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Ajụjụ 1 Ripọtì
In which of the following London neighborhoods mentioned in Great Expectations is Mr. Jagger's office located?
Akọwa Nkọwa
Ajụjụ 6 Ripọtì
As a literary from the short story is most closely related to
Ajụjụ 7 Ripọtì
As Medza was getting near to his village on his way from Kala he drinks at the palm wine bar because
Ajụjụ 10 Ripọtì
'How many ages hence Shall this our lofty scene be acted over?'In this passage, lofty scene refers to
Ajụjụ 11 Ripọtì
'The pen is mightier than the sword' is an example of
Akọwa Nkọwa
"The pen is mightier than the sword" is a metonymic adage, coined by English author Edward Bulwer-Lytton in 1839, indicating that communication (particularly written language), or in some interpretations, administrative power or advocacy of an independent press, is a more effective tool than direct violence.
Ajụjụ 12 Ripọtì
'All day long, all along the line
Through tiny station, each exactly like the last chattering little black girls uncaged from school all day long,...'
For the girls mentioned here, the hours spent at school means
Akọwa Nkọwa
Ajụjụ 13 Ripọtì
In Mission to Kala When Medza encounters Edima,
What strikes him about her is her
Akọwa Nkọwa
Ajụjụ 14 Ripọtì
The characters of Joe and Biddy are contrasted with those of Pip and Estella in order to show
Akọwa Nkọwa
Ajụjụ 15 Ripọtì
At the end of that week I set off for Caxley. It was a grey day, with the downs covered in thick mist. The trees dripped sadly along the road to the market town, and the wet pavements were even more depressing.
The setting is best described as
Akọwa Nkọwa
Ajụjụ 16 Ripọtì
'It was at this stage in the proceedings, before i had even had time to get my personal emotions quietened down a little-let alone sorted out-that my Helen, the real object of my mission, for whom i had been prepared to fight a second Troy before the walls of Kala, appeared on the scene.
In this passage from Mission to Kala, allusion is made to
Ajụjụ 19 Ripọtì
'And for Mark Antony, think not of him;
For he can do no more of caesar's arm
When caesar's head is off'.
This means that Mark Antony
Ajụjụ 21 Ripọtì
In Julius Caesar, Shakespeare portrays the roman plebeians as
Ajụjụ 22 Ripọtì
When David Diop in 'The Vultures' says that 'civilization kicked us in the face' and 'holy water slapped our cringing brows', he is using
Akọwa Nkọwa
Ajụjụ 23 Ripọtì
In Soyinka's 'Abiku', the statement, 'The ripest fruit was saddest', is an example of
Akọwa Nkọwa
Ajụjụ 24 Ripọtì
The major lesson Pip's experience in Great Expectations teaches us is that
Ajụjụ 25 Ripọtì
'He was a living example of the astonishing results that can occur when Western hypocrisy and commercial materialism are grafted on to a first rate African intelligence.'
The character described in the passage is the father of
Akọwa Nkọwa
Ajụjụ 26 Ripọtì
'Serrating down your back and front
Like beak of the sword-fish,
And both your ears, notched
As a bondsman to this house...'
The dominant figure of speech in the above lines from J.P. Clark's 'Abiku' is
Akọwa Nkọwa
Ajụjụ 27 Ripọtì
Odewale: I thought you were leaving with your son Aderopo.
Ojuola: It is you i married your highness, not my son.
The exchange from The Gods are not to Blame is an example of
Ajụjụ 28 Ripọtì
'When we got off the bus he helped me to cross the road, holding me by the elbow. Submissively, I allowed my self to be led. Out on the square there was an African sun, and in my heart too, shading a flood of light'.
The narrator here is full of
Akọwa Nkọwa
Ajụjụ 29 Ripọtì
Brutus: This is sleepy tune. O murd'rous slumber!
Layest thou the leaden mace upon my boy,
That plays the music? Gentle knave, good night.
'Gentle knave' refers to
Akọwa Nkọwa
Ajụjụ 31 Ripọtì
'Good friends, go in, and taste some wine with me;
And, we like friends, will straightway go together'. This statement by Julius Caesar is an example of
Ajụjụ 34 Ripọtì
'Just because i am an Ijebu man, and do not belong to your tribe, the sight of me as your king gnaws at your liver, and rips your heart asunder...'
The speaker's statement is prompted by
Ajụjụ 35 Ripọtì
David Diop's poem 'The Vultures', ends in a
Ajụjụ 36 Ripọtì
A trade, Sir, that, i hope, i may use with a safe conscience; which is, indeed, Sir, a mender of bad soles.
The passage is referring to a
Akọwa Nkọwa
Ajụjụ 37 Ripọtì
Who persuades Caesar to disregard Calpurnia's appeal?
Ajụjụ 38 Ripọtì
There knells a jigger, a louse, a weevil, a flea, a bedbug! He is mistletoe, a parasite that lives on the trees of other people's!
The speaker uses a string of
Akọwa Nkọwa
Ajụjụ 39 Ripọtì
Mother, didn't you hear me? I've brought the goat, hen and yams. Don't you want them anymore? Why do you continue to look at me like that? I haven't done anything wrong, again, have I? Answer me, speak to me, mother'
The dominant mood in this passage is one of
Ajụjụ 40 Ripọtì
A play is a tragedy when _______
Akọwa Nkọwa
Option D is the Aristotle definition of tragedy. When the hero's flaw leads to his downfall.
Ajụjụ 42 Ripọtì
Get up you shameless hussy', she bellowed, ' you strumpet, you fallen woman! I don't know what your father and I have done to deserve such a child the events that happened later in Mission to Kala show that the speaker in the passage is
Ajụjụ 43 Ripọtì
The central organizing idea which unites character, action, language and style in a work of fiction is known as
Ajụjụ 45 Ripọtì
In poetry, the elegiac mood typically attends the occasion or experience of
Akọwa Nkọwa
Ajụjụ 46 Ripọtì
'... like some fish
Doped out of the deep
I have bobbed up bellywise
From stream of sleep'.
The above lines from 'Night Rain' are intended to emphasize the fact that the speaker
Akọwa Nkọwa
Ajụjụ 48 Ripọtì
Brenda suddenly stiffened in her chair and half turned her ear to the window, silent like an animal waiting to spring, an alertness that transformed her face to temporary ugliness. Arthur noticed it,
'He's coming', she said 'i heard the gate open.'In this short passage, the writer succeeds in creating
Ajụjụ 49 Ripọtì
'I too crossed the rivers, and the virgin ambushes of the forests,
Where Lianas hung down, more treacherous than serpents'.
In the eyes of the writer of these lines, the word 'Forests' stands for
Akọwa Nkọwa
Ị ga-achọ ịga n'ihu na omume a?