Ana loda....
|
Latsa & Riƙe don Ja Shi Gabaɗaya |
|||
|
Danna nan don rufewa |
|||
Tambaya 1 Rahoto
A poet‘s use of regular rhythm is known as _______?
Bayanin Amsa
A poet's use of regular rhythm is known as "metre." Metre refers to the pattern of stressed and unstressed syllables in a line of poetry. This pattern creates a rhythmic beat that helps to create a particular mood or feeling in the reader. For example, a poem with a regular and steady metre might create a sense of stability or order, while a poem with an irregular or unpredictable metre might create a sense of chaos or confusion. Metre is one of the key elements of poetry and is often used in conjunction with other poetic devices, such as rhyme, to create a memorable and powerful piece of writing.
Tambaya 2 Rahoto
Define ?rhyme??
Bayanin Amsa
A rhyme is a repetition of similar sounds in the final stressed syllables and any following syllable of two or more words. It is the correspondence of sound between or the endings of words, especially when used at the end of lines in poetry
Tambaya 3 Rahoto
The main aim of caricature is to_______?
Bayanin Amsa
The main aim of caricature is to ridicule. Caricature is a form of artistic expression that exaggerates or distorts the features of a person or thing in order to create a humorous or critical representation. The purpose of caricature is often to poke fun at, mock, or criticize the subject, whether it be a political figure, celebrity, or social issue. By exaggerating certain features or traits, the artist is able to draw attention to the subject's flaws or idiosyncrasies and make a statement through humor or satire.
Tambaya 4 Rahoto
The question is based on William’s Shakespeare's OTHELLO
"O heaven; How got she out?
O treason of the blood!
Father; from hence trust not your daughters' minds
By what you see them act. Is there not charms
By which the property of youth and maid-hood
May be abused?
The speaker of the excerpt above is________
Bayanin Amsa
The speaker of the excerpt above is Brabantio. In this passage, Brabantio is expressing his shock and dismay at the news that his daughter, Desdemona, has eloped with Othello. He exclaims, "O heaven; How got she out? O treason of the blood!," expressing his disbelief that his own daughter could have betrayed him in such a way. Brabantio then addresses his fellow fathers, warning them not to trust their daughters based solely on their outward actions. He suggests that there may be charms or tricks that can be used to deceive them and corrupt their "property of youth and maid-hood." Overall, Brabantio's speech highlights the theme of deception and the danger of trusting appearances in the play, as well as the tension between fathers and daughters in Elizabethan society.
Tambaya 5 Rahoto
"Hide me now, when night children haunt the earth" Wole Soyinka: "Night".
Night children in the stanza above reacts the consciousness of__________
Bayanin Amsa
Tambaya 6 Rahoto
The question is based on J.P Clark's WIVES REVOLT.
The mutual exchange of abuse in the play is reminiscent of_________
Tambaya 7 Rahoto
Use the following excerpt to answer the question.
And awake me. from my sweet dreams be lost,
Sucking blood from my poor head...
Mbure: "To Bed-Bug"
The lines are an example of a________?
Bayanin Amsa
Tambaya 8 Rahoto
In drama, the antagonist is_____________
Bayanin Amsa
An antagonist is the character in a story that is against or opposes the protagonist
Tambaya 9 Rahoto
A literacy genre which directly imitates human actions is______?
Bayanin Amsa
The literacy genre that directly imitates human actions is Drama. Drama is a genre of literature that involves the performance of written dialogues and actions by actors on stage or in front of a camera. It usually tells a story through the actions and words of its characters, rather than through the narrator's voice. By imitating human actions, drama brings the story to life and helps the audience to connect with the characters and their experiences. Comedy, prose, and poetry do not necessarily imitate human actions in the same direct way as drama.
Tambaya 10 Rahoto
The question is based on J.P Clark's WIVES REVOLT.
In the play. the central idea is that gender equity_______?
Bayanin Amsa
The central idea in J.P Clark's "Wives Revolt" is that gender equity is desirable and unattainable. The play likely explores the theme of gender equality and the difficulties and obstacles faced by women in achieving equal rights and treatment. The idea that it is both desirable and unattainable suggests that the characters in the play see the value in gender equity, but find it difficult to achieve due to societal norms and expectations.
Tambaya 11 Rahoto
The question is based on J.P Clark's WIVES REVOLT.
"Those who have full breasts have walked out, and that leaves you, me, and the old girls returned_______
Bayanin Amsa
Tambaya 12 Rahoto
A fable is a story in which________?
Bayanin Amsa
Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as the ability to speak human language) and that illustrates or leads to a particular moral lesson...
Tambaya 13 Rahoto
He who writes a prose is a__________?
Tambaya 14 Rahoto
The question is based on Bayo Adebowale's LONELY DAYS
Yaremi's only son is______?
Bayanin Amsa
Yaremi's only son is Alani.
Tambaya 15 Rahoto
The question is based on Richard Writer’s Native Son
Bigger kills Mary due to______?
Bayanin Amsa
Tambaya 16 Rahoto
The question is based on Bayo Adebowale's LONELY DAYS
In the novel, bage cape signifies everlasting ________?
Bayanin Amsa
Tambaya 17 Rahoto
The question is based on Bayo Adebowale's LONELY DAYS
Widows mourning in Kofi wear garments that are________???
Bayanin Amsa
Tambaya 18 Rahoto
A literary work in which the characters and events are used as symbols is known as _________?
Bayanin Amsa
A literary work in which the characters and events are used as symbols is known as an allegory. An allegory is a story or narrative that has a hidden meaning or moral message conveyed through the use of symbols. In an allegory, characters and events represent abstract ideas or concepts, often related to politics, religion, or morality. For example, the novel "Animal Farm" by George Orwell is an allegory in which the animals on a farm overthrow their human owner and attempt to create a society based on equality and freedom. However, the pigs gradually become corrupt and oppressive, representing the rise of Stalinism in the Soviet Union. The animals and events in the story are symbolic of real-life figures and events, allowing the author to criticize political systems and social issues in a veiled and often satirical way. Overall, an allegory is a powerful literary device that can be used to convey complex ideas and messages in a way that is engaging, thought-provoking, and often entertaining.
Tambaya 19 Rahoto
This element shows how sections are separated into parts with numbers and titles_____________
Bayanin Amsa
This element shows how sections are separated into parts with numbers and titles is called "Chapters". Chapters are sections within a book or document that are separated and labeled with numbers and titles to organize the content and make it easier to navigate.
Tambaya 20 Rahoto
The question is based on George Orwell's NINETEEN EIGHTY-FOUR.
Room 101 symbolises a place of________???
Bayanin Amsa
In George Orwell's novel "Nineteen Eighty-Four," Room 101 symbolizes a place of "torture." It is a place in the Ministry of Love where prisoners are taken and subjected to their worst fears and phobias. The purpose of Room 101 is to break a person's spirit and make them betray their deepest-held beliefs and loyalties. The protagonist of the novel, Winston Smith, is taken to Room 101 and subjected to the most excruciating pain and terror he can imagine. The idea is that once a person has been broken in Room 101, they become completely subservient to the Party and are willing to do whatever it takes to avoid being sent back there. Overall, Room 101 symbolizes the ultimate power of the Party and the extent to which it is willing to go to maintain control over its citizens. It represents the darkest and most terrifying aspects of the totalitarian regime that Orwell warns against in his novel.
Tambaya 21 Rahoto
Use the following excerpt to answer the question.
"I wonder how long, you awful parasites,
Shall share with me this little bed.
And awake me. from my sweet dreams be lost,
Sucking blood from my poor head...
Mbure: "To Bed-Bug"
The poet persona expresses dismay about________
Bayanin Amsa
Tambaya 22 Rahoto
The question is based on William’s Shakespeare’s OTHELLO
Othello kills Desdemona because the_______
Bayanin Amsa
Othello kills Desdemona because the former is jealous. In the play, Othello is consumed by jealousy after Iago, his trusted ensign, convinces him that his wife, Desdemona, has been unfaithful with Cassio, one of his officers. Othello's jealousy leads him to kill Desdemona, despite her protests of innocence.
Tambaya 23 Rahoto
"... They do not see the funeral plies, At home eating up the forests..." J.P Clark: ?Casualties"
The imagery created in the above excerpt is achieved through______
Bayanin Amsa
Tambaya 24 Rahoto
?I cannot rest from travel: I will drink, life to the lees, all times I have enjoyed greatly, have suffered greatly?. A.L. Tennyson: ?Ulysses?
The lines above inform the reader that the poet
Bayanin Amsa
Tennyson's "Ulysses" is a poem about the heroic spirit . It expresses luxuriance of imagination and control over it.
Tambaya 25 Rahoto
Which element of drama tells the actor what to do?
Bayanin Amsa
The element of drama that tells the actor what to do is the "stage directions." Stage directions are written instructions in a script that describe the physical actions, movements, and expressions of the characters, as well as the placement of props and set pieces on the stage. These instructions are usually indicated in italics or enclosed in brackets and are intended to guide the actors, director, and other production team members on how to bring the play to life. For example, a stage direction might indicate that a character should enter from stage left, pick up a pen from the desk, and begin writing a letter while pacing back and forth. Actors use these stage directions as a roadmap to bring their characters to life, and to help create a cohesive and believable performance for the audience.
Tambaya 26 Rahoto
A “sub-chapter” in a piece of drama is a______________
Bayanin Amsa
A "sub-chapter" in a piece of drama is called a "scene." A scene is a section of a play that takes place in a specific location and time, and involves a particular set of characters. Think of it like a short chapter within a larger story. Scenes can be used to advance the plot, develop characters, or provide exposition to the audience. Within an act, there can be multiple scenes that help to structure the play and keep the story moving forward.
Tambaya 27 Rahoto
A folk-tale is a__________?
Bayanin Amsa
A folk-tale is a work of fiction. A folk-tale is a traditional story that has been passed down orally from generation to generation. It typically features fantastical or magical elements, and often serves to teach a moral lesson or explain natural phenomena. Folk-tales may include characters such as talking animals, brave heroes, and wicked villains, and they may be set in imaginary or real locations. While some folk-tales may be based on historical events or contain elements of truth, they are not biographies or true accounts of specific individuals or events. Rather, they are fictional stories that have been shaped and adapted over time by the cultures and communities that tell them.
Tambaya 28 Rahoto
The question is based on William’s Shakespeare’s OTHELLO
Brabantio is opposed to the relationship between Othello and Desdemona because_________
Bayanin Amsa
Tambaya 29 Rahoto
_____________refers to time and place of a drama?
Bayanin Amsa
The term that refers to the time and place of a drama is "setting." The setting is the physical and social environment in which a story or drama takes place. It includes the time period, the location, the climate, and the social context of the story. The setting can be a specific place, such as a city, a building, or a room, or it can be a more general location, such as a forest, a beach, or a desert. In drama, the setting is important because it helps to establish the context of the story and provides the audience with a visual and emotional backdrop for the action. The setting can also influence the characters' behavior and motivations, as well as the themes and messages of the drama. Therefore, if someone is referring to the time and place of a drama, they are talking about the setting. It is important to note that the setting is not the same as a scene or an act, which refer to specific parts of the drama rather than the overall environment in which the story takes place.
Tambaya 30 Rahoto
The question is based on George Orwell's NINETEEN EIGHTY-FOUR.
The power and oppression of an irresistible evil debased Winston’s dreams of________?
Bayanin Amsa
Tambaya 31 Rahoto
Your head is like a drum that is beaten for spirits
Yours ears are like the fans used for blowing fire.
The lines above are a good example of_________
Bayanin Amsa
Tambaya 32 Rahoto
Use the following excerpt to answer the question.
"I wonder how long, you awful parasites,
Shall share with me this little bed.
And awake me. from my sweet dreams be lost,
Sucking blood from my poor head...
Mbure: "To Bed-Bug"
The most dominant figure of speech in the excerpt is________
Bayanin Amsa
The most dominant figure of speech in the excerpt is personification. Personification is a figure of speech in which non-human things are given human qualities or characteristics. In the excerpt, the bed bugs are referred to as "awful parasites" and are accused of "sharing" the bed with the speaker, "awakening" them from their sleep, and "sucking" blood from their head. These actions are all human qualities that are attributed to the bed bugs, which are non-human. This creates a sense of empathy between the speaker and the bed bugs, and also serves to emphasize the speaker's annoyance and frustration with the bed bugs. The other options - metaphor, simile, and hyperbole - do not accurately describe the dominant figure of speech in the excerpt.
Tambaya 33 Rahoto
The phrase “living death” in a literary work is an example_____________
Bayanin Amsa
The phrase "living death" in a literary work is an example of an "oxymoron." An oxymoron is a figure of speech that combines two contradictory or opposing ideas to create a new phrase or concept. In this case, "living" and "death" are two words that are completely opposite in meaning. "Living" refers to being alive and having a vibrant existence, while "death" refers to the absence of life and the end of existence. By combining these two words into the phrase "living death," the author is able to create a powerful image of a situation or state of being that is both alive and dead at the same time. In literature, oxymorons are often used to create a sense of tension, irony, or paradox. They can also be used to create memorable and thought-provoking phrases that stick in the reader's mind. In the case of "living death," the oxymoron is particularly effective in describing a situation or condition that is both physically alive but emotionally or spiritually dead. This can be used to describe a character who is in a state of despair, depression, or hopelessness, or to describe a situation that is stagnant, unchanging, or lacking in vitality.
Tambaya 34 Rahoto
Drama is the representation of a complete series of actions by means of _________
Bayanin Amsa
Drama is the representation of a complete series of actions through the use of speech, movement, and gesture. This can be performed on stage, screen, and radio. In drama, actors use their bodies, voices, and movements to bring the story to life and convey the emotions and actions of the characters they are portraying. Drama can be performed in a variety of settings, but regardless of the medium, it always involves the use of speech, movement, and gesture to tell a story.
Tambaya 35 Rahoto
"The drum overwhelmed the guns..." J.P Stark: "Casualties"
The poet in the excerpt above uses
Bayanin Amsa
Onomatopoeia is defined as a word which imitates the natural sounds of a thing. It creates a sound effect that mimics the thing described, making the description more expressive and interesting.
Tambaya 36 Rahoto
In drama, the protagonist is ________
Bayanin Amsa
In drama, the protagonist is the leading character. The protagonist is the main character in a drama or other work of literature, around whom the story revolves. They are often the character who faces the most significant challenges and undergoes the most significant changes over the course of the story. While the protagonist may be a "nice guy" or a likable character, this is not always the case. Some protagonists may be morally ambiguous, flawed, or even downright unlikable. However, they are still the character with whom the audience is meant to identify and empathize, and whose journey is meant to drive the plot forward. The writer of the drama creates the story and characters, but the protagonist is a specific character within that story. The actor is the performer who portrays the protagonist on stage or screen, but the character they play is the protagonist.
Tambaya 37 Rahoto
These elements are sections of text within a chapter, they are separated and contain dialogue_____________
Bayanin Amsa
The element that describes sections of text within a chapter, which are separated and contain dialogue, is Paragraphs. Paragraphs are groups of sentences that focus on a particular topic or idea. They are separated by a line break or an indentation to indicate a new thought or a change in the speaker or the setting. In a novel or a story, paragraphs often contain dialogue, which is the spoken words of the characters in the story. Dialogue can help to advance the plot, reveal character traits, and create tension or conflict between characters. Syncopation refers to a musical rhythm that emphasizes the off-beat, and is not directly related to writing. Free verse is a form of poetry that does not follow traditional rhyme and meter patterns, and does not necessarily contain dialogue. Euphony refers to the pleasant sound of words and is more of a stylistic choice in writing, rather than a structural element like paragraphs.
Tambaya 38 Rahoto
An act of speaking one’s thought aloud by oneself, regardless of any hearer, in a play is known as____________
Bayanin Amsa
The correct answer is "soliloquy". A soliloquy is a literary device used in a play where a character speaks their thoughts aloud, as if talking to themselves, without any other characters present or listening. It is often used to reveal the innermost thoughts and emotions of the character, and can provide insight into their motivations and actions. Soliloquies are typically delivered by one character alone on stage, and can be either serious or comedic in tone. Shakespeare is famous for using soliloquies in his plays, such as Hamlet's "To be or not to be" speech.
Tambaya 39 Rahoto
The question is based on J.P Clark's WIVES REVOLT.
In their fight, the women settle at Iyara in order to_______?
Bayanin Amsa
In J.P Clark's "Wives Revolt," the women settle at Iyara as a way to prevent reconciliation with their husbands. They did this because they were unhappy with their treatment by their husbands and wanted to take a stand to show that they wouldn't tolerate it any longer. By settling at Iyara, the women were making it clear that they were not going to return to their previous situation and were willing to take action to achieve their goals.
Tambaya 40 Rahoto
What is the narrator of a poem called?
Bayanin Amsa
The narrator of a poem is typically called the "speaker." In poetry, the speaker is the voice behind the words of the poem. It is the persona created by the poet to convey their thoughts, feelings, and experiences through the poem. The speaker may or may not be the same person as the poet, and the speaker's identity may be explicit or implied in the text of the poem. The speaker is the one who is "speaking" the words of the poem, and they are the one who is addressing the reader or the audience. The speaker's voice can be characterized by its tone, style, and language, and it can convey a wide range of emotions and attitudes. It is important to note that the speaker is not the same as the author, who is the person who wrote the poem. The author may have created the speaker as a persona through which to convey their ideas and emotions, but the speaker is a fictional construct within the world of the poem. Therefore, if someone is asking about the narrator of a poem, they are likely referring to the speaker, who is the voice behind the words of the poem.
Za ka so ka ci gaba da wannan aikin?