Ana ebu...
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Tẹ & Di mu lati Gbe Yika |
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Pịa Ebe a ka Imechi |
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Ajụjụ 1 Ripọtì
The sides of a stage are called
Akọwa Nkọwa
The sides of a stage are called **the wings**. This is because they are typically located on either side of the main performance area, just like the wings of a bird extend from its body. The wings provide space for performers, props, and equipment to be concealed and stored until they are needed on stage. They also serve as entrances and exits for actors during a performance, allowing them to make their entrances and exits discreetly. In summary, the wings of a stage are the areas on either side of the main stage where performers and equipment are organized and concealed before and during a performance.
Ajụjụ 2 Ripọtì
This question is based on THE JOURNEY OF THE MAGI.
Read the excerpt and answer question
"And running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly"
The dominant device in this excerpt is ___
Akọwa Nkọwa
The dominant device in the excerpt from 'The Journey of the Magi' is synecdoche. Synecdoche is a figure of speech in which a part is made to represent the whole or vice versa. In this case, 'night-fires going out' and 'lack of shelters' are used to represent the overall hardships and difficulties of the journey. The device is not paradox, metaphor, or simile, as there is no contradiction, comparison, or likeness being expressed.
Ajụjụ 3 Ripọtì
"I had not taken the first step in knowledge, I had not learnt to let go with the hands".The above lines is an example of a
Akọwa Nkọwa
The given lines, "I had not taken the first step in knowledge, I had not learnt to let go with the hands" is an example of Repetition. Repetition refers to the act of repeating certain words or phrases within a sentence or paragraph for emphasis or to create a specific effect. In this case, the repetition of the phrase "I had not" emphasizes the speaker's lack of progress or action in acquiring knowledge and learning. This repetition helps to convey the speaker's frustration or regret over their inaction.
Ajụjụ 4 Ripọtì
The exclusive right given to authors to protect their works from unlawful production is
Akọwa Nkọwa
The exclusive right given to authors to protect their works from unlawful production is **a copyright**. A copyright is a legal protection that gives authors the exclusive rights to their creative works. It grants them the authority to control how their works are used, reproduced, distributed, and displayed. This means that others cannot copy or use their works without permission. The purpose of copyright is to incentivize creativity and intellectual property by allowing authors to benefit financially from their works. It gives them the ability to control and profit from their creations, which encourages innovation and cultural development. Copyright protection is granted automatically to authors as soon as they create their original work, such as writings, music, art, or software. However, authors can choose to formally register their copyright to strengthen their legal rights and provide proof of ownership in case of infringement. In summary, a copyright is the exclusive right given to authors to protect their works from unlawful production. It allows authors to have control over how their works are used and enables them to receive recognition and compensation for their creations.
Ajụjụ 5 Ripọtì
This question is based on SECOND CLASS CITIZEN.
"She swallowed it all, just like a nasty pill." The literary device employed here is
Akọwa Nkọwa
The phrase 'She swallowed it all, just like a nasty pill' employs the literary device of simile. A simile is a figure of speech that makes a comparison between two different things using the words 'like' or 'as'. In this case, the author compares the act of swallowing a nasty pill to accepting a difficult situation.
Ajụjụ 6 Ripọtì
A structural arrangement of unit of composition by which one element of equal importance with another is similarly placed is called
Akọwa Nkọwa
The value of the comparison is always achieved in the end e.g My mum is a sister, my sister is a mum.
Ajụjụ 7 Ripọtì
Dramatis personae in a play refers to
Akọwa Nkọwa
The term "dramatis personae" in a play refers to the **list of characters** or the **cast list**. It provides a comprehensive list of all the characters that appear in the play. This list includes the main characters, supporting characters, and sometimes even minor characters. The purpose of including a dramatis personae is to help the audience or readers understand who the characters are and their roles in the story. It ensures that everyone involved in the production, such as actors, directors, and stage crew, is aware of the characters and their importance. In a nutshell, the dramatis personae is like a character reference guide, giving an overview of who is who in the play.
Ajụjụ 8 Ripọtì
CYCLIST gets down and begins to prop his bicycle.
CYCLIST: All right. If you're sure it won't take long.
BARBER: I am known for my lightning clippers. Even the soldiers know me. I can shave the head of an entire battalion between one coup and the next. Sit down and relax your back. Cycling is not easy
when you've abandoned it for some time.
Wole Soyinka, The Beautification of Area Boy.
The literary devices in the dialogue above are
Akọwa Nkọwa
The excerpt smacks of plenteous exaggerations(hyperbole), and a once-upon-a time reference (allusions).
Ajụjụ 9 Ripọtì
The use of two contrasting words that are placed side by side is called
Akọwa Nkọwa
Oxymoron is a rhetorical term that describes words or phrases that, when placed together, create paradoxes or contradictions. These contradictions seem foolish but, when we think about them a bit, often turn out to be sharp observations about our world.
Ajụjụ 10 Ripọtì
This question is based on THE LION AND THE JEWEL.
The indication that Soyinka's "The Lion and the Jewel" is culturally set is its use of_____
Akọwa Nkọwa
Soyinka's "The Lion and the Jewel" is culturally set primarily through its use of dance and songs.
In the play, dance and songs are integral parts of the Yoruba culture and are frequently employed by the characters to express their emotions, convey messages, and celebrate significant events. These cultural elements provide a vivid depiction of the rich traditions and customs of the Yoruba people.
The characters in the play often engage in traditional dance performances, such as the "ewu" dance. These dances are not only entertaining but also serve as a way to showcase the cultural heritage and values of the Yoruba people. The rhythmic movements and musical accompaniment create a vibrant atmosphere that immerses the audience in the cultural setting.
Additionally, songs are used extensively throughout the play to express various emotions, tell stories, and convey moral lessons. The characters sing traditional folk songs, chants, and war cries, which contribute to the cultural authenticity of the setting.
By incorporating dance and songs into the narrative, Soyinka effectively captures the essence of Yoruba culture and helps the audience understand and appreciate the unique customs and traditions of the characters. The use of dance and songs enhances the cultural backdrop of the play and immerses the audience in the vibrant world of the Yoruba people.
Ajụjụ 11 Ripọtì
This question is based on BLACK WOMAN.
"fruit with firm flesh" illustrates the use of ____
Akọwa Nkọwa
The phrase 'fruit with firm flesh' is an example of alliteration. Alliteration is a literary device where the first consonant sounds in several closely connected words are the same.
Ajụjụ 12 Ripọtì
'And so Tom awoke and we rose in the dark
And got with our bags and our brushes to work
Though the morning was cold, Tom was happy and warm;
So if all do their duty they need not fear harm.'
In the lines above, Tom is warm because he
Akọwa Nkọwa
In the given lines, Tom is described as being warm. The reason for this is that he is doing his duty. The phrase "So if all do their duty they need not fear harm" suggests that as long as Tom and others are fulfilling their responsibilities, they will be safe and secure. Therefore, Tom's warmth is a result of his dedication and commitment to his work rather than any external factors such as working indoors, wearing warm clothes, or just waking up from sleep.
Ajụjụ 13 Ripọtì
When an object is invested with a meaning beyond its immediate reference, it becomes
Akọwa Nkọwa
When an object is invested with a meaning beyond its immediate reference, it becomes a symbol. A symbol is a representation of something else, often an abstract concept or idea. It goes beyond its literal meaning and carries a deeper significance. Symbols can be objects, actions, or even words that evoke a particular meaning or feeling. They are powerful tools used in literature, art, and communication to convey complex ideas in a more accessible and impactful way. Symbols allow us to communicate and understand concepts that may be difficult to express directly. They add depth and richness to our understanding of the world and can evoke strong emotions and associations.
Ajụjụ 14 Ripọtì
Don't panic. Be calm. If you are somehow upset...try to regain your composure.
The speaker in the excerpt above is
Akọwa Nkọwa
The speaker in the excerpt above is confident. We can infer this because the speaker is advising someone to "be calm" and "regain their composure." These statements suggest that the speaker is composed and confident in their ability to handle the situation.
Ajụjụ 15 Ripọtì
Using the name of one thing for something else with which it is closely associated in an instance is
Akọwa Nkọwa
Metonymy is the correct answer. Metonymy is a figure of speech where the name of one thing is used to refer to something else that is closely associated with it. It is a way of expressing an idea or concept indirectly by substituting a related word or phrase. For example, when we say "The pen is mightier than the sword," we are using the word "pen" to represent the act of writing, which is closely associated with it. Similarly, when we say "The crown declared war," we are using the word "crown" to represent the monarchy or the person in power who wears the crown. In metonymy, the substituted word or phrase is chosen based on its connection or association to the intended meaning, making the language more vivid and expressive. It helps to add depth and layers of meaning to our communication by using familiar words or phrases that evoke certain ideas or images. In summary, metonymy is the use of a word or phrase to represent something closely related to it. It allows us to convey meaning indirectly, adding richness and nuance to our language.
Ajụjụ 16 Ripọtì
'Fierce harmattan sun on innocent tendrils; torrential downpour on leaking thatch roofs; painful comfort of helpless eunuchs; thorny beauty of modern witches; the falcon's call on day-old-chicks, ours is tragi- comic dialogue:... mute echoes of pains' .
The sonority and rhythmical structure of the lines above are achieved through a pause- pattern called
Akọwa Nkọwa
The pause-pattern achieved through the sonority and rhythmical structure of the lines in the given text is called caesura. A caesura is a pause or break in a line of poetry, usually marked by punctuation or by a natural pause in speaking. It helps to create a sense of rhythm and musicality in the poem. In this case, the caesura is used to separate and emphasize different aspects of the lines, creating a pause after each phrase. This pause pattern helps to create a rhythmic flow and adds a certain musical quality to the lines.
Ajụjụ 17 Ripọtì
Jibunoh was simply a difficult man. He was hated by all his neighbours and deserted by his relations. He was the first and only person to beat a policeman in the entire village. He also had ten cases instituted against him for either stealing or violating the rights of others. He had no regard for deanery or normal conduct. No lover of peace or order could be his friends. It is not surprising that his death elicited jubilation rather than mourning'
The passage above reveals that Jibunoh symbolizes
Akọwa Nkọwa
The passage reveals that Jibunoh symbolizes **lawlessness**. This is evident from the various actions and behavior mentioned about Jibunoh. He was hated by all his neighbors and deserted by his relations, indicating that he did not follow societal norms or adhere to proper conduct. He was the first and only person to beat a policeman, showing a lack of respect for authority and breaking the law. Additionally, he had ten cases instituted against him for stealing or violating the rights of others, further highlighting his disregard for the law and the rights of others. The passage also mentions that Jibunoh had no regard for decency or normal conduct, and that no lover of peace or order could be his friend. Finally, his death elicited jubilation instead of mourning, indicating that his presence and actions were not seen as positive or beneficial by those around him. Overall, Jibunoh's character represents lawlessness in the passage.
Ajụjụ 18 Ripọtì
A character that is always against the interest of the protagonist is
Akọwa Nkọwa
A character that is always against the interest of the protagonist is known as the "villain". The villain is a character in a story who acts as the main source of conflict and obstacle for the protagonist. Their primary purpose is to create tension and challenge the hero, often by causing harm, creating obstacles, or opposing the protagonist's goals. The villain is usually portrayed as malicious, cruel, or immoral, and they are a constant threat to the hero's well-being and success. In many stories, the hero and the villain engage in a battle of wills, where the hero must use their skills, intelligence, and determination to overcome the villain's actions and ultimately achieve a favorable outcome. The villain is an essential element in storytelling, as they provide a contrast to the hero and offer opportunities for growth, redemption, and triumph.
Ajụjụ 19 Ripọtì
This question is based on THE GOOD MORROW.
Use this excerpt to answer question
"If ever any beauty I did see,
Which I desired, and got, 'twas but a dream of thee."
The excerpt above evokes the use of ____
Akọwa Nkọwa
The excerpt from "The Good Morrow" evokes the use of **visual imagery**. Visual imagery refers to the use of vivid and descriptive language that appeals to our sense of sight. In the excerpt, the speaker describes seeing a beauty that they desired and obtained, but it was only a dream of the person they are addressing. This creates a mental image in the reader's mind, allowing them to imagine the contrast between the reality and the dreamlike nature of the beauty. The use of visual imagery helps to engage the reader's imagination and enhance the emotional impact of the poem.
Ajụjụ 20 Ripọtì
The term given to a type of incident or device which recurs frequently in Literature is
Akọwa Nkọwa
The term given to a type of incident or device which recurs frequently in literature is **motif**. A motif is a recurring element or idea that appears throughout a piece of literature, such as a symbol, theme, or character trait. It can be a symbol that represents a particular concept or theme, a recurring theme that is explored in different ways, or a recurring character trait that appears in multiple characters. Motifs can serve various purposes in literature. They can enhance the overall meaning and depth of a story by adding depth and complexity. They can also help to create unity and coherence in a work, connecting different parts of the story together. Additionally, motifs can provide insights into the author's intentions, beliefs, or themes. For example, in William Shakespeare's play Macbeth, the motif of blood appears throughout the story. Blood represents guilt, violence, and the consequences of immoral actions. This motif is used to convey the ongoing guilt and psychological impact that Macbeth and Lady Macbeth experience after they commit the murder of King Duncan. In conclusion, a motif is a recurring incident or device that adds meaning, coherence, and depth to a piece of literature.
Ajụjụ 21 Ripọtì
"She wanted to split herself. But she checked herself. 'Get dressed,' she said earnestly. 'Get dressed and let's go. You know I have a lot of things to do. And if we are going to meet again like this... 'She slapped the bed, 'then it won't be here. It will be at the Samson and Delilah.'" -
Festus Iyayi; Violence
In the passage above, the speaker can be described as
Akọwa Nkọwa
In the passage above, the speaker can be described as **domineering**. The speaker's actions and words suggest that they have a strong and controlling personality. They want the other person to hurry up and get dressed, showing a sense of authority. The speaker also mentions having a lot of things to do, implying that their priorities are more important than the other person's. Additionally, the speaker slaps the bed in frustration, which further emphasizes their dominant and forceful nature.
Ajụjụ 22 Ripọtì
This question is based on A GOVERNMENT DRIVER ON HIS RETIREMENT.
"I shall booze and zoom" contains a device called
Akọwa Nkọwa
The device used in the phrase "I shall booze and zoom" is **hyperbole**.
Hyperbole is a figure of speech that involves exaggerated statements or claims that are not meant to be taken literally. In this case, the phrase implies that the retired government driver will engage in excessive drinking and high-speed driving. The use of the words "booze" and "zoom" exaggerates the driver's intended behavior after retirement.
It is important to note that hyperbole is often used to make a point or create an impact in writing or speech, and should not be interpreted literally.
Ajụjụ 23 Ripọtì
The tragic character is the person whose experiences arouse pity and
Akọwa Nkọwa
The tragic character is the person whose experiences arouse pity and **sympathy**. When we say that a character is tragic, it means that they face great adversity or misfortune in their life. This could be due to their own actions or because of circumstances beyond their control. As we witness their struggles and challenges, we feel a deep sense of empathy and sorrow for them. We can relate to their pain and suffering, and we hope for a positive resolution to their situation. The tragic character's plight evokes strong emotions of sympathy and compassion in us as we watch their story unfold.
Ajụjụ 24 Ripọtì
A novel that features spiritual apparitions as major character is
Akọwa Nkọwa
A novel that features spiritual apparitions as major characters is typically classified as a Gothic novel. Gothic literature is a genre that originated in the 18th century and often includes supernatural elements, such as ghosts, monsters, and other eerie occurrences. In Gothic novels, spiritual apparitions play significant roles in influencing the plot and creating a sense of mystery and suspense. These apparitions can be depicted as haunting or supernatural entities that interact with the human characters, usually with a lingering sense of terror or foreboding. They often symbolize unresolved conflicts, inner fears, or the consequences of past actions. Gothic novels aim to evoke strong emotions in readers, such as fear, horror, and fascination. By introducing spiritual apparitions as major characters, authors create an atmosphere of the supernatural and supernatural occurrences, heightening the tension and suspense in the narrative. These apparitions serve as catalysts for the central conflicts and themes of the story, enriching the overall reading experience. In summary, a novel that features spiritual apparitions as major characters is most likely classified as a Gothic novel, as this genre specifically incorporates supernatural elements and creates an atmosphere of mystery and suspense.
Ajụjụ 25 Ripọtì
The overwhelming pride that destroys the tragic hero is called
Akọwa Nkọwa
The overwhelming pride that destroys the tragic hero is called hubris.
Hubris refers to excessive pride or arrogance displayed by a character, often leading to their downfall. Tragic heroes are typically individuals who possess remarkable qualities or achievements but are also flawed in some way. Their hubris causes them to overestimate their abilities or believe they are invincible, leading them to challenge or defy the gods or fate.
In Greek tragedies, the fatal flaw of hubris is a common theme. The tragic hero's excessive pride blinds them to their faults and the consequences of their actions. This ultimately brings about their downfall and a sense of catharsis for the audience.
To summarize, hubris is the overwhelming pride that destroys the tragic hero by causing them to act out of arrogance and disregard the potential consequences of their actions.
Ajụjụ 26 Ripọtì
Be him English
Be him African
Be him Nigerian
The lines above are an example of
Akọwa Nkọwa
Anaphora refers to the repetition of certain words or phrase at the begining of each sentence or line in a poem
Ajụjụ 27 Ripọtì
This question is based on CAGED BIRD.
"for the caged bird/sings of freedom.",
The poetic device used in this expression is____
Akọwa Nkọwa
The poetic device used in the expression 'for the caged bird sings of freedom' is irony. Irony is a figure of speech in which the intended meaning is the opposite of the literal meaning. In this case, the irony lies in the fact that the caged bird, despite being confined, sings of freedom.
Ajụjụ 28 Ripọtì
________ are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature.
Akọwa Nkọwa
Allusions are generally regarded as brief but purposeful references, within a literary text, to a person, place, event, or to another work of literature. An allusion is like a little nod or reference to something or someone else. It's kind of like when you're talking to a friend and you mention a quote from a movie, or you make a reference to a famous event or person. In literature, an allusion is when the author makes a reference to something outside of the text, like another book, a historical event, or a famous person. For example, if a character in a book is described as having the strength of Hercules, it's a reference to the mythological figure Hercules who was known for his incredible strength. This is an allusion to the Greek myth. Allusions can be used to add depth and meaning to a story. They can help the reader make connections, understand the author's intentions, or evoke certain emotions. Allusions can also be used to create a sense of familiarity or to give a story a cultural or historical context. So, in conclusion, allusions are brief references in literature that help convey a deeper meaning or connect the story to something outside of itself. They can be to a person, place, event, or another work of literature.
Ajụjụ 29 Ripọtì
This question is based on BAT.
Read the excerpt and answer questions
"Bat!
Creatures that hang themselves up like an old rag, to sleep, And disgustingly upside down."
The theme of this excerpt is____
Akọwa Nkọwa
The theme of this excerpt is **the poet's appalling remarks about the bird**. In this excerpt, the poet describes bats as creatures that "hang themselves up like an old rag" and sleep "disgustingly upside down." This implies that the poet views bats in a negative light and finds their behavior revolting. Therefore, the theme of the excerpt is the poet's appalling remarks about the bird. The other options do not accurately reflect the overall tone and message conveyed by the poet's words in this particular excerpt.
Ajụjụ 30 Ripọtì
The narrative style in which the hero tells his own story directly is the
Akọwa Nkọwa
The narrative style in which the hero tells his own story directly is called first-person. In first-person narrative, the protagonist or hero of the story is the one who is narrating the events, and they usually use pronouns like "I," "me," and "my" to refer to themselves. This perspective allows the reader to see the story through the eyes and experiences of the hero, providing a more intimate and personal connection with the protagonist. Thus, the hero's direct involvement in telling the story gives it a first-person narrative style.
Ajụjụ 31 Ripọtì
'... Not a few of us ended our application letter like this: 'if you are kind enough to accomodate this humble application, Sir/Madam, I shall do my uttermost best to rendered you the greatest services which it is at my desposition to your best satisfactory. Yours obediently servant...' yet without English, you had no education fit for a white collar job
Cameron Daodu: The Gab Boys
The tone of the passage above is
Akọwa Nkọwa
The tone of the passage above is **derisive**. In the passage, the writer is making fun of the way some people write their application letters. They mention the flowery language and excessive formality used in the closing of the letter. The use of phrases like "if you are kind enough to accommodate this humble application" and "I shall do my utmost best to render you the greatest services" is being mocked. This suggests that the writer is mocking or ridiculing the practice of using grand, exaggerated language in an application letter. Therefore, the tone of the passage is derisive.
Ajụjụ 32 Ripọtì
A metrical pause occurring in the middle of a line in a poem is called
Akọwa Nkọwa
A metrical pause occurring in the middle of a line in a poem is called a caesura. - **Caesura** is a punctuation-like break in the rhythm of a poem that creates a pause, typically in the middle of a line. - It is used to add emphasis, create a rhythmic pattern, or give the reader a moment to reflect. - Unlike punctuation marks, which break the flow of words, a caesura is a more subtle pause that is created through the use of meter and rhythm. - **Tetrametre** refers to a line of poetry containing four metrical feet, while **rhythm** refers to the pattern of stressed and unstressed syllables in a poem. - **Assonance** refers to the repetition of vowel sounds in nearby words or lines of poetry.
Ajụjụ 33 Ripọtì
*For seven days it rained that June;
A storm half out to sea kept turning around like a dog trying to settle himself on a rug; We were the fleas that
complained in his hair.
John Updike, Wash
The image set in the lines above are of
Akọwa Nkọwa
The image set in the lines above is of discomfort and likely destruction. The comparison of the storm turning around like a dog trying to settle itself on a rug and the people being like fleas complaining in his hair suggests that the rainstorm is causing inconvenience and disturbance. The mention of the storm being halfway out to sea and turning around implies that it is unpredictable and not easily settled, which further adds to the feeling of discomfort. The comparison to fleas also suggests that the people are small in comparison to the destructive power of the storm. Overall, the image portrays a sense of unease and the potential for harm or destruction.
Ajụjụ 34 Ripọtì
An action in a play that stimulates the audience to pity a character is
Akọwa Nkọwa
The action in a play that stimulates the audience to pity a character is called pathos.
Pathos is a storytelling technique that aims to evoke strong emotions such as pity, sympathy, and compassion from the audience. It involves portraying the character's suffering, tragedy, or unfortunate circumstances in a way that creates an emotional connection between the audience and the character. This connection allows the audience to empathize with the character and feel a sense of pity for their situation.
In a play, pathos can be created through various means such as the character's dialogue, actions, or interactions with other characters. It can also be enhanced by the use of dramatic elements like music, lighting, and stage design.
By evoking a sense of pity in the audience, pathos helps to engage them emotionally and creates a deeper impact and connection with the story being told on stage. It can be a powerful tool for a playwright to convey their message and make the audience reflect on the human condition.
Ajụjụ 35 Ripọtì
This question is based on RAIDER OF THE TREASURE TROVE.
"To fly flags of joy" Two figures of speech used here are
Akọwa Nkọwa
The phrase 'To fly flags of joy' contains two figures of speech: metaphor and alliteration. 'To fly flags' is a metaphor for expressing joy, while 'flags of joy' is an example of alliteration due to the repetition of the 'f' sound.
Ajụjụ 36 Ripọtì
Cast in a play refers to
Akọwa Nkọwa
In a play, the term "cast" refers to all the actors who have been selected to perform in the production. It includes **all the actors** who will be portraying the different characters and bringing the story to life on stage. The cast may consist of **three actors**, **a few actors**, or even more, depending on the requirements of the play. So, the correct answer is **d) all the actors**.
Ajụjụ 37 Ripọtì
A formal dignified speech or writing praising or a thing for past or present deeds is
Akọwa Nkọwa
A formal dignified speech or writing praising a person or thing for past or present deeds is called a eulogy. A eulogy is typically delivered at a funeral or memorial service to honor and remember the deceased. It is a way to acknowledge their life, achievements, and impact on others. Eulogies are meant to be respectful and heartfelt tributes, highlighting the positive aspects of the person's life and their accomplishments. It is a way for friends and family to offer their condolences and remember the person who has passed away.
Ajụjụ 38 Ripọtì
The moment of recognition of truth when ignorance gives away to knowledge is known as
Akọwa Nkọwa
The moment of recognition of truth when ignorance gives way to knowledge is called **Anagnorisis**. Anagnorisis is a Greek word that can be translated as "recognition" or "discovery". In literature and drama, it refers to a significant moment in a character's story when they suddenly understand their true identity, the nature of their situation, or the consequences of their actions. This moment of realization often comes as a surprise to the character and can have a profound impact on the development of the plot. It allows the character to gain a deeper understanding of themselves, their relationships, or the world around them. This recognition can be a turning point in the story, leading to important decisions or changes in the character's behavior. So, in summary, anagnorisis is the moment in which a character in a story or play realizes the truth and gains knowledge that was previously unknown to them.
Ajụjụ 39 Ripọtì
The subject matter of a literary work is the
Akọwa Nkọwa
The subject matter of a literary work refers to the main topic or idea that the work explores. It is the overarching theme or concept that the author wants to convey through their writing. While all the options mentioned (theme, plot, structure, and setting) are important elements in a literary work, the subject matter specifically refers to the deeper meaning or message that the author wants to communicate to the reader.
Theme: The theme of a literary work is the central idea or message that the author is trying to convey. It is the underlying meaning or moral of the story. For example, the theme of a novel could be love, friendship, or the struggle between good and evil.
Plot: The plot of a literary work refers to the sequence of events and actions that occur in the story. It includes the exposition, rising action, climax, falling action, and resolution. While the plot helps to develop the subject matter, it is not the actual subject matter itself.
Structure: The structure of a literary work refers to how the story is organized and presented. It includes elements such as the narrative style, point of view, and use of flashbacks or foreshadowing. The structure can enhance the delivery of the subject matter, but it is not the subject matter in itself.
Setting: The setting of a literary work refers to the time, place, and environment in which the story takes place. While the setting can contribute to the overall mood and tone of the work, it is not the subject matter. The subject matter may be explored within a specific setting, but it goes beyond just the physical or temporal backdrop of the story.
In summary, while all the options mentioned play a role in a literary work, the subject matter is the central topic or idea that the author intends to convey to the reader. It is the deeper meaning or message that the work explores.
Ajụjụ 40 Ripọtì
"...Rage is Chief
Rage drags rags after you, of Charity
Laughter, sweetness and light, Rage is thief
Enemy of equanimity"
The figure of speech dominant in these lines is _____
Akọwa Nkọwa
Writers use personification to give human characteristics, such as emotions and behaviors, to non-human things, animals, and ideas.
Ị ga-achọ ịga n'ihu na omume a?