Art and Design: Textile Design - 4TE1 PearsonEdexcel

Formal Elements And Materials

Bayani Gaba-gaba

Cloth is the only art material that gets worn, that hangs, that moves when the person inside it moves, and that has to be washed. A textile designer therefore works with a material that answers back. The same design printed on stiff canvas and on fine silk is two different objects, and the same dye bath will colour a cotton shirt brilliantly and leave a polyester one almost untouched.

This note works from the fibre upwards, because in textiles everything downstream depends on what the material is. You will cover natural and synthetic fibres and how to identify them, yarn twist and structure, weave and knit and what each does to drape, why dye chemistry decides your colour choices, resist and print processes from indigo adire to screen and digital printing, and how pattern repeat and scale behave completely differently on a body and on a wall.

Manufura

  1. Develop practical knowledge and understanding of the use of formal elements and visual communication through a variety of approaches
  2. Develop the use of observational skill to record from sources and communicate ideas
  3. Understand characteristics of materials such as natural and synthetic, functionality, recyclability and sustainability
  4. Understand properties of colour, texture and light
  5. Understand the effects and creative potential of combining and manipulating different two-dimensional and three-dimensional materials and media
  6. Develop the use of digital and/or non-digital applications

Takardar Darasi

Textile Design is described in the specification as the creation, selection, manipulation and application of materials such as fibres, yarns and fabrics, using processes such as weaving, knitting, stitching and printing. Notice the order. A textile is built in stages, and each stage constrains the next.

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Barka da kammala darasi akan Formal Elements And Materials. Yanzu da kuka bincika mahimman raayoyi da raayoyi, lokaci yayi da zaku gwada ilimin ku. Wannan sashe yana ba da ayyuka iri-iri Tambayoyin da aka tsara don ƙarfafa fahimtar ku da kuma taimaka muku auna fahimtar ku game da kayan.

Za ka gamu da haɗe-haɗen nau'ikan tambayoyi, ciki har da tambayoyin zaɓi da yawa, tambayoyin gajeren amsa, da tambayoyin rubutu. Kowace tambaya an ƙirƙira ta da kyau don auna fannoni daban-daban na iliminka da ƙwarewar tunani mai zurfi.

Yi wannan ɓangaren na kimantawa a matsayin wata dama don ƙarfafa fahimtarka kan batun kuma don gano duk wani yanki da kake buƙatar ƙarin karatu. Kada ka yanke ƙauna da duk wani ƙalubale da ka fuskanta; maimakon haka, ka kallesu a matsayin damar haɓaka da ingantawa.

  1. Which dye class is required to colour polyester? A) Reactive B) Acid C) Disperse D) Direct Answer: C
  2. The yarns held under tension along the length of a woven fabric are called the: A) Weft B) Warp C) Selvedge D) Course Answer: B
  3. Which weave structure has the fewest interlacings and long yarn floats on its face, giving a smooth lustrous surface? A) Plain weave B) Twill C) Satin D) Pile weave Answer: C
  4. In a half-drop repeat, each column of the design is shifted: A) Sideways by half the width of the unit B) Down by half the height of the unit C) Rotated by ninety degrees D) Mirrored across a vertical axis Answer: B
  5. A cloth cut on the bias drapes more fluidly than the same cloth cut on the straight grain because: A) The fibres are stretched during weaving B) The grid of warp and weft shears, so the cloth lengthens and narrows C) Bias cutting uses less fabric D) The dye penetrates further at that angle Answer: B

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Akwai a Android, Windows, macOS, da Linux

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