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Ajụjụ 1 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
The play is concerned principally with
Ajụjụ 2 Ripọtì
This question is based on General Literary Principles.
The literary term which describes the angle at which a writer tells his story is
Ajụjụ 3 Ripọtì
Akọwa Nkọwa
Ajụjụ 4 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
'Returning is not possible
And going forward is a great difficulty'
Sorrow' depict
Akọwa Nkọwa
Ajụjụ 5 Ripọtì
This question is based on Wole Soyinka's
The Trials of Brother Jero.
Jero is aptly described in the play as
Ajụjụ 6 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
In the play, most characters act in ignorance while the audience is aware of the true situation. This is an example of
Ajụjụ 7 Ripọtì
This question is based on Literary Principles.
'I cannot blind myself
To putrefying carcasses in the market place
Pulling giant vultures
From the sky.
Odia Ofeimun, 'How Can I Sing?
The tone of the lines above is one of
Ajụjụ 8 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
Grandma informs Li in the novel that her salt-pot is empty because
Akọwa Nkọwa
Ajụjụ 9 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.'I hear your call
I hear if far away
I hear it break the circle'
The device in which the first two words of the lines above from Okara's 'The Call of the River NUN' are invaried while the rest very is called
Akọwa Nkọwa
Ajụjụ 10 Ripọtì
This question is based on General Literary Principles.
The narrator that tells his story as if all actions in the story revolve around him is
Ajụjụ 11 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
In 'Hurrah for Thunder', Christopher Okigbo celebrates
Akọwa Nkọwa
Ajụjụ 12 Ripọtì
This question is based on General Literary Principles.
'what time night it is
I do not know
Except that like some fish
Doped out of the deep
I have bobbed up bellywise'.
J.P. Clark, 'Night Rain'
Which of the following figures of speech is employed above ?
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbridge.
One of the main features that sustains the reader's interest in the novel is the
Ajụjụ 14 Ripọtì
This question is based on General Literary Principles.
The figure of speech in which a poet implicitly compares an object or idea with another totally different object or idea is called a
Ajụjụ 15 Ripọtì
This question is based on Literary Principles.
The branch of knowledge that places emphasis on beauty is
Ajụjụ 16 Ripọtì
This question is based on Wole Soyinka's
The Trials of Brother Jero.
The most immediate service that Jero wishes to saddle MEMBER with at the end of the play is to
Ajụjụ 17 Ripọtì
"Behold her, single in the field
You solitary Highland Lass!
Reaping and singing, by herself
Stop here, or gently pass!
Alone she cuts and blinds the gram,
And sings a melancholy strain,
O listen! For the Vale profound
Is overflowing with the sound.
The rhyming scheme in the first stanza of The Solitary Reaper above is
Akọwa Nkọwa
Ajụjụ 18 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
'The is my son, mine own Telemachus To whom I leave the scepter and the isle.'
In the lines above from Tennyson's Ulysses', scepter' and 'isle' are a poetic device called
Akọwa Nkọwa
Ajụjụ 19 Ripọtì
This question is based on Wole Soyinka's
The Trials of Brother Jero.The most significant factors driving members to Jero's church in the play are
Ajụjụ 20 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
Li got more accustomed to her home because she
Ajụjụ 21 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
The writer's satire is most biting when applied to
Ajụjụ 22 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbridge.
Characterization in the novel is designed to show that man's fate is determined by
Ajụjụ 23 Ripọtì
This question is based on General Literary Principles.
When a writer refers to past events to throw light on current ones he is employing
Ajụjụ 24 Ripọtì
This question is based on Literary Principles.
'You Kiss her on the cheek
As white people do,
You Kiss her open-sore lips
As white people do,
You suck slimy saliva
From each other's mouths,
As white people do.'
Okot p' Bitek 'Song of Lawino'
The writer of the lines above uses repetition
Ajụjụ 25 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
The phrase 'location indifferent' in 'Telephone Conversation' conveys Wole Soyinka's
Ajụjụ 26 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbirdge.
The goal of the novel is to expose the
Ajụjụ 27 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
For Young Marlow, which of the following is the most objectionable aspect of marriage?
Ajụjụ 28 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
Oswald Mtshali's 'They Washerwoman's Prayer' is
Akọwa Nkọwa
Ajụjụ 29 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
'The eye that looks down will surely see the nose
The finger that fits should be used to pick the nose
The lines above from 'Hurrah for Thunder' bear two major connotations.
These are
Akọwa Nkọwa
Ajụjụ 30 Ripọtì
This question is based on General Literary Principles.
A character who remains unchanged in a work of art is called
Ajụjụ 31 Ripọtì
This question is based on Wole Soyinka's
The Trials of Brother Jero.
The spotlight on the dark stage in the opening of the reveals
Akọwa Nkọwa
Ajụjụ 32 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbridge.
What is represented by the characters of Henchard and Farfrae in the novel is the
Ajụjụ 33 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
The persona in 'My Last Duchess' regards the painting as
Akọwa Nkọwa
Ajụjụ 34 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
The dominant tone of the novel is one of
Akọwa Nkọwa
Ajụjụ 35 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
X: I am told he's a man of an excellent understanding
Y: Is he?
X: Very generous.
Y: I believe I shall like him.
X: Young and brave.
Y: I'm sure I shall like him.
X: And very handsome.
Y:....,I'll have him.
Who are the speakers X and Y and about whom are they speaking ?
Ajụjụ 36 Ripọtì
This question is based on General Literary Principles.
A figure of speech in which an absent person or an object is addressed as if present is referred to as
Ajụjụ 37 Ripọtì
Akọwa Nkọwa
Ajụjụ 38 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
Mrs. Hardcastle is depicted as
Akọwa Nkọwa
Ajụjụ 39 Ripọtì
This question is based on General Literary Principles.
'I love to pass my fingers,
As tide through weeds of the sea
And wind the tall fern-fronds
Through the strands of your hair
Dark as night that screens the naked moon.'
J.P. Clark, 'Olokun'
The dominant poetic techniques employed in the lines above is
Ajụjụ 40 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbirdge.
Henchard arranged a meeting with Susan that the Ring instead of in his house because
Ajụjụ 41 Ripọtì
This question is based on General Literary Principles.
A satire employs
Ajụjụ 42 Ripọtì
This question is based on Thomas Hardy's The Mayor of Casterbirdge.
Hardy employs the character of Henchard to propagate the notion of
Akọwa Nkọwa
Ajụjụ 43 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
The repetition of the line 'They Too Are Earth' has the effect of
Ajụjụ 44 Ripọtì
This question is based on General Literary Principles.
An inherent quality of the lyric is that it must
Ajụjụ 45 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
'My blood is hot, but my flesh is famished...
The rains have come, the field is prepared,
But my field remains untilled,...
The statement above reflects the
Akọwa Nkọwa
Ajụjụ 47 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
The major concern of the novel is the
Akọwa Nkọwa
Ajụjụ 48 Ripọtì
This question is based on zaynab Alkali's The Stillborn.
'And in spite of everything, in the soft cradle of her heart, there was another baby forming'.
What baby is being referred to in the above statement?
Ajụjụ 49 Ripọtì
This question is based on selected poems from D. Ker, C. Maduka et al (eds.): New Poetry from Africa, Wole Soyinka (ed.): Poems of Black Africa, K.E. Senanu and T. Vincent (eds.): A Selection of African poetry and E.W. Parker (ed.) A Pageant of Longer Poems.
Wordsworth's 'The Solitary Reaper' is preoccupied with the
Akọwa Nkọwa
Ajụjụ 50 Ripọtì
This question is based on Oliver Goldsmith's She Stoops to Conquer.
Kate, Hardcastle's daughter, agrees to her father's choice of a husband for her but is critical of the
Ị ga-achọ ịga n'ihu na omume a?