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Pregunta 1 Informe
A Midsummer Night's Read the extract below and answer questions 31 to 35.
X: You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
Y: With the rich worth of your virginity.
Your virtue is my privilege: for that
it is not night when I do see your face,
Therefore I think I am not in the night;
Night evolves in the speakers'
Detalles de la respuesta
Pregunta 2 Informe
Read the extract below and answer questions9 to 11.
What happened to a dream deferred?
Does it dry up Like a raisin in the sun?
Or fester like a sore
And then run?
Does it stink like rotten meat?
does it stink like rotten meat? makes use of the sense of
Detalles de la respuesta
The line "Does it stink like rotten meat?" makes use of the sense of smell. It describes the potential odor of a deferred dream, suggesting that it could become unpleasant, much like the smell of decaying flesh. The question implies that the dream may become something undesirable and unpleasant over time, which can be associated with a foul smell. Smell is one of the five senses, and it refers to the ability to perceive scents and odors through the nose.
Pregunta 3 Informe
Read the poem below and answer questions 26 to 30.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouths with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile but O great god, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet and long the mile,
But let the world dream otherwise,
We wear the mask!
We wear the mask that grins and lies illustrate
Detalles de la respuesta
Pregunta 4 Informe
A Midsummer Night's Read the extract below and answer questions 31 to 35.
X: You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
Y: With the rich worth of your virginity.
Your virtue is my privilege: for that
it is not night when I do see your face,
Therefore I think I am not in the night;
Speaker X is
Detalles de la respuesta
Pregunta 5 Informe
Read the poem below and answer questions 26 to 30.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouths with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile but O great god, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet and long the mile,
But let the world dream otherwise,
We wear the mask!
The dominant mood is one of
Detalles de la respuesta
Pregunta 6 Informe
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: ...
(Act llI, Scene One, Lines 116-121)
Speaker Y is a member of
Detalles de la respuesta
Pregunta 7 Informe
A Midsummer Night's Read the extract below and answer questions 31 to 35.
X: You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
Y: With the rich worth of your virginity.
Your virtue is my privilege: for that
it is not night when I do see your face,
Therefore I think I am not in the night;
Speaker X sees Speaker Y
Detalles de la respuesta
Pregunta 8 Informe
Read the poem below and answer questions 26 to 30.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouths with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile but O great god, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet and long the mile,
But let the world dream otherwise,
We wear the mask!
The poet's tone is
Detalles de la respuesta
Pregunta 9 Informe
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speaker is involved in putting on
Detalles de la respuesta
The speaker is involved in putting on a play.
Pregunta 10 Informe
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: ...
(Act llI, Scene One, Lines 116-121)
Speaker Y is
Detalles de la respuesta
Pregunta 11 Informe
I feel a million times better than I felt yesterday is
Detalles de la respuesta
The statement "I feel a million times better than I felt yesterday" is an example of hyperbole. This is because the speaker is exaggerating their feelings to emphasize how much better they are feeling compared to the previous day. Using the phrase "a million times better" is an exaggeration because it is impossible to feel a million times better, as feeling good is a subjective feeling and cannot be measured in numerical terms.
Pregunta 12 Informe
Read the passage below and answer questions 21 to 25
When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say 'shhh' and he would drift to sleep with the heart shape of her face imprinted on his mind.
The dominant feeling in the passage is that of
Detalles de la respuesta
The dominant feeling in the passage is nostalgia. The passage describes a childhood memory in which the narrator reflects on past experiences and conversations with his mother. Although the memories involve some negative events, such as being in a fight or witnessing others engaging in destructive behavior, the overall tone is one of fondness and longing for the past. The narrator's mother is portrayed as a source of comfort and reassurance, which contributes to the nostalgic feeling of the passage.
Pregunta 13 Informe
Read the passage below and answer questions 21 to 25
When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say 'shhh' and he would drift to sleep with the heart shape of her face imprinted on his mind.
The main character is
Detalles de la respuesta
The main character is inquisitive, meaning he is curious and asks many questions. He is asking his mother about various events and experiences, trying to understand why they happened.
Pregunta 14 Informe
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speech is part of the
Detalles de la respuesta
Pregunta 15 Informe
The chorus normally features prominently in
Detalles de la respuesta
The chorus normally features prominently in drama. A chorus is a group of performers who sing, dance, and speak together in unison. In drama, the chorus serves as a narrator, commentator, or participant in the action of the play. They can represent a group of people, such as citizens or soldiers, or they can be a group of supernatural beings, such as gods or spirits. The chorus helps to set the tone and mood of the play, and can also provide background information or commentary on the events that are unfolding on stage. The chorus can sing, chant, or speak their lines, and their performances are often accompanied by music or movement. Overall, the chorus plays an important role in enhancing the dramatic effect of the play and engaging the audience in the story.
Pregunta 16 Informe
A pause within a line of poetry is
Detalles de la respuesta
A pause within a line of poetry is called a caesura. It is a deliberate interruption or break in the middle of a line of verse. It can be indicated by punctuation such as a comma, semicolon, or dash, or it can occur naturally in the flow of the words. The caesura is used to create a pause for emphasis, to change the rhythm of the verse, or to divide a line into two distinct parts.
Pregunta 17 Informe
A three-line stanza, rhymed ABA, BCB, CDC is a
Detalles de la respuesta
The stanza described with three lines and a rhyme scheme of ABA, BCB, CDC is called terza rima. Terza rima is a form of poetry that originated in Italy and was used by Dante in his famous work, "The Divine Comedy." In terza rima, the first and third lines of each stanza rhyme with each other, while the second line of each stanza rhymes with the first and third lines of the following stanza. This creates a chain-like rhyme scheme that continues throughout the poem.
Pregunta 18 Informe
Utopia is a term used to describe
Detalles de la respuesta
Utopia is a term used to describe an ideal society or community, where everything is perfect and everyone lives in peace and harmony. It is often used to describe a place or situation that is perfect or ideal in every way, without any flaws or problems. The term "utopia" comes from the Greek words "ou" (meaning "not") and "topos" (meaning "place"), so it literally means "no place". Utopia is often seen as a fantasy or a dream, because it is very difficult to achieve such a perfect and ideal society in reality.
Pregunta 19 Informe
Read the extract below and answer questions 36 to 40
But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.
(Act I, Scene two Lines 79-84)
The speaker is A. Bottom B. PeaseblossomC.
Detalles de la respuesta
Pregunta 20 Informe
Read the extract below and answer questions 36 to 40
But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.
(Act I, Scene two Lines 79-84)
The rehearsal is in preparation for
Detalles de la respuesta
Pregunta 21 Informe
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: ...
(Act llI, Scene One, Lines 116-121)
Speaker X has just
Detalles de la respuesta
Speaker X has not done any of the options mentioned in the question. In the given extract, Speaker X is asking Speaker Y to sing again because they are enamoured with their singing and are also attracted to their appearance and virtue. Speaker X even goes on to say that they love Speaker Y at first sight. Speaker X has not escaped from the city, fallen into a world of dreams, woken up from an induced sleep, or abandoned a loved one.
Pregunta 22 Informe
A dramatist is someone who....plays
Detalles de la respuesta
A dramatist is someone who writes plays. This means they create the script, the dialogue and the characters for a theatrical performance. They are responsible for putting the story and ideas down on paper, ready to be performed by actors on stage.
Pregunta 23 Informe
A recurring idea, image, or a group of images that unifies a work of literature is
Detalles de la respuesta
A recurring idea, image, or group of images that unifies a work of literature is called a motif. This means that the same symbol or idea keeps appearing throughout the work, which helps to create a sense of unity and coherence. For example, in "To Kill a Mockingbird," the mockingbird is a motif that appears throughout the novel, representing innocence and vulnerability. The repetition of this symbol helps to reinforce the novel's themes and create a deeper meaning for the reader.
Pregunta 24 Informe
Read the poem below and answer questions 26 to 30.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouths with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile but O great god, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet and long the mile,
But let the world dream otherwise,
We wear the mask!
The poem is about
Detalles de la respuesta
The poem is about appearances. Specifically, it describes the "mask" that people wear to hide their true emotions and experiences. The speaker suggests that society doesn't want to see the pain and suffering that people are going through, so they put on a mask to hide it. The poem acknowledges the pain that people feel while trying to maintain a certain appearance, but ultimately argues that the world prefers the illusion of happiness to the reality of suffering.
Pregunta 25 Informe
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speech is A. romanticB. satiric c. comicD. tragic
Detalles de la respuesta
Pregunta 26 Informe
Something a character says on stage that is meant for the audience alone is
Detalles de la respuesta
An aside is something a character says on stage that is meant for the audience alone. It is a theatrical device used to reveal a character's inner thoughts or feelings directly to the audience, without other characters on stage being aware of it. The purpose of an aside is to provide the audience with insight into the character's motivations or to provide additional context to the scene. It is usually spoken in a lower voice or in an aside tone and can be marked by the character turning towards the audience or breaking the fourth wall.
Pregunta 27 Informe
When you are old and grey and full of sleep.
The rhythmic pattern of the above line is
Detalles de la respuesta
The rhythmic pattern of the above line is iambic. The line consists of ten syllables and follows an iambic meter, which means that it contains five iambs. An iamb is a metrical foot consisting of two syllables, with the first syllable unstressed and the second syllable stressed. In the line "When you are old and grey and full of sleep", the first syllable in each iamb (marked in bold) is unstressed, and the second syllable is stressed. This creates a pattern of da-DUM, da-DUM, da-DUM, da-DUM, da-DUM, which is the rhythm of iambic pentameter. Many famous poets, such as William Shakespeare and John Keats, have used iambic pentameter in their works.
Pregunta 28 Informe
Read the extract below and answer questions9 to 11.
What happened to a dream deferred?
Does it dry up Like a raisin in the sun?
Or fester like a sore
And then run?
Does it stink like rotten meat?
The dominant literary device is
Detalles de la respuesta
The dominant literary device in this excerpt is the rhetorical question. This is because the author asks a series of questions that are not intended to be answered directly, but rather to provoke thought and create emphasis on the potential consequences of a deferred dream. The questions also serve to build up a sense of anticipation and create a mood of uncertainty about what might happen to a dream that is put off for too long. Overall, the use of rhetorical questions in this excerpt helps to convey the theme of the poem, which is the negative effects of delaying or denying one's aspirations.
Pregunta 29 Informe
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: ...
(Act llI, Scene One, Lines 116-121)
Speaker X's speech can be described as a
Detalles de la respuesta
Pregunta 30 Informe
Read the extract below and answer questions9 to 11.
What happened to a dream deferred?
Does it dry up Like a raisin in the sun?
Or fester like a sore
And then run?
Does it stink like rotten meat?
The mood of the poem is one of
Detalles de la respuesta
The mood of the poem is one of uncertainty or doubt. The speaker is asking questions about what happens to a dream that has been postponed or delayed. They are considering various possibilities for what might happen, but they don't seem to have a clear answer.
Pregunta 31 Informe
Read the extract below and answer questions 36 to 40
But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.
(Act I, Scene two Lines 79-84)
The main actors will be
Detalles de la respuesta
The main actors in this extract are Quince and Bottom.
Pregunta 32 Informe
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The occasion is
Detalles de la respuesta
Pregunta 33 Informe
Read the poem below and answer questions 26 to 30.
We wear the mask that grins and lies,
It hides our cheeks and shades our eyes,
This debt we pay to human guile;
With torn and bleeding hearts we smile
And mouths with myriad subtleties,
Why should the world be over-wise,
In counting all our tears and sighs?
Nay, let them only see us, while
We wear the mask.
We smile but O great god, our cries
To thee from tortured souls arise
We sing, but oh the clay is vile
Beneath our feet and long the mile,
But let the world dream otherwise,
We wear the mask!
The rhyme scheme of the first stanza is
Detalles de la respuesta
The rhyme scheme of the first stanza is "aabcc". The first and second lines end with words that rhyme with each other ("lies" and "eyes"), the third and fourth lines end with words that rhyme with each other ("guile" and "smile"), and the fifth and sixth lines end with words that rhyme with each other ("subtleties" and "lies"). The third and fourth lines also partially rhyme with the first two lines, and the fifth and sixth lines partially rhyme with the third and fourth lines.
Pregunta 34 Informe
Read the extract below and answer questions 36 to 40
But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.
(Act I, Scene two Lines 79-84)
The speaker is addressing
Detalles de la respuesta
The speaker is addressing actors. This can be inferred from the context of the passage, in which the speaker is asking the actors to review their parts and rehearse for a play they will perform. The speaker also expresses concern about being observed by other people in the city, suggesting that they need a private location to practice their play. This is consistent with the idea of actors rehearsing for a theatrical production. Therefore, it can be concluded that the speaker is addressing a group of actors.
Pregunta 35 Informe
The most intense part of a conflict is the
Detalles de la respuesta
The most intense part of a conflict is the climax. This is the point in the conflict where tensions are at their highest and the outcome of the conflict is uncertain. It's the part of the story where the protagonist and antagonist confront each other directly and the stakes are the highest. The climax is usually the most action-packed and emotionally charged part of the conflict, and it's where the story reaches its peak of intensity. After the climax, the story moves into the denouement or resolution, where loose ends are tied up and the conflict is resolved. The deus ex machina is a plot device where an improbable event or character suddenly appears to resolve the conflict, but it is not typically considered the most intense part of a conflict.
Pregunta 36 Informe
Read the extract below and answer questions 46 to 50.
If we offend, it is with our good will.
That you should think, we come not to offend,
But with good will. To show our simple skill,
That is the true beginning of our end.
Consider then, we come but in despite.
We do not come, as minding to content you,
Our true intent is.
(Act V, Scene One, Lines 108-114)
The speaker is
Detalles de la respuesta
The speaker in the extract is Quince.
Pregunta 37 Informe
A story which explains a natural phenomenon or justifies the beliefs of a society is A. myth B. legend C. motif D. fable
Detalles de la respuesta
A story that explains a natural phenomenon or justifies the beliefs of a society is called a myth. Myths are traditional stories that often feature gods or heroes and are used to explain how the world works, why things are the way they are, and how people should behave. They can be found in many cultures around the world and are often passed down through oral traditions. Myths can include explanations for natural phenomena such as the creation of the world, the changing of the seasons, or the origin of animals.
Pregunta 38 Informe
Nando's family lives within the lower income bracket illustrates
Detalles de la respuesta
Pregunta 39 Informe
a short play performed in the pause between the act of a longer play is
Detalles de la respuesta
A short play performed in the pause between the act of a longer play is an interlude. An interlude is a short play, entertainment, or musical performance that is performed between the acts of a larger play or opera. It was a common practice in medieval and Renaissance theatre, and was used to provide a break in the action, add some humor, or add additional entertainment for the audience.
Pregunta 40 Informe
Read the passage below and answer questions 21 to 25
When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say 'shhh' and he would drift to sleep with the heart shape of her face imprinted on his mind.
The dominant literary device in the passage is
Detalles de la respuesta
Pregunta 41 Informe
A dramatic performance without words is
Detalles de la respuesta
A dramatic performance without words is called a mime. Mime is a type of performance art that involves acting out a story or scene using gestures, facial expressions, and body movements, but without speaking. The goal of mime is to communicate a message or tell a story to the audience through non-verbal means. It is often performed in a theatrical setting, and can be comedic or serious in nature.
Pregunta 42 Informe
A Midsummer Night's Read the extract below and answer questions 31 to 35.
X: You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
Y: With the rich worth of your virginity.
Your virtue is my privilege: for that
it is not night when I do see your face,
Therefore I think I am not in the night;
Speaker Y is
Detalles de la respuesta
Speaker Y is Helena. In the extract, Speaker X is cautioning someone against leaving the city and trusting someone who doesn't love them. In response, Speaker Y reassures the other person that their virtue is valuable and that they themselves do not feel like they are in the darkness of the night when they see the other person's face. This dialogue suggests that Speaker Y is deeply in love with the other person, and willing to defend them against any perceived attacks on their reputation or honor. The other options (Titania, Pease blossom, Hippolyta) are not supported by the context of the extract.
Pregunta 43 Informe
An inscription on a tombstone is an
Detalles de la respuesta
An inscription on a tombstone is an epitaph. An epitaph is a short text or verse that is written on a tombstone or monument to honor or commemorate a deceased person. It often includes the person's name, dates of birth and death, and a brief message that reflects on their life, personality, or accomplishments. Epitaphs can be serious, humorous, religious, or sentimental, and are meant to provide comfort and closure to the loved ones of the deceased.
Pregunta 44 Informe
Read the passage below and answer questions 21 to 25
When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say 'shhh' and he would drift to sleep with the heart shape of her face imprinted on his mind.
The feelings is conveyed by the
Detalles de la respuesta
The feeling conveyed in the passage is the tender care of his mother. This is shown through her actions of stroking his hair and trying to comfort him when he had questions or was upset about events in his life. The heart shape of her face is described as being imprinted on the boy's mind, showing the impact she had on him and the fond memories he had of her.
Pregunta 45 Informe
A Midsummer Night's Read the extract below and answer questions 31 to 35.
X: You do impeach your modesty too much,
To leave the city and commit yourself
Into the hands of one that loves you not;
To trust the opportunity of night
And the ill counsel of a desert place
Y: With the rich worth of your virginity.
Your virtue is my privilege: for that
it is not night when I do see your face,
Therefore I think I am not in the night;
Both speakers are in the woods
Detalles de la respuesta
The answer is C. for different reasons. Speaker X is telling speaker Y that it is not modest to leave the city and put herself in danger with someone who does not love her. Meanwhile, speaker Y is trying to convince speaker X that he is trustworthy and that he values her virtue. They both have different reasons for being in the woods and are not hiding or spying on each other. Therefore, the answer is C. for different reasons.
Pregunta 46 Informe
Read the extract below and answer questions 36 to 40
But, masters, here are our parts, and I am to entreat you, request you, and desire you, to con them by to-morrow night; and meet me in the place wood, a mile without the town, by moonlight. There will we rehearse: for if we meet in the city, we shall be dogged with company, and Our devices known.
(Act I, Scene two Lines 79-84)
They intend to rehearse the play
Detalles de la respuesta
Pregunta 47 Informe
Read the extract below and answer questions 41 to 45
X: I pray thee, gentle mortal, sing again;
Mine ear is much enamoured of thy note;
So is mine eye enthralled to thy shape;
And thy fair virtue's force perforce doth move me
On the first view, to say, to swear, I love thee.
Y: Methinks, mistress, you should have little reason for that: ...
(Act llI, Scene One, Lines 116-121)
Speaker X is
Detalles de la respuesta
Pregunta 48 Informe
ldentify the odd item:
Detalles de la respuesta
The odd item in the list is "literary appreciation." It doesn't fit in with the other items, which are all narrative techniques used in writing. "Literary appreciation" refers to the act of enjoying and valuing literature, not a specific technique used in writing.
Pregunta 49 Informe
Read the passage below and answer questions 21 to 25
When he was little, he would ask his mother. sometimes as he lay in the cold little room and looked up at her as she sat beside the bed stroking his hair why two boys from his class had thrown stones at a dog; or why on another occasion a gang of them had broken into an empty house, smashing the thick door which had curved mouldings on the front which had been turned by carpenters years before; or why he had ended up in a fight which had begun when a little girl had shouted names at him which made no sense about his house and his mother and others had joined in and he had rushed at them, scattering them as some shricked and some laughed and he flaied about with his hard little fists and tears in his eyes. His mother would smile, say 'shhh' and he would drift to sleep with the heart shape of her face imprinted on his mind.
. ..and he had rushed at them, scattering them as some strieked and some laughed illustrates
Detalles de la respuesta
Pregunta 50 Informe
The lawyer addressed the bench illustrates
Detalles de la respuesta
The phrase "the lawyer addressed the bench" is an example of metonymy. In this figure of speech, a word or phrase is used to represent something else that it is closely associated with. In this case, "the bench" is used to represent the judge or judges who are sitting on the bench in a courtroom, and "the lawyer" is addressing them in court. The use of "the bench" in place of "the judge" is a common metonymy in legal contexts.
Pregunta 51 Informe
SECTION D (NON-AFRICAN POETRY) Consider the use of alliteration, assonance and repetition in the poem 'Binsey Poplars'
Gerard Manley Hopkins's Binsey Poplars mourns a row of aspen trees felled beside the river at Binsey. The poem's grief is intensified by its rich sound patterning, and alliteration, assonance and repetition are central to its music and meaning.
Alliteration
Assonance
Repetition
Combined effect
Conclusion
Alliteration, assonance and repetition are not ornaments but the very heart of Binsey Poplars. They give the elegy its haunting music and force home its lament that once nature's delicate beauty is hewn down, it can never be restored.
Detalles de la respuesta
Gerard Manley Hopkins's Binsey Poplars mourns a row of aspen trees felled beside the river at Binsey. The poem's grief is intensified by its rich sound patterning, and alliteration, assonance and repetition are central to its music and meaning.
Alliteration
Assonance
Repetition
Combined effect
Conclusion
Alliteration, assonance and repetition are not ornaments but the very heart of Binsey Poplars. They give the elegy its haunting music and force home its lament that once nature's delicate beauty is hewn down, it can never be restored.
Pregunta 52 Informe
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
consider Mama Orojo's relationship with her church members in Amen Kristi.
In Alex Agyei-Agyiri's Unexpected Joy at Dawn, Mama Orojo is Nii's long-separated sister who has settled in Nigeria and become a devout member of the Amen Kristi church. Her relationship with her fellow worshippers reveals both her deep faith and the comfort and community that religion offers her while she hopes for reunion with her lost brother.
A devoted and respected member
Generosity and motherly care
Mutual support and hope
Faith set against a corrupt world
Conclusion
Mama Orojo's relationship with her fellow church members at Amen Kristi is one of mutual love, respect and support. The church becomes her surrogate family, sustaining her faith and hope, and her generous, motherly conduct within it marks her as a figure of goodness set against the harshness of the world outside.
Detalles de la respuesta
In Alex Agyei-Agyiri's Unexpected Joy at Dawn, Mama Orojo is Nii's long-separated sister who has settled in Nigeria and become a devout member of the Amen Kristi church. Her relationship with her fellow worshippers reveals both her deep faith and the comfort and community that religion offers her while she hopes for reunion with her lost brother.
A devoted and respected member
Generosity and motherly care
Mutual support and hope
Faith set against a corrupt world
Conclusion
Mama Orojo's relationship with her fellow church members at Amen Kristi is one of mutual love, respect and support. The church becomes her surrogate family, sustaining her faith and hope, and her generous, motherly conduct within it marks her as a figure of goodness set against the harshness of the world outside.
Pregunta 53 Informe
SECTIONA (AFRICAN DRAMA) WOLE SOYINKA: The Lion and The Jewel
Why does Lakunle lose Sidi to Baroka?
In Wole Soyinka's The Lion and the Jewel, the contest for the village beauty Sidi is fought between the young schoolteacher Lakunle and the old chief Baroka, the "Lion" of Ilujinle. Lakunle loses her for several linked reasons.
His refusal to pay the bride-price
His empty modern talk
His timidity and weakness
Baroka's cunning
Conclusion
Lakunle loses Sidi because his shallow, undigested modernity, his refusal to honour tradition by paying the bride-price, and his personal weakness make him no match for the wily, self-assured Baroka. The play thus favours rooted native wisdom over borrowed, empty Westernisation.
Detalles de la respuesta
In Wole Soyinka's The Lion and the Jewel, the contest for the village beauty Sidi is fought between the young schoolteacher Lakunle and the old chief Baroka, the "Lion" of Ilujinle. Lakunle loses her for several linked reasons.
His refusal to pay the bride-price
His empty modern talk
His timidity and weakness
Baroka's cunning
Conclusion
Lakunle loses Sidi because his shallow, undigested modernity, his refusal to honour tradition by paying the bride-price, and his personal weakness make him no match for the wily, self-assured Baroka. The play thus favours rooted native wisdom over borrowed, empty Westernisation.
Pregunta 54 Informe
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
consider Mama Orojo's relationship with her church members in Amen Kristi.
Detalles de la respuesta
None
Pregunta 55 Informe
EMILY BRONTE: Wuthering Heights
Comment on the importance of setting in the novel
Setting is one of the most powerful elements in Emily Bronte's Wuthering Heights. The two houses and the wild Yorkshire moors are not mere background; they shape character, mirror emotion and drive the meaning of the whole novel.
The two contrasting houses
The moors
Weather and atmosphere
Isolation
Conclusion
The setting of Wuthering Heights works almost as a character in its own right. Through the contrast of the two houses, the symbolism of the wild moors and the pathetic fallacy of storm and weather, Bronte externalises the passions of her people and gives the novel its brooding, elemental power.
Detalles de la respuesta
Setting is one of the most powerful elements in Emily Bronte's Wuthering Heights. The two houses and the wild Yorkshire moors are not mere background; they shape character, mirror emotion and drive the meaning of the whole novel.
The two contrasting houses
The moors
Weather and atmosphere
Isolation
Conclusion
The setting of Wuthering Heights works almost as a character in its own right. Through the contrast of the two houses, the symbolism of the wild moors and the pathetic fallacy of storm and weather, Bronte externalises the passions of her people and gives the novel its brooding, elemental power.
Pregunta 56 Informe
BUCHI EMECHETA: Second Class Citizen
Consider Adah's growth in confidence and determination in pursuit of her dreams
Adah, the heroine of Second Class Citizen, grows from a poor, overlooked Ibo girl into a determined woman who insists on shaping her own life. Her growth in confidence and determination is the backbone of the novel.
Early determination against the odds
Building a footing
Confidence under hardship in London
Pursuit of her dream to write
Final independence
Conclusion
Adah's journey is one of steadily rising confidence: from a girl fighting for schooling, to a working wife bankrolling her family, to a writer and single mother who chooses dignity over subjection. Her determination in the pursuit of her dreams makes her one of African literature's memorable strong women.
Detalles de la respuesta
Adah, the heroine of Second Class Citizen, grows from a poor, overlooked Ibo girl into a determined woman who insists on shaping her own life. Her growth in confidence and determination is the backbone of the novel.
Early determination against the odds
Building a footing
Confidence under hardship in London
Pursuit of her dream to write
Final independence
Conclusion
Adah's journey is one of steadily rising confidence: from a girl fighting for schooling, to a working wife bankrolling her family, to a writer and single mother who chooses dignity over subjection. Her determination in the pursuit of her dreams makes her one of African literature's memorable strong women.
Pregunta 57 Informe
SECTION B (NON-AFRICAN DRAMA) AUGUST, WILSON: Fences
Comment on the appropriateness of the title, Fences.
The title of August Wilson's play Fences is highly appropriate, for the fence is both a literal object built on stage and a rich symbol that gathers up the play's central themes.
The literal fence
Fences that keep people in (love and protection)
Fences that keep people out
Fences of separation and division
Irony of completion
Conclusion
The title Fences is apt because the fence operates on every level of the play: as a real structure, as a sign of love and protection, as a defence against death, and as an image of the social and emotional barriers that divide people. The single image thus unifies the whole drama.
Detalles de la respuesta
The title of August Wilson's play Fences is highly appropriate, for the fence is both a literal object built on stage and a rich symbol that gathers up the play's central themes.
The literal fence
Fences that keep people in (love and protection)
Fences that keep people out
Fences of separation and division
Irony of completion
Conclusion
The title Fences is apt because the fence operates on every level of the play: as a real structure, as a sign of love and protection, as a defence against death, and as an image of the social and emotional barriers that divide people. The single image thus unifies the whole drama.
Pregunta 58 Informe
EMILY BRONTE: Wuthering Heights
Examine the relationship between Lockwood and Heathcliff in the novel
Pregunta 59 Informe
SECTIONB (NON-AFRICAN DRAMA) AUGUST, WILSON: Fences
Consider Raynell's contribution to the pilot.
In August Wilson's Fences, Raynell is the daughter born to Troy Maxson by his mistress Alberta, who dies giving birth to her. Although she appears only late in the play, Raynell makes an important contribution to its plot and meaning.
Fruit of Troy's infidelity
Rose's redemption and growth
Symbol of innocence and new life
Reconciliation in the final scene
Conclusion
Though a minor character, Raynell drives key developments: she exposes Troy's betrayal, occasions Rose's noble decision, symbolises innocent new life, and finally helps bring about the reconciliation and healing with which the play closes.
Detalles de la respuesta
In August Wilson's Fences, Raynell is the daughter born to Troy Maxson by his mistress Alberta, who dies giving birth to her. Although she appears only late in the play, Raynell makes an important contribution to its plot and meaning.
Fruit of Troy's infidelity
Rose's redemption and growth
Symbol of innocence and new life
Reconciliation in the final scene
Conclusion
Though a minor character, Raynell drives key developments: she exposes Troy's betrayal, occasions Rose's noble decision, symbolises innocent new life, and finally helps bring about the reconciliation and healing with which the play closes.
Pregunta 60 Informe
RALPH ELLISON: Invisible Man
Examine the narrator's experiences at the eviction.
The eviction scene in Ralph Ellison's Invisible Man is a turning point. Wandering through Harlem, the narrator comes upon an elderly black couple being thrown out of their apartment into the winter street, and his response to the scene launches his public career.
What he witnesses
His response
Consequences
Significance
Conclusion
At the eviction the narrator finds his voice, his cause and the beginning of his fatal alliance with the Brotherhood. The experience is a milestone in his growth, fusing personal ambition, racial memory and the manipulations that will drive the rest of the novel.
Detalles de la respuesta
The eviction scene in Ralph Ellison's Invisible Man is a turning point. Wandering through Harlem, the narrator comes upon an elderly black couple being thrown out of their apartment into the winter street, and his response to the scene launches his public career.
What he witnesses
His response
Consequences
Significance
Conclusion
At the eviction the narrator finds his voice, his cause and the beginning of his fatal alliance with the Brotherhood. The experience is a milestone in his growth, fusing personal ambition, racial memory and the manipulations that will drive the rest of the novel.
Pregunta 61 Informe
ALEX AGYEI-AGYIRI: Unexpected Joy at Dawn
Discuss Ni's encounter with -Put-t -to-me in the novel
In Alex Agyei-Agyiri's Unexpected Joy at Dawn, Nii's encounter with the man nicknamed "I-Put-it-to-me" (also called Tally O) is a small but telling episode that dramatises the theme of survival under harsh, repressive conditions and prepares the way for the later fortunes of Nii's sister, Mama Orojo.
The setting of the encounter: the curfew. The soldiers in power have imposed a curfew that forbids movement at night, yet ordinary people still have to get home when the day ends. Nii, whose wife Massa lies bedridden and dependent on him, has stayed out and now has to slip home after the curfew hour. To beat the soldiers and the vigilante patrols on the streets, he uses his wits and pretends to be a lunatic, and in this way he passes safely through the security net to his own door.
The meeting itself. As Nii reaches his house he notices a man sitting on the stump of a tree in front of his door, biding his time to get past the curfew. He passes the man and enters. This stranger is I-Put-it-to-me, an illegal gold miner and a member of the Daga group of miners. Soon an army lance corporal comes into Nii's room, having caught I-Put-it-to-me for breaking the curfew. Like Nii, I-Put-it-to-me survives the danger by sheer ingenuity, and both men escape arrest for the offence. Their shared cunning under the same threat quietly links the two characters.
The irony and significance of the encounter. The meeting is deeply ironic. This same I-Put-it-to-me later cheats Nii's own sister: on Mama Orojo's flight to Ghana he sells her a fake gold ring, so the man Nii once brushed past at his door turns out to be a swindler who exploits his family. The Daga group to which he belongs is also the group in which Joe, the man connected to Mama Orojo, works and dies in the mines. The encounter therefore does more than show two men outwitting a curfew; it exposes a society in which survival depends on trickery and deceit, where the same sharp wits that save a man from soldiers are turned to cheating others.
Conclusion. Nii's brief encounter with I-Put-it-to-me shows the resourcefulness forced on people by military repression and hardship, and, through its later irony, it binds Nii's story to his sister's and underlines the atmosphere of insecurity and dishonesty that pervades the world of the novel.
Detalles de la respuesta
In Alex Agyei-Agyiri's Unexpected Joy at Dawn, Nii's encounter with the man nicknamed "I-Put-it-to-me" (also called Tally O) is a small but telling episode that dramatises the theme of survival under harsh, repressive conditions and prepares the way for the later fortunes of Nii's sister, Mama Orojo.
The setting of the encounter: the curfew. The soldiers in power have imposed a curfew that forbids movement at night, yet ordinary people still have to get home when the day ends. Nii, whose wife Massa lies bedridden and dependent on him, has stayed out and now has to slip home after the curfew hour. To beat the soldiers and the vigilante patrols on the streets, he uses his wits and pretends to be a lunatic, and in this way he passes safely through the security net to his own door.
The meeting itself. As Nii reaches his house he notices a man sitting on the stump of a tree in front of his door, biding his time to get past the curfew. He passes the man and enters. This stranger is I-Put-it-to-me, an illegal gold miner and a member of the Daga group of miners. Soon an army lance corporal comes into Nii's room, having caught I-Put-it-to-me for breaking the curfew. Like Nii, I-Put-it-to-me survives the danger by sheer ingenuity, and both men escape arrest for the offence. Their shared cunning under the same threat quietly links the two characters.
The irony and significance of the encounter. The meeting is deeply ironic. This same I-Put-it-to-me later cheats Nii's own sister: on Mama Orojo's flight to Ghana he sells her a fake gold ring, so the man Nii once brushed past at his door turns out to be a swindler who exploits his family. The Daga group to which he belongs is also the group in which Joe, the man connected to Mama Orojo, works and dies in the mines. The encounter therefore does more than show two men outwitting a curfew; it exposes a society in which survival depends on trickery and deceit, where the same sharp wits that save a man from soldiers are turned to cheating others.
Conclusion. Nii's brief encounter with I-Put-it-to-me shows the resourcefulness forced on people by military repression and hardship, and, through its later irony, it binds Nii's story to his sister's and underlines the atmosphere of insecurity and dishonesty that pervades the world of the novel.
Pregunta 62 Informe
SECTION A (AFRICAN DRAMA) WOLE SOYINKA: The Lion and The Jewel 1.
Examine the theme of love and marriage in the play.
Love and marriage form the central theme of Wole Soyinka's The Lion and the Jewel. The play examines competing attitudes to courtship, marriage customs and the union of the sexes, set against the wider clash between tradition and modernity in the village of Ilujinle.
Rival views of marriage
The contest for Sidi
The bride-price and custom
Comment on the theme
Conclusion
Through the rivalry of Lakunle and Baroka for Sidi, the play stages three attitudes to love and marriage, romantic-modern, proud-traditional and shrewdly polygamous, and finally endorses rooted native custom over borrowed Western romance.
Detalles de la respuesta
Love and marriage form the central theme of Wole Soyinka's The Lion and the Jewel. The play examines competing attitudes to courtship, marriage customs and the union of the sexes, set against the wider clash between tradition and modernity in the village of Ilujinle.
Rival views of marriage
The contest for Sidi
The bride-price and custom
Comment on the theme
Conclusion
Through the rivalry of Lakunle and Baroka for Sidi, the play stages three attitudes to love and marriage, romantic-modern, proud-traditional and shrewdly polygamous, and finally endorses rooted native custom over borrowed Western romance.
Pregunta 63 Informe
RALPH ELLISON: Invisible Man
Comment on the character and role of Mary in the novel
In Ralph Ellison's Invisible Man, Mary Rambo is the warm-hearted black woman who takes in the narrator after he collapses following his ordeal at the Liberty Paints factory hospital. Though a minor figure, she plays an important role as a symbol of nurturing, of racial memory and of ordinary black endurance in Harlem.
Her character
Her role in the novel
Significance
Conclusion
Mary Rambo is the nurturing mother-figure of Invisible Man. Her kindness, pride in her race and moral steadiness make her both a refuge for the narrator and a reminder of the roots and communal values he risks betraying in his search for recognition.
Detalles de la respuesta
In Ralph Ellison's Invisible Man, Mary Rambo is the warm-hearted black woman who takes in the narrator after he collapses following his ordeal at the Liberty Paints factory hospital. Though a minor figure, she plays an important role as a symbol of nurturing, of racial memory and of ordinary black endurance in Harlem.
Her character
Her role in the novel
Significance
Conclusion
Mary Rambo is the nurturing mother-figure of Invisible Man. Her kindness, pride in her race and moral steadiness make her both a refuge for the narrator and a reminder of the roots and communal values he risks betraying in his search for recognition.
Pregunta 64 Informe
SECTION C (AFRICAN POETRY)
Show how Africa suffered and survives still in Agostinho Neto's The Grieved Lands'
Agostinho Neto's The Grieved Lands (also rendered The Grieved Lands of Africa) is a poem of protest and hope. It shows Africa as a land that has suffered deep and repeated pain under slavery and colonialism, yet has refused to die and continues to survive and rise.
How Africa suffered
How Africa survives still
Technique that carries the theme
Conclusion
In The Grieved Lands, Neto records the historic agony of slavery and colonialism written into the very soil of Africa, but he transforms that grief into a song of survival. The grieved lands, though deeply wounded, rise, grow and live still, embodying the poet's faith in Africa's endurance and eventual freedom.
Detalles de la respuesta
Agostinho Neto's The Grieved Lands (also rendered The Grieved Lands of Africa) is a poem of protest and hope. It shows Africa as a land that has suffered deep and repeated pain under slavery and colonialism, yet has refused to die and continues to survive and rise.
How Africa suffered
How Africa survives still
Technique that carries the theme
Conclusion
In The Grieved Lands, Neto records the historic agony of slavery and colonialism written into the very soil of Africa, but he transforms that grief into a song of survival. The grieved lands, though deeply wounded, rise, grow and live still, embodying the poet's faith in Africa's endurance and eventual freedom.
Pregunta 65 Informe
BUCHI EMECHETA: Second Class Citizen
How are women treated in the novel?
Buchi Emecheta's Second Class Citizen is largely a protest against the low status forced upon women in both African and immigrant society. The treatment of women is shown through Adah's experiences and those around her.
Denied education
Valued only for marriage and money
Domination by husbands
Double burden as immigrants
Resistance and change
Conclusion
Women in the novel are generally treated as inferior beings, denied education, exploited for bride-price and children, and dominated by men. Yet through Adah, Emecheta insists on the woman's right to dignity, independence and self-expression.
Detalles de la respuesta
Buchi Emecheta's Second Class Citizen is largely a protest against the low status forced upon women in both African and immigrant society. The treatment of women is shown through Adah's experiences and those around her.
Denied education
Valued only for marriage and money
Domination by husbands
Double burden as immigrants
Resistance and change
Conclusion
Women in the novel are generally treated as inferior beings, denied education, exploited for bride-price and children, and dominated by men. Yet through Adah, Emecheta insists on the woman's right to dignity, independence and self-expression.
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