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Ajụjụ 1 Ripọtì
This question is based on General Literary Principles
A limerick has
Ajụjụ 2 Ripọtì
This Question is based on Oliver Goldsmith's She Stoops to Conquer.
The play is essentially about the
Ajụjụ 3 Ripọtì
This question is based on General Literary Principles
An iambic metrical foot consists of
Ajụjụ 4 Ripọtì
This Question is based on Oliver Goldsmith's She Stoops to Conquer.
Kate could best be described as
Akọwa Nkọwa
Ajụjụ 5 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
'I said I had the tree. It wasn't true. The opposite was true. The tree had me'.
From Robert Frosts ' Wild Grapes' is
Ajụjụ 6 Ripọtì
This Question is based on J.P. Clark's The Wives' Revolt.
Characterization in the play is
Ajụjụ 7 Ripọtì
This Question is based on J.P. Clark's The Wives' Revolt.
OKORO: I'll kill her today.
IDAMA: No, you won't. There, run, Koko, oh,
I say run![He pushes her gently but
firmly towards her room]
The event above happens in
Ajụjụ 8 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
The dominant images in 'She Came in Silken Drapes' are
Akọwa Nkọwa
Ajụjụ 9 Ripọtì
This question is based on General Literary Principles
A poem written to celebrate one's wedding is
Ajụjụ 10 Ripọtì
This question is based on Literary Appreciation
'The old Squire was an implacable man: he made resolutions in violent anger, but he was not moved from them after his anger subsided as fiery as volcanic matters cool and harden into rock
George Eliot, Silas Marner
In the statement above, the Squire is portrayed as a
Ajụjụ 11 Ripọtì
This question is based on Literary Appreciation
'But there was a stillness about Ralph as he sat that marked him out: there was his size and attractive appearance; and most obscurely, yet powerfully, there was the conch. The being that had blown that, had sat waiting for them on the platform with the delicate thing balanced on his knees, was set apart. '
Golding, Lord of the Flies.
In the passage above, the conch symbolises
Ajụjụ 12 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
'Pataki and mustard flowers Like blue and yellow eyes Peep through the green grass'The literary devices used in the lines above from Mohan Singh's 'A village Girl'are
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
Ajụjụ 14 Ripọtì
Ajụjụ 15 Ripọtì
This question is based on General Literary Principles
A body of imaginative men and women of letters is generally referred to as
Ajụjụ 16 Ripọtì
This question is based on George Orwell's Animal Farm.
Old Major ends his speech to the animals with a song in order to
Ajụjụ 17 Ripọtì
Akọwa Nkọwa
Ajụjụ 18 Ripọtì
This question is based on Abubakar Gimba's Witnesses to Tears
The witnesses to the tears in the novel are
Ajụjụ 19 Ripọtì
This question is based on Literary Appreciation
'It was January and Monday my father had to gather his nerve to go back to teaching During the Christmas vacation he became slack and in a fury of screw-turning had to retighten himself. The long haul he called the stretch between Christmas and Easter.'
John Updike, The Centaur.
The long haul in the narrative above describes
Ajụjụ 20 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
John Donne's 'Death be not Proud is informed by a
Ajụjụ 21 Ripọtì
This question is based on General Literary Principles
An irredeemable reversal of the hero's fortune in a tragedy is called
Ajụjụ 22 Ripọtì
This question is based on General Literary Principles
What does the protagonist do in a picaresque novel?
Ajụjụ 23 Ripọtì
This question is based on Literary Appreciation
'Fierce harmattan sun on innocent tendrils; torrential downpour on leaking thatch roofs; paintfull comfort of helpless eunuchs; thorny beauty of modern witches; the fatcon's call on day-old-chicks, ours is tragi-comic dialogue.... mute echoes of pains.'
The sonority and rhythmical structure of the lines above are achieved through a pause pattern called
Ajụjụ 24 Ripọtì
This question is based on General Literary Principles
In the plot of a novel emphasis should be placed on
Ajụjụ 25 Ripọtì
This question is based on Abubakar Gimba's Witnesses to Tears
The novel is largely set in
Ajụjụ 26 Ripọtì
This question is based on General Literary Principles
Empathy is achieved when the audience
Ajụjụ 27 Ripọtì
This question is based on General Literary Principles
The overall design of a drama to which all other components relate is its
Ajụjụ 28 Ripọtì
Ajụjụ 30 Ripọtì
This question is based on General Literary Principles
A system of plot development which creates the future through anticipation and the past through memory is
Ajụjụ 31 Ripọtì
'Oshor:...Winds howl forth-howl forth,
Hold back hold back-is the time- oh
Endless time-slung in oblivion,
Make minced meat of your prey.'
Charity Angya, The Cycle of the Moon.
The mood captured in the lines above is one of
Akọwa Nkọwa
Ajụjụ 32 Ripọtì
This question is based on S.I Osammor's The Triumph of the Water Lily.
The dominant impression of the first person narrative in the novel gives it
Akọwa Nkọwa
Ajụjụ 33 Ripọtì
This Question is based on J.P. Clark's The Wives' Revolt.
The play is preoccupied with
Akọwa Nkọwa
Ajụjụ 34 Ripọtì
This question is based on Literary Appreciation
'Those years of my travels. Years of innocence and experience...months of twidding my thumbs with insecurity in search of my true people. Yes in search of my true people. But wherever I went I did not find people but caricatures of people who insisted on being taken seriously as people Perhaps I was on the wrong planet.
In the wrong skin.
Dambudzo- Marechera, Black Sunlight.
The passage above expresses the state of mind of
Ajụjụ 35 Ripọtì
This question is based on Literary Appreciation
'I'm not going to be drawn into that old trap of an argument and be picked up by the tail like some wet rat out of a sewer;
The speaker in the statement above is being
Ajụjụ 36 Ripọtì
This question is based on selected poems from Ker, D, et al (eds.): New Poetry from Africa; Syinka, W. (ed.): Poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature-in-Enghish; Eruvbetine, A. E. et al (eds.): Longman Examination Guides and Nwoga, D. I. (ed.)west African Verse.
Arthur Nortje's Nightfall is written against the backdrop of
Akọwa Nkọwa
Ajụjụ 37 Ripọtì
This Question is based on Oliver Goldsmith's She Stoops to Conquer.
Form the stage directions it is apparent that Oliver Goldsmith makes use of a
Ajụjụ 38 Ripọtì
This question is based on S.I Osammor's The Triumph of the Water Lily.
The persona of the novel sees death as a welcome event provided one
Ajụjụ 39 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
And my children left their peaceful nakedness
For the uniform of iron and blood'
In the lines above from David Diop's Loser of Everything' the imagery depicts a displacement of
Ajụjụ 40 Ripọtì
This Question is based on Oliver Goldsmith's She Stoops to Conquer.
In the play the general picture depicted is that of
Ajụjụ 41 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
Yusuf Kassam's ' Maji Maji is presented as a
Ajụjụ 42 Ripọtì
This question is based on George Orwell's Animal Farm.
The execution of some of the animals on the orders Napoleon is to
Ajụjụ 43 Ripọtì
'Oshor:...Winds howl forth-howl forth,
Hold back hold back-is the time- oh
Endless time-slung in oblivion,
Make minced meat of your prey.'
Charity Angya, The Cycle of the Moon.
The literary device used is
Akọwa Nkọwa
Ajụjụ 44 Ripọtì
Akọwa Nkọwa
Ajụjụ 45 Ripọtì
This question is based on Abubakar Gimba's Witnesses to Tears
In the novel, Al-Amin's initial reservations about his daughter's engagement to Lahab are informed by
Ajụjụ 46 Ripọtì
This question is based on selected Poems from Ker, D. et al (eds.): New poetry from African; Syinka, W. (ed.): poems of Black African; Senanu, K.E. and Vincent, T. (eds.): A Selection of African poetry; Umukoro, M. et al (eds.): Exam Focus: Literature- in - English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D.I. (ed.): West African Verse.
Lenrie Peters in 'She came in Silken Drapes' reflects
Akọwa Nkọwa
Ajụjụ 47 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
The subject matter of Wangusa's A Taxi Driver on His Death is
Akọwa Nkọwa
Ajụjụ 48 Ripọtì
This Question is based on Oliver Goldsmith's She Stoops to Conquer.
Hardcastle:
And I love every thing that's old old friends, old times, old manners, old books, old wines; and I believe, Dorothy (taking her hand) you'll own I have been pretty fond of an old wife.
Mrs. Hardcastle,
You're forever at your Dorothy's, and your old wife's. You may be a Darby, but l'll be no Joan, I promise you I am not so old as you'd make me, by more than one good year.
The dialogue above reveals the couple's
Ajụjụ 49 Ripọtì
This question is based on George Orwell's Animal Farm.
The message of the novel is that
Akọwa Nkọwa
Ị ga-achọ ịga n'ihu na omume a?