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Ajụjụ 1 Ripọtì
This question is based on Ayi Kwei Armah's Fragments.
Boateng describes the writers' studio as a place where
Akọwa Nkọwa
According to Boateng in Ayi Kwei Armah's Fragments, the writers' studio is a place where people discuss real writing. This means that the studio is a place where individuals engage in meaningful conversations about writing and the creative process, and where writers can receive feedback and support for their work. It is not a place where writers are sold or where writing materials are sold, and while writers do work hard at their writings, this is not the defining characteristic of the studio.
Ajụjụ 2 Ripọtì
This question is based on Femi Ademiluyi'sThe New Man
After listening to the soldiers' conversation, the convict decides to
Akọwa Nkọwa
In Femi Ademiluyi's "The New Man", after listening to the soldiers' conversation, the convict decides to hide in the bush for one day and later contact Laoye Layeni. The soldiers' conversation reveals that they are searching for him and his current location is not safe. Therefore, he decides to hide in the bush for a day and later contact Laoye Layeni who he believes will help him escape.
Ajụjụ 3 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
In Clark's Agbor Dancer, the drum is central to the message because it
Akọwa Nkọwa
Ajụjụ 4 Ripọtì
This question is based on General Literary Principles.
An anti-social taken by the tragic hero which results in a catastrophe is called
Akọwa Nkọwa
An anti-social taken by the tragic hero which results in a catastrophe is called "harmatia". Harmatia is a concept from ancient Greek tragedy and it refers to the tragic flaw or error in judgment made by the protagonist which ultimately leads to their downfall. This mistake could be caused by the hero's hubris, lack of self-awareness, or ignorance of their situation. The concept of harmatia is a key element of tragedy, as it highlights the idea that even the most noble or heroic characters can be undone by their own flaws.
Ajụjụ 5 Ripọtì
This question is based on Thomas Hardy's
Most of Tess'misery as a girl-mother comes from the thought of
Akọwa Nkọwa
Ajụjụ 6 Ripọtì
This question is based on General Literary Principles.
An address to a metaphysical source of inspiration by a poet is called
Akọwa Nkọwa
An address to a metaphysical source of inspiration by a poet is called an "invocation." It is a literary technique in which the poet directly appeals to a higher power or source of inspiration, such as a deity or muse, to guide and inspire their work. The purpose of an invocation is to seek divine or supernatural assistance in the creative process, to elevate the poem to a higher level, and to establish a connection between the poet and the divine. Invocations are often found in epic poems and are a common feature of classical literature.
Ajụjụ 7 Ripọtì
This question is based on General Literary Principles.
A complex plot can be described as the plot structure that has
Akọwa Nkọwa
A complex plot can be described as a plot structure that has strands of events running concurrently. This means that there are multiple storylines or threads happening at the same time, which can sometimes be interconnected or related to each other. The plot may involve various characters, settings, and scenes that add to the complexity and richness of the narrative. The plot may also have unexpected twists and turns that keep the audience engaged and interested in the story. A complex plot is often associated with works of literature that require close reading and analysis to fully appreciate the depth and complexity of the narrative structure.
Ajụjụ 8 Ripọtì
This question is based on Literary Appreciation
The hunter dies and leaves his poverty to his gun
The blacksmith dies and leaves his poverty to his anvil..
The extract above is an example of
Ajụjụ 9 Ripọtì
This question is based on Literary Appreciation
'He did his work in the same slow obstinate way as he had done it in Jones time never shirking and never volunteering for extra either'.
George Orwell: Animal Farm
Form the passage above, the character being described is
Ajụjụ 10 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
Apart from his lover, the poet in Senghor's I will Pronounce Your Name is also concerned with his
Akọwa Nkọwa
In Senghor's poem "I Will Pronounce Your Name," the poet is not only concerned with his lover but also with his continent, Africa. The poem celebrates African heritage and culture, and the poet speaks of the beauty of Africa's natural landscapes, such as its rivers, mountains, and forests. The poem is an ode to Africa and its people, and the poet expresses his love and devotion to both his lover and his homeland.
Ajụjụ 11 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
Brutus'A Troubadour I Traverse paints the picture of
Akọwa Nkọwa
Ajụjụ 12 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
Milton's On His Blindness teaches human beings to
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Milton's "On His Blindness" teaches human beings to regard their physical disabilities as an opportunity to serve God in a different way, rather than focusing on their limitations. The poem encourages people to trust in God's plan for their lives and to use their talents to the best of their abilities, even if it means doing so in a different way than they originally envisioned. In this sense, the poem promotes a message of faith, perseverance, and acceptance of one's limitations while striving to make the most of one's abilities.
Ajụjụ 13 Ripọtì
This question is based on Ahmed Yerima''s Attahiru.
The play is historical because it deals with
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Ajụjụ 14 Ripọtì
This question is based on Ahmed Yerima's Attahiru.
Abbas the beggar is a symbol of
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Abbas the beggar in Ahmed Yerima's Attahiru is a symbol of "the rich also crying." Abbas was once a rich man, but he lost all his wealth and became a beggar. He represents the idea that even the rich and powerful can fall from grace and end up in a state of poverty and helplessness. Thus, his character is a reminder that everyone, regardless of their status in society, is susceptible to misfortune and should be treated with kindness and empathy.
Ajụjụ 15 Ripọtì
This question is based on William Shakespeare's Hamlet.
Ghost serves to
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The Ghost in Hamlet serves to initiate dramatic conflict. The play revolves around the protagonist Hamlet avenging the murder of his father, King Hamlet, by his uncle Claudius. The Ghost is the one who informs Hamlet about the murder and commands him to take revenge. Without the Ghost's appearance, the plot would not have progressed, and there would be no dramatic conflict.
Ajụjụ 16 Ripọtì
This question is based on Ahmed Yerima's Attahiru.
Form the viewpoint of the British government, the attack on the Sokoto Caliphate is
Akọwa Nkọwa
The correct answer to the question is "one of superiority". The British government, during their colonial rule in Nigeria, saw themselves as superior to the indigenous people and their cultures. In the case of the attack on the Sokoto Caliphate, the British government considered the Caliphate as a threat to their colonial rule and superiority, hence the need to subdue them. Therefore, the attack on the Sokoto Caliphate can be viewed as a display of British superiority over the indigenous people.
Ajụjụ 17 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.In We must learn Again to Fly; Ofeimum exhorts the reader
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Ajụjụ 18 Ripọtì
This question is based on General Literary Principles.
Flash back in a literary work help to
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Flashbacks in a literary work serve several purposes, but they primarily help to place the story in proper perspective by providing the reader with necessary background information. They can help to fill in missing links in the plot, explain character motivations, and provide context for the events taking place in the present timeline. Additionally, flashbacks can reveal the characters' mindsets and emotional states at the time of the events being recalled, which can deepen the reader's understanding and empathy for the characters. Flashbacks are not meant to relate events that are extraneous to the story, but rather to enhance the narrative by providing a more complete picture of the story and its characters.
Ajụjụ 19 Ripọtì
This question is based on General Literary Principles.The sides of a stage are called
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The sides of a stage are commonly called "the wings." They refer to the areas offstage to the left and right of the acting area where actors wait to enter the stage, as well as the storage and preparation areas for props and scenery. The term "wings" is thought to have originated from the early days of theater when stages were surrounded by curtains that resembled wings.
Ajụjụ 20 Ripọtì
This question is based on selection poems from Johnson, R. et al (eds.): New Poetry from Africa; Soyinka, W.. (ed.):Poems of Black African; Senanu, K.E. and Vincent, T. (eds.):A Selection of African Poetry; Maduka, C.T. et al: Exam Focus: Literature in English; Eruvbetine, A.E. et al (eds.): Longman Examination Guides and Nwoga, D. I. (ed.):West African Verse
The poet persona in Wangusa's A Taxi Driver on His Death is
Akọwa Nkọwa
Ajụjụ 21 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
The character addressed in Serenade is
Akọwa Nkọwa
Ajụjụ 22 Ripọtì
This question is based on General Literary Principles.A metrical pause occurring in the middle of a line in a poem is called
Akọwa Nkọwa
A metrical pause occurring in the middle of a line in a poem is called a "caesura". A caesura is a pause or break in a line of poetry, typically occurring near the middle of the line. It can be indicated by a double vertical line or by punctuation such as a comma or period. The purpose of a caesura is to create a rhythmic pause in the poem, allowing the reader to take a breath and giving emphasis to certain words or phrases.
Ajụjụ 23 Ripọtì
This question is based on the Literary Appreciation.
'Your no-good pig, and here I am feeding him everyday letting him sleep in my house. I got a knife from the kitchen. I am going to kill that pig.'
Patricia Melo:The Killer
The speaker in the excerpt above is trying to
Akọwa Nkọwa
The speaker in the excerpt is contemplating the killing of the pig. The phrase "I am going to kill that pig" is a clear indication of the speaker's intentions. The preceding statements about the pig being no good and the speaker feeding it and letting it sleep in their house suggest that the speaker has some sort of personal grievance against the pig, and is therefore justifying the action of killing it. The speaker is not reporting the pig before killing it or trying to brace himself up for the action; rather, the speaker is expressing a determined intent to carry out the act of killing the pig.
Ajụjụ 24 Ripọtì
This question is based on the Literary Appreciation.
'On the broken walls,
Bats hang away from the sun
Shadows of an ancient stranger
Cast their presence over our shoulders
A pathway leads to the abandoned gate.' Mazisi Kunene:The Fearful Ruin
The dominant mood in the excerpt above is that of
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The dominant mood in the excerpt above is that of terror. The use of the words "broken," "ancient stranger," "abandoned," and "fearful ruin" create a sense of desolation and dread. The imagery of the bats hanging away from the sun and the shadows cast over the shoulders of the speaker further enhance this feeling of terror.
Ajụjụ 25 Ripọtì
This question is based on General Literary Principles.
A travelogue is
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A travelogue is a type of literature that presents a detailed and descriptive account of the writer's experiences during a journey or travel. It is typically written in a personal and subjective style, focusing on the writer's impressions and observations about the places, people, cultures, and events encountered during the journey. Travelogues can be in the form of books, essays, or blogs, and they often provide insights into the writer's personality, worldview, and cultural background.
Ajụjụ 26 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
In Houseman's To an Athlete Dying Young, the poet sees the death of the young athlete as
Akọwa Nkọwa
In Houseman's "To an Athlete Dying Young," the poet sees the death of the young athlete as timely. The poem is a reflection on the fleeting nature of fame and the inevitability of death. The athlete's death is seen as timely because it occurred at the height of his fame and glory, thus preserving his legacy and ensuring that he will be remembered as a hero. The poem also suggests that the athlete's early death was a blessing in disguise, sparing him from the decline of his athletic prowess and the eventual loss of his fame and glory.
Ajụjụ 28 Ripọtì
This question is based on the Literary Appreciation.
'I am jealous and passionate like Jehovah, God of the Jews;
J.P Clark:Olokun
A device used in the second line of the excerpt above is
Akọwa Nkọwa
The device used in the second line of the excerpt is a simile. A simile is a figure of speech that compares two things using the words "like" or "as." In this case, the poet is comparing himself to Jehovah, God of the Jews, by saying he is "jealous and passionate like" Him. The use of "like" indicates that it is a simile.
Ajụjụ 30 Ripọtì
This question is based on William Shakespeare's Hamlet.
The king who is poisoned in the Garden in the play-within-the-play is
Ajụjụ 31 Ripọtì
These question are based on selected poems from Ker, D.et al (eds.)New poetry from Africa; Soyinka, (ed.): Poems of Black Africa; Senanu K.E. and Vincent, T.(eds.): A Selection of African poetry;Umukoro, M et al (eds.): Exam focus:Literature in English: Eruvbetine, A.E.et al (eds): Longman Examination Guide and Nwoga, D.I. (eds.): West African Verse.In Lawrence's Bat, the poet persona mistakes the bats for
Akọwa Nkọwa
Ajụjụ 32 Ripọtì
This question is based on William Shakespeare's Hamlet.
The seeming shifty structure of the play is used to
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The seeming shifty structure of the play is used to sustain the reader's interest, reflect the emotional and psychological state of Hamlet, and assist in the development of the characters. By shifting the focus and perspective throughout the play, Shakespeare creates a sense of intrigue and uncertainty that keeps the reader engaged. Additionally, the shifts in perspective reflect Hamlet's own state of mind as he grapples with his inner turmoil and struggles to make sense of the world around him. Finally, by developing the characters through multiple perspectives and shifting alliances, Shakespeare is able to create complex and nuanced characters that feel more real and fully realized.
Ajụjụ 33 Ripọtì
This question is based on Femi Ademiluyi'sThe New Man
The tension generated at Ipaja and Iwuya early in the novel is a result of
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Ajụjụ 34 Ripọtì
This question is based on Ayi Kwei Armah''s Fragments.The Baako ultimately goes mad indicates that
Akọwa Nkọwa
Ajụjụ 35 Ripọtì
This question is based on General Literary Principles.
The physical setting within which the action of a narrative takes place is the
Akọwa Nkọwa
The physical setting where the events of a story occur is known as the locale or location. It includes the time, place, atmosphere, and environment where the story takes place. It could be a real or imaginary place, indoors or outdoors, and can play a significant role in the story's development and the characters' actions and emotions. The locale can also create a certain mood or atmosphere that enhances the story's overall impact on the reader or audience.
Ajụjụ 36 Ripọtì
This question is based on Literary Appreciation
'It was not the apple that tempted Eve, but this grapefruit; thus did maren revise the tale of Paradise Lost, and even Chris, shocked as he was at such blasphemy,confessed himself tempted to agree whenever maren returned from raiding the Principal's compound, with a shirtful of booty to share, especially on a hot afternoon.'
Wole Soyinka: Ibadan: The Penkelemes Years, A Memoir
The passage above achieves a mock-heroic effect through the use of
Akọwa Nkọwa
The passage achieves a mock-heroic effect through the use of an allusion. An allusion is a reference to a well-known person, place, event, or literary work. In this passage, the reference is to the biblical story of Adam and Eve in the Garden of Eden. However, the author Wole Soyinka has twisted the story to make it sound humorous and ridiculous. By changing the forbidden fruit from an apple to a grapefruit, and suggesting that Chris, a character in the story, was tempted by the fruit, Soyinka is mocking the seriousness of the biblical story. The use of an allusion to the story of Adam and Eve, combined with this humorous twist, creates a mock-heroic effect, which is a form of satire that mocks something that is usually considered serious or heroic.
Ajụjụ 37 Ripọtì
This question is based on selected poems from Ker, D. et al (eds.): New Poetry from Africa; Soyinka, W. (ed.): Poems of Black Africa; Senanu, K.E. and Vincent, T.(eds.): A Selection of African Poetry; Umukoro, M. et al (eds.): Exam Focus: Literature in English; Eruvbetine, A.E.et al (eds.): Longman Examination Guides and Nwoga D.I. (ed.): Weast African Verse.
The subject matter of Wangusa's A Taxi Driver on His Death is
Akọwa Nkọwa
Ajụjụ 38 Ripọtì
This question is based on Ahmed Yerima's Attahiru.
The dispute between Sarkin Zango and Sarkin Fatake is over a
Akọwa Nkọwa
Ajụjụ 39 Ripọtì
This question is based on Thomas Hardy's
The death of Prince can be said to
Akọwa Nkọwa
Ajụjụ 40 Ripọtì
This question is based on William Shakespeare's Hamlet.
The king's clown whose skull is exhumed by Gravedigger is
Akọwa Nkọwa
The clown whose skull is exhumed by Gravedigger in Hamlet is Yorick. He was a court jester, a funny man who amused the court with his jokes and antics. Yorick had been dead for over twenty years, and Hamlet recognizes his skull when it is unearthed. The skull serves as a symbol of mortality and reminds Hamlet of the transience of life.
Ajụjụ 41 Ripọtì
This question is based on General Literary Principles.
A humorous scene, incident or speech in the course of a serious fiction or drama is a
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A humorous scene, incident, or speech in the course of a serious fiction or drama is known as "comic relief". It is a literary device used by authors and playwrights to provide temporary relief from the serious tone of the work. It often involves a character or situation that is humorous or lighthearted, providing a momentary break from the tension or sadness of the story. This can help to engage the audience and make the serious moments more impactful.
Ajụjụ 42 Ripọtì
This question is based on Literary Appreciation
'For God's sake, let us sit upon the ground,
And tell sad stories of the death of kings;
How some have been deposed, some slain in war
Some haunted by the ghosts they have deposed
Some poisoned by their wives, some sleeping killed,
All murdered;
William Shakespeare:King Richard II
The subject matter of the speech above is
Ajụjụ 43 Ripọtì
This question is based on Literary Appreciation
''O fleeting gleam of noon dream You incense my clothed cream!
Tony E. Afejuku:An Orchard of Wishes
The literary device used in the lines above is
Akọwa Nkọwa
The literary device used in the given lines is assonance. Assonance is the repetition of vowel sounds in nearby words, especially in poetry. In this case, the sound of the vowel "e" is repeated in the words "fleeting," "gleam," "noon," "dream," "incense," and "cream." The repetition of this sound creates a musical effect and adds emphasis to the words, drawing attention to the imagery and sensory experience being described.
Ajụjụ 44 Ripọtì
This question is based on Thomas Hardy's
Tess of the d'Urbervilles
Angel Clare prefers Tess to Mercy Chant as a wife because she
Akọwa Nkọwa
Angel Clare prefers Tess to Mercy Chant as a wife because she understands farm life. In the novel, Angel Clare is portrayed as someone who values simplicity and practicality over social status and religious ideals. He falls in love with Tess because of her natural beauty and her ability to work hard on the farm. Unlike Mercy Chant, who comes from a more privileged background and is not used to the hardships of rural life, Tess is able to connect with Angel on a deeper level and they are able to build a strong relationship based on mutual understanding and respect for each other's way of life.
Ajụjụ 45 Ripọtì
This question is based on Ayi Kwei Armah's Fragments.
The message State Express 555 is an advertisement for
Akọwa Nkọwa
State Express 555 is a brand of elitist cigarette that was advertised in Ayi Kwei Armah's Fragments. The advertisement is mentioned in the novel as a way of highlighting the influence of Western consumerism in African societies, where imported products are often viewed as superior and desirable.
Ajụjụ 46 Ripọtì
This question is based on Literary Appreciation
'You are the cold nests
In which the migrant bird lays no eggs.'
Kittobbe: To the Childless
The device used in the excerpt above is
Akọwa Nkọwa
The device used in the excerpt is a metaphor. A metaphor is a figure of speech that implies a comparison between two things without using "like" or "as." In this case, the poet compares a person or a situation to a "cold nest," which suggests that the person or situation is unwelcoming and unsuitable for the purpose for which it was intended. The comparison implies that just as a cold nest is unsuitable for a migrant bird to lay its eggs, the person or situation is unsuitable for the intended purpose, which is to have children. Therefore, the metaphor conveys a complex idea and creates a vivid image in the reader's mind.
Ajụjụ 47 Ripọtì
This question is on Literary Appreciation
'... Not a few of us ended our application letters like this:. If you are kind enough to accommodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my disposition to your best satisfactory. Yours obediently servant...'Yet without English, you had no education fit for a white collar job.'
Cameron Daodu: The Gab Boys
The tone of the passage above is
Ajụjụ 48 Ripọtì
This question is based on Femi Ademiluyi''sThe New ManIn terms of religion, the people of Ipaja can be described as
Ajụjụ 49 Ripọtì
This question is based on Ahmed Yerima's Attahiru.The character attributes of Attahiru qualify him as
Ajụjụ 50 Ripọtì
This question is based on General Literary Principles.
A work which takes place in a non-existent world or which concerns an incredible character is
Akọwa Nkọwa
A work which takes place in a non-existent world or concerns an incredible character is called a "fantasy". The term "fantasy" is used to describe literature that involves magic, mythical creatures, supernatural powers, and other elements that are not found in the real world. Fantasy is often set in an imaginary world with its own rules and laws, and may involve epic quests, battles between good and evil, and the triumph of the hero over seemingly insurmountable obstacles.
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