Ana loda....
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Latsa & Riƙe don Ja Shi Gabaɗaya |
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Danna nan don rufewa |
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Tambaya 1 Rahoto
Read the extract and answer Questions 36 to 40.
I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet
an officer. Drunk! And speak parrot! And squabble!
swagger! Swear! And discourse fustian with one's own
shadow! a thou invisible spirit of wine, if thou hast no
name to be known by, let us call thee devil!
(Act II, Scene Three, lines 262-267)
The underlined expression exemplifies __________
Tambaya 2 Rahoto
Read the passage and answer Questions 2 1 to 25.
On, on, on, over the countless miles of angry space roll the long heaving OT angry space roll the long heaving billows. Mountains and caves are here; for what is now the other; then all is but a boiling heap of rushing water. Pursuit, and flight and mad return of and savage struggle, ending up in a spouting up of foam that whitens the black night; incessant change of place and form and hue; constancy in nothing but eternal strife.
On, on, on, they roll and darker grows the night: and louder howls the wind and more clamorous and fierce become the million voices in the sea, when the wild cry goes forth upon the storm, "A ship!"
The most suitable title for the passage is ________
Bayanin Amsa
Tambaya 4 Rahoto
The expression million voices is used as _________
Tambaya 6 Rahoto
The big boulder blasted the house illustrates _________
Tambaya 7 Rahoto
Read the poem and answer Questions 26 to 30.
Oft in the stilly night
Ere slumber's chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love then spoken;
The eyes that shone
How dimm'd and.gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber's chain has bound me.
The theme is about the poet's _________
Tambaya 8 Rahoto
Read the extract below and answer Questions 5 to 7.
With the pen, he wrote kings into reality
With his words, kingdoms arose,
Those same words, slaves inhaled
Their hands building walls, their feet tromping territories
His pen was like the breath of life.
The underlined words illustrate ________
Bayanin Amsa
Tambaya 9 Rahoto
Read the extract and answer Questions 41 to 45. 41.
This sight would make him do a desperate turn:
Yea, curse his better angel from his side,
Speaker Y: T is pitiful, but yet lago knows
A thousand times committed.
Cassio confessed it;
.. he ..., referred to by Speaker X, is __________
Tambaya 10 Rahoto
Comic relief occurs in ________
Tambaya 12 Rahoto
Ascribing human moods to nature, as in a playful-breeze illustrates _________
Tambaya 13 Rahoto
Students rarely read Julius Caesar these days illustrates ________
Tambaya 14 Rahoto
hands and feet in line 4 illustrate _________
Tambaya 16 Rahoto
Read the extract and answer Questions 46 to 50.
O thou dull Moor, that handkerchief thou speak'st of
I found by fortune, and did give my husband;
For often with a solemn earnestness-
More than indeed belonged to such a trifie-
He begged of me to steal't. (Act V, Scene Two, lines 223 - 227)
The speaker is _________
Tambaya 17 Rahoto
The end of a performance is followed by ________
Tambaya 18 Rahoto
A short poem with a witty or sarcastic ending is a/an __________
Tambaya 19 Rahoto
Read the poem and answer Questions 26 to 30.
Oft in the stilly night
Ere slumber's chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love then spoken;
The eyes that shone
How dimm'd and.gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber's chain has bound me.
The two words that give hint of the poet's unhappiness are?
Bayanin Amsa
Tambaya 20 Rahoto
A situation where an audience is aware of an action a character is ignorant of is ________
Tambaya 21 Rahoto
Read the extract and answer Questions 31 to 35.
Zounds, sir, y' are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, very now, an old black ram
Is tupping your white eww. Arise. arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you
Arise i say!
(Act 1, scene one,lines 83 - 89)
The speaker is _________
Tambaya 22 Rahoto
In Literature, the term poetic justice applies to __________
Tambaya 23 Rahoto
Read the poem and answer Questions 26 to 30.
Oft in the stilly night
Ere slumber's chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love then spoken;
The eyes that shone
How dimm'd and.gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber's chain has bound me.
The meaning of the expression, Ere slumber's chain has bound me is
Bayanin Amsa
Tambaya 24 Rahoto
Read the lines and answer Question 14.
Marching along fifty score strong
Great hearted gentlemen singing this song
Bayanin Amsa
Tambaya 25 Rahoto
Speaker Y's speech shows that _________
Tambaya 26 Rahoto
The sudden reversal of a character's fortune in a literary work is _________
Tambaya 27 Rahoto
Read the extract and answer Questions 36 to 40.
I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet
an officer. Drunk! And speak parrot! And squabble!
swagger! Swear! And discourse fustian with one's own
shadow! a thou invisible spirit of wine, if thou hast no
name to be known by, let us call thee devil!
(Act II, Scene Three, lines 262-267)
The mood is that of
Tambaya 28 Rahoto
Read the extract and answer Questions 31 to 35.
Zounds, sir, y' are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, very now, an old black ram
is tupping your white eww. Arise. arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you
Arise i say!
(Act 1, scene one,lines 83 - 89)
... y' are robbed! refers to
Bayanin Amsa
Tambaya 29 Rahoto
A fictional prose which is neither a novel nor a short story is a/an __________
Tambaya 30 Rahoto
Read the extract and answer Questions 31 to 35.
Zounds, sir, y' are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, very now, an old black ram
is tupping your white eww. Arise. arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you
Arise i say!
(Act 1, scene one,lines 83 - 89)
The underlined expression implies an attitude of __________
Tambaya 31 Rahoto
Read the poem and answer Questions 26 to 30.
Oft in the stilly night
Ere slumber's chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love then spoken;
The eyes that shone
How dimm'd and.gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber's chain has bound me.
The theme of the poem is presented essentially through ________
Bayanin Amsa
Tambaya 33 Rahoto
Speaker Y has just ______
Tambaya 34 Rahoto
Which of the following is written by a Non-African poet?
Tambaya 35 Rahoto
The writer's attitude to the scene is one of _________
Tambaya 36 Rahoto
Read the extract and answer Questions 31 to 35.
Zounds, sir, y' are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, very now, an old black ram
is tupping your white eww. Arise. arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you
Arise i say!
(Act 1, scene one,lines 83 - 89)
The listener's initial reaction to the speech is one of _________
Bayanin Amsa
Tambaya 37 Rahoto
Read the extract and answer Questions 36 to 40.
I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet
an officer. Drunk! And speak parrot! And squabble!
swagger! Swear! And discourse fustian with one's own
shadow! a thou invisible spirit of wine, if thou hast no
name to be known by, let us call thee devil!
(Act II, Scene Three, lines 262-267)
The speaker is addressing
Tambaya 38 Rahoto
Condensed use of language is a dominant feature of ___________
Tambaya 39 Rahoto
Just after this dialogue __________
Tambaya 40 Rahoto
Read the poem and answer Questions 26 to 30.
Oft in the stilly night
Ere slumber's chain has bound me
Fond memory brings the light
of other days around me:
The smiles, the tears
of boyhood years.
The words of love then spoken;
The eyes that shone
How dimm'd and.gone
The cheerful hearts now broken!
Thus in the stilly night
Ere slumber's chain has bound me.
The poet refers to memory as being 'fond' and 'sad' because it brings?
Tambaya 41 Rahoto
Read the extract and answer Questions 36 to 40.
I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet
an officer. Drunk! And speak parrot! And squabble!
swagger! Swear! And discourse fustian with one's own
shadow! a thou invisible spirit of wine, if thou hast no
name to be known by, let us call thee devil!
(Act II, Scene Three, lines 262-267)
.... so good a commander refers to
Tambaya 43 Rahoto
His pen was like the breath of life exemplifies ________
Tambaya 46 Rahoto
The predominant use of long vowels in the first sentence heightens the ______ of the waves
Bayanin Amsa
Tambaya 47 Rahoto
Read the extract and answer Questions 17 and 18.
I find no peace and all my war is done
I fear and hope. I bum and freeze like ice.
The dominant literary device used in the lines is ________
Bayanin Amsa
Tambaya 48 Rahoto
Read the extract and answer Questions 31 to 35.
Zounds, sir, y' are robbed! For shame, put on your gown!
Your heart is burst, you have lost half your soul.
Even now, very now, an old black ram
is tupping your white eww. Arise. arise!
Awake the snorting citizens with the bell,
Or else the devil will make a grandsire of you
Arise i say!
(Act 1, scene one,lines 83 - 89)
The speaker is ________
Bayanin Amsa
Tambaya 49 Rahoto
Read the extract and answer Questions 36 to 40.
I will rather sue to be despised than to deceive so good a
commander with so slight, so drunken, and so indiscreet
an officer. Drunk! And speak parrot! And squabble!
swagger! Swear! And discourse fustian with one's own
shadow! a thou invisible spirit of wine, if thou hast no
name to be known by, let us call thee devil!
(Act II, Scene Three, lines 262-267)
The speaker is
Za ka so ka ci gaba da wannan aikin?