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Ajụjụ 2 Ripọtì
Although the following statement is not a direct quotation from any books,it serves as as an aid to identifying characters that appear in the works.Read it carefully and say which character is likely to make it: 'How could i have succumbed to the pressures of the corrupt society?I thought i would be a successful social reformer but now i am as bad as those i criticize'
Akọwa Nkọwa
Ajụjụ 3 Ripọtì
In 'Telephone Conversation', the tone of the question 'You mean-like plain or milk chocolate? is
Akọwa Nkọwa
Ajụjụ 4 Ripọtì
The most quarrelsome character in Romeo and Juliet is
Ajụjụ 5 Ripọtì
In 'Wild Grapes' the narrator says 'You see me celebrate two birthdays,And give myself out as two different ages because
Akọwa Nkọwa
Ajụjụ 6 Ripọtì
We returned to our places,these kingdoms ,
But no longer at ease here,in the old dispensation,
With an alien people clutching their goods.
I should be glad of another death.
The author of these lines is
Akọwa Nkọwa
Ajụjụ 7 Ripọtì
In Night of Seine,the word'dark' in 'listen to our dark blood beat' is used
Ajụjụ 8 Ripọtì
Kontiki Expedition demonstrates human
Ajụjụ 10 Ripọtì
Peter Abraham's Mine Boy is about one of the following
Ajụjụ 12 Ripọtì
In 'The Executioner's Dream',the first line 'I dream I saw an eye,a pretty eye' is
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
In a 'Portrait', a poet writes:
At mankind's feast,i take my place
In solemn,sanctimonious state,
And have the air of saying grace
While i defile the dinner plate.
The tone of this passage may be described as
Akọwa Nkọwa
Ajụjụ 15 Ripọtì
In 'The Duel' the line 'And the swords clicked and scrapped,and the onsets sped' indicates
Akọwa Nkọwa
Ajụjụ 16 Ripọtì
Events in The Concubine are dominated by
Ajụjụ 17 Ripọtì
Which of these secondary characters stands out from the others in the development of the action in Ozidi?
Akọwa Nkọwa
Ajụjụ 19 Ripọtì
The difference between tragedy and comedy is
Ajụjụ 20 Ripọtì
Romeo and Juliet
"O'Romeo,Romeo!Wherefore art thou Romeo?
Deny thy father and refuse thy father and refuse thy name"
Juliet makes this statement because
Akọwa Nkọwa
Ajụjụ 21 Ripọtì
The dominant feeling in Leopold Sedar Senghor's 'In Memoriam' is
Ajụjụ 22 Ripọtì
In Birago Diop's 'Vanity',these two lines 'Sad complaining voices of beggars
Who indeed will hear them without laughter?'contain
Akọwa Nkọwa
Ajụjụ 23 Ripọtì
A good plot must posses
Ajụjụ 26 Ripọtì
A Raisin' in the Sun
That's it.There you are.Man say to his woman got me a dream.His woman got me a dream.His woman say:I got to take hold of this here world,baby!And a woman will say:Eat your eggs and go to work....
'a dream' in this speech refers to
Akọwa Nkọwa
Ajụjụ 29 Ripọtì
The Concubine
'Ihuoma,my child' Wigwe began at last,'really i ought to have come here with more people,but i have avoided formalities because i want to spare myself any embarrassment.Formalities will come later if all goes well'.
Wigwe has come to Ihuoma in order to
Akọwa Nkọwa
Ajụjụ 30 Ripọtì
She rose up.She walked up to the table.She stirred up the food once more,and lifted it up from the hot plate.She picked up the second pan and placed it on the red coils.From underneath,in the cardboard box,she collected two enamel plates green with a red band.she wiped them with a white napkin hanging on the line over the bed.she brought out two forks and two spoons.
By using details, the author of the above passage makes the scene
Ajụjụ 32 Ripọtì
In Kossoh Town Boy,the hero presents his father as
Ajụjụ 33 Ripọtì
'Exposition' in a play means
Ajụjụ 35 Ripọtì
In 'The Call of the River Nun','O'incomprehensible God!' expresses the poet's
Akọwa Nkọwa
Ajụjụ 36 Ripọtì
I lingered over the choice
But in the darkness of my doubts
You lifted the lamp of love
And i saw in your face
The road that i should take
In 'The Mesh' the poet 'lingered over the choice' because
Akọwa Nkọwa
Ajụjụ 37 Ripọtì
A woman cried out.The policeman who was edging nearer had been joined by another.Both were edging nearer.Carefully and slowly.But it was not that that had made the woman cry out.She had seen one of the men's hand slip.He was now holding on by one hand only.The crowd was tense.This was the Kill.Automatically they moved forward in a body.The doctor was in the lead.
The author of this passage creates in the reader
Akọwa Nkọwa
Ajụjụ 40 Ripọtì
In 'Night',Soyinka describes night as
Ajụjụ 44 Ripọtì
'Stream-side Exchange' primarily shows J.P Clark's interest in
Ajụjụ 45 Ripọtì
Mr Johnson always buys beautiful things for his wife Bamu because
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