Research And Development
Bayani Gaba-gaba
A rusted iron gate. Orange bleeding into grey, flaking into black, with pale streaks where rainwater has run down and stripped it. Left as a photograph it is a nice picture of a gate. Followed properly it becomes a page of drawings that record texture rather than likeness, a painted palette with the proportions of each colour worked out, a yarn wrap, four dye trials on four different fibres, a stitch sample that puts the flaking into thread, a repeat that tiles without a seam, and a length of cloth that hangs.
That journey, from a thing in the world to a material that behaves, is what research and development means in Textile Design. It is unusually physical. Almost nothing in it can be judged on paper or on a screen, because cloth has weight, drape and handle, and because dye does entirely different things to cotton and to polyester. This note follows one source the whole way, and shows what has to be sampled, labelled and kept at each stage.
Manufura
- Undertake visual research, using primary and secondary sources, and record observations, experiences and ideas in appropriate ways, including first-hand experience of original work
- Develop and realise ideas and outcomes, exploring and reviewing possible solutions and modifying work appropriately
- Understand and use (appropriately and safely) a range of materials, equipment, processes and techniques in two- and/or three dimensions, using information and communication technology where appropriate
- Know and understand a range of work, from contemporary practice, past practice and different cultures, in order to demonstrate an understanding of continuity and change in art, craft and design
Takardar Darasi
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Nazarin Darasi
Barka da kammala darasi akan Research And Development. Yanzu da kuka bincika mahimman raayoyi da raayoyi, lokaci yayi da zaku gwada ilimin ku. Wannan sashe yana ba da ayyuka iri-iri Tambayoyin da aka tsara don ƙarfafa fahimtar ku da kuma taimaka muku auna fahimtar ku game da kayan.
Za ka gamu da haɗe-haɗen nau'ikan tambayoyi, ciki har da tambayoyin zaɓi da yawa, tambayoyin gajeren amsa, da tambayoyin rubutu. Kowace tambaya an ƙirƙira ta da kyau don auna fannoni daban-daban na iliminka da ƙwarewar tunani mai zurfi.
Yi wannan ɓangaren na kimantawa a matsayin wata dama don ƙarfafa fahimtarka kan batun kuma don gano duk wani yanki da kake buƙatar ƙarin karatu. Kada ka yanke ƙauna da duk wani ƙalubale da ka fuskanta; maimakon haka, ka kallesu a matsayin damar haɓaka da ingantawa.
- A reactive dye bath with soda ash will give the strongest, most wash-fast colour on: A) Polyester B) Cotton C) Acrylic D) Nylon Answer: B
- What is a yarn wrap used for? A) Measuring the tension of a woven sample B) Testing a palette and its proportions in thread rather than in paint C) Protecting a dyed sample from light D) Transferring a motif onto cloth Answer: B
- Why must a printed repeat be tested as a block of at least four tiles? A) Because one tile uses too little ink to judge the colour B) Because faults such as blank channels, unwanted diagonals and a visible grid only appear where tiles join C) Because the examiner requires four copies of every print D) Because screen printing cannot be done once Answer: B
- A design in adire is made by: A) Applying pattern with a brush over a dyed ground B) Preventing dye from reaching parts of the cloth by tying, stitching or starch paste C) Weaving coloured yarns into a structure D) Heat transferring a photographic image Answer: B
- Which property is lost when a textile sample is only ever photographed lying flat? A) Colour fastness B) Repeat accuracy C) Drape D) Fibre content Answer: C
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Zazzage manhajar Green Bridge CBT a wayar ka ko kwamfyuta ka don samun cikakkiyar bayanan darasi, tambayoyin aiki, da ƙari.
Akwai a cikin manhajar Green Bridge
Zazzage manhajar Green Bridge CBT a wayar ka ko kwamfyuta ka don samun cikakkiyar bayanan darasi, tambayoyin aiki, da ƙari.
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Yi Aikin Tambayoyin Gwaji
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