESTION ARE BASED ON SELECTED POEMS FROM D.I. NWOGA'S (ED.): WEST AFRICAN VERSE.
'But what wakeful of man,
Made of the mud of this earth,
Can stare at the touch of sleep
The stable vehicle of dream
Which indeed is the look of your eyes?'
These lines from J.P. Clark's 'Olokun' suggests that Olokun eyes
Akọwa Nkọwa
Ajụjụ 19 Ripọtì
Akọwa Nkọwa
Ajụjụ 20 Ripọtì
Akọwa Nkọwa
Ajụjụ 21 Ripọtì
THIS QUESTIONS ARE BASED ON WILLIAM SHAKESPEARE'S ROMEO AND JULIET.The following epithets:
'The courageous captain of compliments...
The very butcher of a silk button...
A gentleman of the very first house...'
Refer to
Akọwa Nkọwa
Ajụjụ 22 Ripọtì
This question is based on Charles Dicken's Great Expectations.
'Genres of literature aptly describes
Akọwa Nkọwa
Ajụjụ 23 Ripọtì
Akọwa Nkọwa
Ajụjụ 24 Ripọtì
This question is based on Isidore Okpewho's The Victims.
One thing that Obanua found in the bar which he is unlikely to get at home is
Akọwa Nkọwa
Ajụjụ 25 Ripọtì
Ajụjụ 26 Ripọtì
This question is based on Isidore Okpewho's The Victims.
The fact that the Roman Catholic priest fears and believes that the white robed figures seen in the night are spirits confirms that
Ajụjụ 28 Ripọtì
THIS QUESTIONS ARE BASED ON WILLIAM SHAKESPEARE'S ROMEO AND JULIET.
'See what a scourage is laid upon your hate
That heaven finds means to kill your joys with love.
And I, for winking at your discords too,
Have lost a brace of kinsmen...'
The speaker of these lines is
Akọwa Nkọwa
Ajụjụ 29 Ripọtì
Ajụjụ 30 Ripọtì
Akọwa Nkọwa
Ajụjụ 31 Ripọtì
Akọwa Nkọwa
Ajụjụ 32 Ripọtì
This question is based on selected poems from D.I. Nwoga's (ed.): West African Verse.
The title of Birago Diop's 'Vanity', is intrigue because the people described in the poem are
Akọwa Nkọwa
Ajụjụ 33 Ripọtì
THIS QUESTION ARE BASED ON OLA ROTIMI''S
THE GODS ARE NOT TO BLAME What is the significance of Alaka and Gbonka to the plot of the play ?
Akọwa Nkọwa
Ajụjụ 34 Ripọtì
This question is based on Isidore Okpewho's The Victims.
The story in the book is told from the point of view of
Akọwa Nkọwa
Ajụjụ 35 Ripọtì
THIS QUESTIONS ARE BASED ON WILLIAM SHAKESPEARE'S ROMEO AND JULIET.
'Wisely and slow. The stumble that run fast'.
This note of caution comes from
Ajụjụ 36 Ripọtì
Akọwa Nkọwa
Ajụjụ 37 Ripọtì
Akọwa Nkọwa
Ajụjụ 38 Ripọtì
Akọwa Nkọwa
Ajụjụ 39 Ripọtì
This question is based on Charles Dicken's Great Expectations.
In poetry, a quatrain is a group of four
Akọwa Nkọwa
Ajụjụ 40 Ripọtì
This question is based on Isidore Okpewho's The Victims.
The real victims are
Akọwa Nkọwa
Ajụjụ 41 Ripọtì
Akọwa Nkọwa
Ajụjụ 42 Ripọtì
Akọwa Nkọwa
Ajụjụ 43 Ripọtì
Akọwa Nkọwa
Ajụjụ 44 Ripọtì
This question is based on Charles Dicken's Great Expectations.
Time out of mind
the going was easy
because of oil boom
we glutted and plotted,
as mad as a hatter'.
The dominant figure of speech in the above piece is
Akọwa Nkọwa
Ajụjụ 45 Ripọtì
THIS QUESTION ARE BASED ON SELECTED POEMS FROM D.I. NWOGA'S (ED.): WEST AFRICAN VERSE.
And I lost in the morning mist of an age at a riverside....
Akọwa Nkọwa
Ajụjụ 46 Ripọtì
Akọwa Nkọwa
Ajụjụ 47 Ripọtì
Akọwa Nkọwa
Ajụjụ 48 Ripọtì
THIS QUESTION ARE BASED ON OLA ROTIMI''S
THE GODS ARE NOT TO BLAME In the prologue, the narrator's role to blame
Ajụjụ 49 Ripọtì
Akọwa Nkọwa
Ajụjụ 50 Ripọtì
Ị ga-achọ ịga n'ihu na omume a?