JAMB UTME - Literature In English - 2018

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The element of drama that tells the actor what to do is the "stage directions." Stage directions are written instructions in a script that describe the physical actions, movements, and expressions of the characters, as well as the placement of props and set pieces on the stage. These instructions are usually indicated in italics or enclosed in brackets and are intended to guide the actors, director, and other production team members on how to bring the play to life. For example, a stage direction might indicate that a character should enter from stage left, pick up a pen from the desk, and begin writing a letter while pacing back and forth. Actors use these stage directions as a roadmap to bring their characters to life, and to help create a cohesive and believable performance for the audience.

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The line "Tell me not, sweet, I am unkind" illustrates a paradox. A paradox is a statement or situation that contradicts itself or seems to be untrue or impossible. In this case, the speaker is saying "Tell me not (that I am unkind)," which means "Do not tell me that I am not kind," but at the same time, the speaker is acknowledging that they might be unkind. This creates a contradiction or an apparent absurdity that makes the statement paradoxical. Paradoxes are often used in literature, poetry, or philosophy to challenge conventional thinking and to make the reader or listener think more deeply about a subject.

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Cast is the list of all characters in a drama

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The most dominant figure of speech in the excerpt is personification. Personification is a figure of speech in which non-human things are given human qualities or characteristics. In the excerpt, the bed bugs are referred to as "awful parasites" and are accused of "sharing" the bed with the speaker, "awakening" them from their sleep, and "sucking" blood from their head. These actions are all human qualities that are attributed to the bed bugs, which are non-human. This creates a sense of empathy between the speaker and the bed bugs, and also serves to emphasize the speaker's annoyance and frustration with the bed bugs. The other options - metaphor, simile, and hyperbole - do not accurately describe the dominant figure of speech in the excerpt.

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The narrator of a poem is typically called the "speaker." In poetry, the speaker is the voice behind the words of the poem. It is the persona created by the poet to convey their thoughts, feelings, and experiences through the poem. The speaker may or may not be the same person as the poet, and the speaker's identity may be explicit or implied in the text of the poem. The speaker is the one who is "speaking" the words of the poem, and they are the one who is addressing the reader or the audience. The speaker's voice can be characterized by its tone, style, and language, and it can convey a wide range of emotions and attitudes. It is important to note that the speaker is not the same as the author, who is the person who wrote the poem. The author may have created the speaker as a persona through which to convey their ideas and emotions, but the speaker is a fictional construct within the world of the poem. Therefore, if someone is asking about the narrator of a poem, they are likely referring to the speaker, who is the voice behind the words of the poem.

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In the theatre, words spoken by a character that are meant to be heard by the audience but not by the other characters on stage is called an "aside." An aside is a dramatic device in which the character speaks directly to the audience, often revealing their thoughts or feelings, providing additional context or commentary, or simply adding humor or drama to the scene. It is different from a soliloquy, which is a longer speech that is delivered by a character alone on stage, and not addressed to any other character or the audience. "Acoustic" refers to sound, and "tone" refers to the quality or character of a sound or voice, but neither term is specific to the theatre or to the definition provided.

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The literacy genre that directly imitates human actions is Drama. Drama is a genre of literature that involves the performance of written dialogues and actions by actors on stage or in front of a camera. It usually tells a story through the actions and words of its characters, rather than through the narrator's voice. By imitating human actions, drama brings the story to life and helps the audience to connect with the characters and their experiences. Comedy, prose, and poetry do not necessarily imitate human actions in the same direct way as drama.

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Onomatopoeia is defined as a word which imitates the natural sounds of a thing. It creates a sound effect that mimics the thing described, making the description more expressive and interesting.

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The term that refers to the time and place of a drama is "setting." The setting is the physical and social environment in which a story or drama takes place. It includes the time period, the location, the climate, and the social context of the story. The setting can be a specific place, such as a city, a building, or a room, or it can be a more general location, such as a forest, a beach, or a desert. In drama, the setting is important because it helps to establish the context of the story and provides the audience with a visual and emotional backdrop for the action. The setting can also influence the characters' behavior and motivations, as well as the themes and messages of the drama. Therefore, if someone is referring to the time and place of a drama, they are talking about the setting. It is important to note that the setting is not the same as a scene or an act, which refer to specific parts of the drama rather than the overall environment in which the story takes place.

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A "sub-chapter" in a piece of drama is called a "scene." A scene is a section of a play that takes place in a specific location and time, and involves a particular set of characters. Think of it like a short chapter within a larger story. Scenes can be used to advance the plot, develop characters, or provide exposition to the audience. Within an act, there can be multiple scenes that help to structure the play and keep the story moving forward.

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The climax (turning point) of a narrative work is its point of highest tension between the protagonist and the antagonist in a drama

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Yaremi's only son is Alani.

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An Author is who writes a prose

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An antagonist is the character in a story that is against or opposes the protagonist

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A literary work in which the characters and events are used as symbols is known as an allegory. An allegory is a story or narrative that has a hidden meaning or moral message conveyed through the use of symbols. In an allegory, characters and events represent abstract ideas or concepts, often related to politics, religion, or morality. For example, the novel "Animal Farm" by George Orwell is an allegory in which the animals on a farm overthrow their human owner and attempt to create a society based on equality and freedom. However, the pigs gradually become corrupt and oppressive, representing the rise of Stalinism in the Soviet Union. The animals and events in the story are symbolic of real-life figures and events, allowing the author to criticize political systems and social issues in a veiled and often satirical way. Overall, an allegory is a powerful literary device that can be used to convey complex ideas and messages in a way that is engaging, thought-provoking, and often entertaining.

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A poem is a poem when it is written in lines and stanzas, any other writing without the division into lines and stanzas is not a poem.

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A folk-tale is a work of fiction. A folk-tale is a traditional story that has been passed down orally from generation to generation. It typically features fantastical or magical elements, and often serves to teach a moral lesson or explain natural phenomena. Folk-tales may include characters such as talking animals, brave heroes, and wicked villains, and they may be set in imaginary or real locations. While some folk-tales may be based on historical events or contain elements of truth, they are not biographies or true accounts of specific individuals or events. Rather, they are fictional stories that have been shaped and adapted over time by the cultures and communities that tell them.

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The correct answer is "soliloquy". A soliloquy is a literary device used in a play where a character speaks their thoughts aloud, as if talking to themselves, without any other characters present or listening. It is often used to reveal the innermost thoughts and emotions of the character, and can provide insight into their motivations and actions. Soliloquies are typically delivered by one character alone on stage, and can be either serious or comedic in tone. Shakespeare is famous for using soliloquies in his plays, such as Hamlet's "To be or not to be" speech.

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Fable is a literary genre: a succinct fictional story, in prose or verse, that features animals, legendary creatures, plants, inanimate objects, or forces of nature that are anthropomorphized (given human qualities, such as the ability to speak human language) and that illustrates or leads to a particular moral lesson...

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Tennyson's "Ulysses" is a poem about the heroic spirit . It expresses luxuriance of imagination and control over it.

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The phrase "living death" in a literary work is an example of an "oxymoron." An oxymoron is a figure of speech that combines two contradictory or opposing ideas to create a new phrase or concept. In this case, "living" and "death" are two words that are completely opposite in meaning. "Living" refers to being alive and having a vibrant existence, while "death" refers to the absence of life and the end of existence. By combining these two words into the phrase "living death," the author is able to create a powerful image of a situation or state of being that is both alive and dead at the same time. In literature, oxymorons are often used to create a sense of tension, irony, or paradox. They can also be used to create memorable and thought-provoking phrases that stick in the reader's mind. In the case of "living death," the oxymoron is particularly effective in describing a situation or condition that is both physically alive but emotionally or spiritually dead. This can be used to describe a character who is in a state of despair, depression, or hopelessness, or to describe a situation that is stagnant, unchanging, or lacking in vitality.

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The main aim of caricature is to ridicule. Caricature is a form of artistic expression that exaggerates or distorts the features of a person or thing in order to create a humorous or critical representation. The purpose of caricature is often to poke fun at, mock, or criticize the subject, whether it be a political figure, celebrity, or social issue. By exaggerating certain features or traits, the artist is able to draw attention to the subject's flaws or idiosyncrasies and make a statement through humor or satire.

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"Peter's pretty partner paid the bills" is an example of alliteration. Alliteration is a literary device where words in a phrase or sentence repeat the same sound, usually the first sound, creating a musical or rhythmic effect. In the phrase "Peter's pretty partner paid the bills," the repeated "p" sound is an example of alliteration.

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The dominant mood in the lines from Wole Soyinka's poem "Night" is one of apprehension. The use of words like "serrated shadows," "dark leaves," and "night thieves" create a sense of unease and suggest that danger may be lurking in the shadows. The reference to a "warm suffusion" may initially create a feeling of comfort, but the subsequent use of "sensation pained me, faceless" implies that the speaker is experiencing discomfort or pain, and the overall tone remains apprehensive. Therefore, the answer to the question is option A: apprehension.

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Othello kills Desdemona because the former is jealous. In the play, Othello is consumed by jealousy after Iago, his trusted ensign, convinces him that his wife, Desdemona, has been unfaithful with Cassio, one of his officers. Othello's jealousy leads him to kill Desdemona, despite her protests of innocence.

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The writer of a poem is called a poet. A poet is someone who writes poems, which are a form of artistic expression that use language to convey emotion, ideas, or images. Poetry can take many forms, including sonnets, haikus, free verse, and more, and poets use a variety of literary devices such as rhyme, meter, and metaphor to create their works. So, if someone writes a poem, they are generally referred to as a poet.

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In J.P Clark's "Wives Revolt," the women settle at Iyara as a way to prevent reconciliation with their husbands. They did this because they were unhappy with their treatment by their husbands and wanted to take a stand to show that they wouldn't tolerate it any longer. By settling at Iyara, the women were making it clear that they were not going to return to their previous situation and were willing to take action to achieve their goals.

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A playwright writes a play. A play is a form of literature that is meant to be performed on stage. It typically features dialogue between characters and may also include stage directions, descriptions of settings, and other details that help bring the story to life. The playwright is the author of the play, responsible for creating the characters, plot, and dialogue. While the playwright may also be involved in other aspects of producing the play, such as directing or producing, their primary role is as the writer of the script. The play is then performed by actors, under the direction of a director, in front of an audience. In summary, the playwright is the creative mind behind a play, responsible for crafting the story and characters that make up the script.

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The central idea in J.P Clark's "Wives Revolt" is that gender equity is desirable and unattainable. The play likely explores the theme of gender equality and the difficulties and obstacles faced by women in achieving equal rights and treatment. The idea that it is both desirable and unattainable suggests that the characters in the play see the value in gender equity, but find it difficult to achieve due to societal norms and expectations.

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